Nicholas Hagger presents a new philosophy focusing on an up-to-date view of the universe and its bio-friendly, orderly rather than random, structure. "At the origin of Western civilization, philosophy reflected the One universe and man's position in it. The last 350 years of increasing materialism and reductionism have fragmented the universe. In the 20th century philosophy preferred to focus on logic and language and has become increasingly irrelevant. Now a new philosophy, Universalism, takes philosophy back to its original aim: focus on the universe - the universe known to contemporary cosmologists, astrophysicists, physicists, biologists and geologists, who identify systems of order as well as randomness. Reflecting the most up-to-date scientific evidence for what the universe is, Universalism focuses on cosmological bio-friendliness and the universal principle of order, and reconnects philosophy to the metaphysical tradition rejected by the Vienna Circle. A systematic philosophy of the expanding universe, Nature and man, Universalism identifies a Law of Order that counterbalances a Law of Randomness and offers a new philosophy that has global applications"

2023 SMN Book Prize Winner - Significant Contribution to its Field The Algorithm of Creation is the last of Nicholas Hagger’s quartet on the unity of the universe and humankind, and follows The Universe and the Light (1993), The One and the Many (1999) and The New Philosophy of Universalism (2009). It offers an algebraic formula written out for him by Junzaburo Nishiwaki, Japan’s T.S. Eliot, in Tokyo in October 1965, that sums up the wisdom of the East: “+A + –A = 0.” Based on ancient Chinese thinking, yin (dark) + yang (light) = the Tao, it shows all opposites reconciled in the underlying unity of the One Void whose emptiness is also a fullness. During a dinner at a conference of leading scientists at Jesus College, Cambridge in September 1992, watched by Nobel physics prizewinner Roger Penrose, Hagger reversed the formula to 0 = +A + –A when he wrote down the maths for his view of the origin and creation of the universe and showed the first two particles emerging from the Void’s singularity, influenced by the 1992 discovery of ripples in the cosmic microwave background radiation and the Presocratic Anaximander of Miletus. In this work Hagger shows how this algebraic formula has worked as a universal algorithm, 0 = +A + –A = 0. Its many variations have acted as rules that have controlled the creation and development of the expanding universe, its evolution and the rise of human history, religion and science, and its ultimate fate. The formula is behind many of Hagger’s works, and his application of this algorithm to all human knowledge of the universe and all disciplines takes him to a first-ever Theory of Everything, which is set out at the end: the algorithm of Creation containing 100 mathematical symbols (reflecting all the variations) that can be summed up in the above algorithm. This startling achievement has been made possible by his Universalist cross-disciplinary approach which focuses on the fundamental oneness of the universe and humankind, and the unitive vision.

In this final work of his American trilogy, Nicholas Hagger focuses on the unified World State it is America's secret destiny to create, and on the world's divided culture that impedes its creation. Throughout world culture there are conflicting and entrenched metaphysical and secular approaches that permeate all its main disciplines, including history, philosophy and science, literature and comparative religion. In each discipline there is a tussle between the traditional religious view, which is supported by the 4.6 billion of the world's 7.3 billion population that follow a religion, and the secular and social approach associated with humanism and the scientific reductionism of Hawking and Dawkins, which sees the universe as a random accident. Hagger argues that it is America's secret destiny to bring in a democratic, UN-based, partly federal World State that can unify humankind. The conflict between metaphysical and secular approaches can be healed within a new reconciling philosophy that unites both outlooks, Universalism, which is already making an impact in the US. The key to this reconciliation is focusing on the scientific view of the order in the universe, and on the experience of the common essence which resides in all religions (the belief in the ordering Light), and on the traditional view of order in the seven disciplines of world culture. This reconciliation can reunify each discipline and therefore world culture, and create world unity. Restoring the metaphysical vision of order in world culture can strengthen America's harmonizing of humankind within a World State based on political Universalism.

In this remarkable memoir Nicholas Hagger reflects on war and peace and on 'peace for our time', Chamberlain’s haunting words in 1938 that ushered in the Second World War. Peace then turned out to be an illusion shattered by the outbreak of hostilities. Will world peace again turn out to be an illusion? With a lightness of touch Nicholas Hagger addresses the burning issue of our time - whether a new world structure can avert a new world war - and unveils a vision of a better, safer world for our grandchildren. This stimulating work will fascinate and inspire a new generation looking beyond nation-state self-interest to world unity.

The book is divided into two parts, namely, "Japanese Philosophy: Teaching and Research in the Global World;" and "Japanese Philosophy as an Academic Discipline." In the first part, there are reports of the situation of teaching and research of Japanese philosophy. The areas discussed are Japan, Canada, France, Spain and English-speaking regions. In the second part, there will be papers on varies topics on Japanese philosophy, such as papers on Nishida Kitaro, Kuki Shuzo, Tanabe Hajime to contemporary thinker such as Sakabe Megumi. These papers not only show the topics on Japanese philosophical debates, but also are the potential of Japanese philosophical thoughts.

Epping Forest was given to the public in 1878. It has many historical and literary associations involving, for example, Harold II, Henry VIII, Elizabeth I, Shakespeare, Tennyson, Clare and Churchill. Nicholas Hagger came to Epping Forest during the war. As a boy he knew Sir William Addison, long recognised as an authority on the Forest, and saw Churchill speak in his village in 1945. He grew up against the background of the Forest and visited it regularly when he was living elsewhere. He returned and became the proprietor of three private schools in the area, founding his own school in 1989. The Forest has come into many of his poems and other works. In Part One of this book he conveys the history of Epping Forest in the times of the Celts and Romans, Anglo-Saxons and Normans, Medievals and Tudors, and enclosers and loppers. In Part Two he shows how history has shaped the Forest places he grew up with: Loughton, Chigwell, Woodford, Buckhurst Hill, Waltham Abbey, High Beach, Upshire, Epping, the Theydons and Chingford Plain. An Appendix contains some of his poems about these places. His blending of history, recollection and poetic reflection presents a rounded view of the Forest. Using a technique of objective narrative he developed in other works and drawing on personal experience to give the flavour of a personal memoir, he evokes the spirit of the Forest through its best-loved places and wildlife, and brings the Forest alive through his historical perspective, evocation of Nature and vivid writing. Nicholas Hagger’s Collected Poems, Classical Odes and his two poetic epics, Overlord and Armageddon, are also published by O Books.

These poems serve as an introduction to Nicholas Hagger’s poetic works, which include nearly 1,500 poems, more than 300 classical odes, two poetic epics and five verse plays. They are grouped in two parts which reflect the two aspects of the fundamental theme of world literature outlined in his A New Philosophy of Literature: ‘Quest for the One’ and ‘Follies and Vices’. They present a quest for Reality along with moments of heightened consciousness in which the universe is seen as a unity, and condemn social follies and over 220 vices in terms of an implied virtue. This selection of poems combines image and statement in the reconciling Universalist manner, and in different poems blends Romantic search and organic form with classical social attitudes, verbal precision and architectural structure. The poems cover five decades and include extracts from ‘The Silence’, which describes Freeman’s quest for Reality in Modernist style, ‘Archangel’ (a reflection on Communism following visits to China and the Soviet Union), poems written during a Dark Night of the Soul, glimpses of illumination and poems of social satire. There are also extracts from Hagger's verse plays. As can be seen from his ‘A Metaphysical in Marvell’s Garden’ Hagger derives his inspiration from the 17th-century Metaphysical poets and seeks to unite the later Augustan and Romantic traditions. This selection offers a chance to reappraise a poet whose material, accomplished technique and reconciling sensibility places him in the forefront of poets writing today.

How did early modern philosophy of space shape the modern concept of political universalism? In this book, Pablo Bustinduy persuasively argues that political universalism emerged from both the developments of Newtonian science and the formulation of the modern philosophy of the State. In the metaphysics of an open, empty, abstract and absolute space, Bustinduy suggests, the universalist project of modern politics found its logical model and foundation. There, the anxiety of a dislocated world was overcome, and the ontology of modern physics found a specific political expression that, despite being besieged by multiple crises, still animates our political imagination. By offering a political reading of early modern philosophy of space, Space and Political Universalism in Early Modern Physics and Philosophy reveals the connections between the logical development of early modern science, the contemporary elaborations of the philosophy of the State, and the historical articulations of the Westphalian system, early capitalist social formations, and the European colonial project. In doing so, it offers a powerful reflection on how we might detach democracy from the 'perilous metaphysics' of infinite space that has engendered political violence and domination, positing space as an emptiness that prevents the closure of the political itself.

This book takes stock of the strides made to date in African philosophy. Authors focus on four important aspects of African philosophy: the history, methodological debates, substantive issues in the field, and direction for the future. By collating this anthology, Edwin E. Etieyibo excavates both current and primordial knowledge in African philosophy, enhancing the development of this growing field.