First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

This book focuses on the performance of oral epics and explores the significance of performance features for the interpretation of epic poetry. The leading question of the book is how the socio-cultural context of performance and the various performance elements contribute to the meaning of oral epics. This is a question which not only concerns epics collected from living oral tradition, but which is also of importance for the understanding of the epics of antiquity and the Middle Ages which originated and flourished in an oral milieu. The book is based on fieldwork in the still vibrant oral traditions of the Turkic peoples of Central Asia and Siberia. The discussion combines fieldwork with theory; it is not limited to Turkic epics but branches out into other oral traditions.

As an especially beautiful and pure example of the archaic epic styles that were once current among the hunting and fishing peoples of northern Asia, the Ainu epic folklore is of immense literary value. This collection and English translation by Donald Philippi contains thirty-three representative selections from a number of epic genres including mythic epics, culture hero epics, women's epics, and heroic epics. This is the first time, outside of Japan, that the Ainu epic folklore has been treated in a comprehensive manner. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The series Religion and Society (RS) contributes to the exploration of religions as social systems– both in Western and non-Western societies; in particular, it examines religions in their differentiation from, and intersection with, other cultural systems, such as art, economy, law and politics. Due attention is given to paradigmatic case or comparative studies that exhibit a clear theoretical orientation with the empirical and historical data of religion and such aspects of religion as ritual, the religious imagination, constructions of tradition, iconography, or media. In addition, the formation of religious communities, their construction of identity, and their relation to society and the wider public are key issues of this series.

This volume offers a detailed consideration of the style, technology, and iconographic implications of the art of the Scythians, organized by object typology and chronology, and considered against a broader historical, expressive, and technical background; that of the Scythians' Eurasian sources, of earlier and contemporary West Asian cultures, and of the Hellenic culture which emerged beside that of the Scythians in the northern littoral of the Black Sea.

Genghis Khan was by far the greatest conqueror the world has ever known, whose empire stretched from the Pacific Ocean to central Europe, including all of China, the Middle East and Russia. So how did an illiterate nomad rise to such colossal power, eclipsing Alexander the Great, Julius Caesar and Napoleon? Credited by some with paving the way for the Renaissance, condemned by others for being the most heinous murderer in history, who was Genghis Khan? His actual name was Temujin, and the story of his success is that of the Mongol people: a loose collection of fractious tribes who tended livestock, considered bathing taboo and possessed an unparallelled genius for horseback warfare. United under Genghis, a strategist of astonishing cunning and versatility, they could dominate any sedentary society they chose. Combining fast-paced accounts of battles with rich cultural background and the latest scholarship, Frank McLynn brings vividly to life the strange world of the Mongols, describes Temujin’s rise from boyhood outcast to become Genghis Khan, and provides the most accurate and absorbing account yet of one of the most powerful men ever to have lived.

This exhaustive volume catalogs nearly three thousand demons in the mythologies and lore of virtually every ancient society and most religions. From Aamon, the demon of life and reproduction with the head of a serpent and the body of a wolf in Christian demonology, to Zu, the half-man, half-bird personification of the southern wind and thunder clouds in Sumero-Akkadian mythology, entries offer descriptions of each demon's origins, appearance and cultural significance. Also included are descriptions of the demonic and diabolical members making up the hierarchy of Hell and the numerous species of demons that, according to various folklores, mythologies, and religions, populate the earth and plague mankind. Very thoroughly indexed.

In cultures throughout human history people have believed that some part of themselves continued to exist after they died. Part of that belief is that living can influence what happens to the dead in the afterlife, and the dead can return from the afterlife to affect the living. Death Gods: An Encyclopedia of the Rulers, Evil Spirits, and Geographies of the Dead describes the many ways the afterlife—especially that part of the afterlife commonly known as Hell—has been characterized in myths from around the world. The hundreds of entries provide readers with a guide to the afterlife as portrayed in these myths - its geography, its rulers, its inhabitants, how they got there, and what happens after their arrival. While the Devil is a prominent resident and ruler of the afterworld in many religions, especially Christianity, this book examines many other versions of Hell whether presided over by the Devil, Hades, or one of the many other rulers of the dead. Death Gods provides concise encyclopedic entries on all aspects of the mythology of the afterlife: The underworlds form the myths of cultures from across the globe—for example, Xibalba, the underworld of the Quiche Maya; Di Yu, the underground realm of the dead in Chinese mythology; the gods and demons of the afterlife—the Hindu god of death and justice Yama; Ahriman, the evil twin of the benevolent god Ahura Mazda in Zoroastrian mythology; Buso, the invisible ghouls who haunt graveyards and feed on human corpses in Philippine mythology. The volume includes an extensive bibliography of the most useful resources for understanding the mythology of death and the afterlife.

The Central Asian Republics of Kazakhstan, Kyrgyzstan, Turkmenistan, Tajikistan, and Uzbekistan won their independence from the Soviet Union in 1991. Now they are emerging from the shadow of dominance and are subjects of intense interest from the West. The modern culture and customs of the various peoples in these geopolitical hotspots, straddling the far reaches of Europe into Asia, are revealed to a general audience for the first time. This will be the must-have volume for a broad, authoritative overview of these traditional civilizations as they cope with globalization.

CARRIE, a full-text electronic library based at the University of Kansas, presents the text of "Essays on Central Asia." H.B. Paksoy edited the book, which contains previously published essays on Central Asia.