This book demonstrates how humans can become sensitized to, and intervene in, environmental degradation by writing, reading, analyzing, and teaching poetry. It offers both theoretical and practice-based essays, providing a diversity of approaches and voices that will be useful in the classroom and beyond. The chapters in this edited collection explore how poetry can make readers climate-ready and climate-responsive through creativity, empathy, and empowerment. The book encompasses work from or about Oceania, Africa, Europe, North America, Asia, and Antarctica, integrating poetry into discussions of specific local and global issues, including the value of Indigenous responses to climate change; the dynamics of climate migration; the shifting boundaries between the human and more-than-human world; the ecopoetics of the prison-industrial complex; and the ongoing environmental effects of colonialism, racism, and sexism. With numerous examples of how poetry reading, teaching, and learning can enhance or modify mindsets, the book focuses on offering creative, practical approaches and tools that educators can implement into their teaching and equipping them with the theoretical knowledge to support these. This volume will appeal to educational professionals engaged in teaching environmental, sustainability, and development topics, particularly from a humanities-led perspective.

In an era of blurred generic boundaries, multimedia storytelling, and open-source culture, creative writing scholars stand poised to consider the role that technology-and the creative writer's playful engagement with technology-has occupied in the evolution of its theory and practice. Composition, Creative Writing Studies and the Digital Humanities is the first book to bring these three fields together to open up new opportunities and directions for creative writing studies. Placing the rise of Creative Writing Studies alongside the rise of the digital humanities in Composition/Rhetoric, Adam Koehler shows that the use of new media and its attendant re-evaluation of fundamental assumptions in the field stands to guide Creative Writing Studies into a new era. Covering current developments in composition and the digital humanities, this book re-examines established assumptions about process, genre, authority/authorship and pedagogical practice in the creative writing classroom.

Beyond Maximus shows how field poetics influenced the construction of the public voices of five Black Mountain poets (Charles Olson, Robert Creeley, Robert Duncan, Denise Levertov, and Ed Dorn) in order to explain their association in the 1950s and 60s as well as their break-up as a result of the political and poetic crises of the Vietnam War era.

Join us on a poetic journey to the soul of India. The Poetry of T.V. Reddy is grounded in human struggles and unrest, social as well as psychological and depicts the varied shades of restlessness that is the order of modern times. He protests against the social ills and evils in a gripping way in his absorbing poetry. He paints his experiences in a characteristic choice diction and the different images that he has carved out of human life and nature make a deep impression on the minds of the readers and linger there. The poet takes the readers into the soul of India, the villages and rural life which are the backbone of the countryóthat speaks volumes of his commitment to rural element and makes people come alive in his poetry. Natural rhyme and rhythm of the poems creates the pleasing melody. Clarity of thought and lucidity of expression, splendid imagery and marvelous melody are the hallmarks of his poetry. -- Dr. P.V. Laxmiprasad, Editor T.V. Reddy is not only a poet of highly perceptive temperament but also an accomplished critic and novelist. His awesome ingenious insight into the purpose and meaning of life in a perceptive and intuitive way leads the reader to the invisible force meticulously driving the point that the spiritual region lying within a man offers solace, harmony and consolation par excellence. For Reddy often finds strong affinity in Indian soil and here, rural backdrop inspires him to cultivate niceties of life where rural-oriented background turns out religious for him. -- P.C.K. Prem, Authoritative critic on Indian English Poetry from Himachal Paradesh, India T.V. Reddy's poems have the earthly smear of sweat and blood. Images crystallized, come alive in subtle but strong words gaining a permanent place in the hearts of the readers. His pen moves carving lasting images in a simple and straight form without any pompous gimmicks in the name of modern craft. His art of highlighting even tiny specks into gigantic monuments and the quality of lyrical writing gives a sense of exhilaration bringing the varied themes alive before our eyes elevating the soul to a higher consciousness. T.V. Reddy is a poet in the true sense, who gives us the best of the poetry in Indian English. -- D.H. Kabadi, from his review of Melting Melodies in Poetcrit T.V. Reddy is a skilled poet who handles thoughts that compel recognition. He deals with wide ranging themes that are sensitively sketched. While many poems capture common human tendencies and susceptibilities, vanities and vagaries with a sharp realist eye, there are some that move on to the dramatization of a grander perspective of eternity intruding into time to seek to redeem it of its ravages. -- Prof. C.R.Visveswar Rao, Former Vice Chancellor, Vikrama Simhapuri University, Nellore, A.P., India; and currently the Chairman, Indian Society for Commonwealth Studies (ISCS) , New Delhi From Modern History Press www.ModernHistoryPress.com

"Art has not always had the same salience in philosophical discussions of ethics that many other elements of our lives have. There are well-defined areas of "applied ethics" corresponding to nature, business, health care, war, punishment, animals, and more, but there is no recognized research program in "applied ethics of the arts" or "art ethics." Art often seems to belong to its own sphere of value, separate from morality. The first questions we ask about art are usually not about its moral rightness or virtue, but about its beauty or originality. However, it is impossible to do any serious thinking about the arts without engaging in ethical questions"--

A rich literary study of AfroLatinx life writing, this book traces how AfroLatinxs have challenged their erasure in the United States and Latin America over the last century. Invisibility and Influence demonstrates how a century of AfroLatinx writers in the United States shaped life writing, including memoir, collective autobiography, and other formats, through depictions of a wide range of “Afro-Latinidades.” Using a woman-of-color feminist approach, Regina Marie Mills examines the work of writers and creators often excluded from Latinx literary criticism. She explores the tensions writers experienced in being viewed by others as only either Latinx or Black, rather than as part of their own distinctive communities. Beginning with Arturo (Arthur) Schomburg, who contributed to wider conversations about autobiographical technique, Invisibility and Influence examines a breadth of writers, including Jesús Colón; members of the Young Lords; Piri Thomas; Lukumi santera and scholar Marta Moreno Vega; and Black Mexican American poet Ariana Brown. Mills traces how these writers confront the distorted visions of AfroLatinxs in the United States, Latin America, and the Caribbean, and how they created and expressed AfroLatinx spirituality, politics, and self-identity, often amidst violence. Mapping how AfroLatinx writers create their own literary history, Mills reveals how AfroLatinx life writing shapes and complicates discourses on race and colorism in the Western Hemisphere.

Aquest llibre explora l'estètica de LeRoi Jones / Amiri Baraka des dels seus primers dies com poeta 'beat' fins a l'actualitat. Baraka ha estat considerat com el poeta rebel, el que sempre ataca la política, denuncia l'abús de poder i les errònies polítiques administratives dels Estats Units. Aquest volum examina alguns dels més importants assajos i obres de ficció, amb l'objectiu de clarificar la importància en el desenvolupament de l'obra de Baraka.