The Oxford Handbook of Emily Dickinson is designed to engage, inform, interest, and delight students and scholars of Emily Dickinson, of nineteenth-century US literature and cultural studies, of American poetry, and of the lyric. It also establishes potential agendas for future work in the field of Dickinson studies. This is the first collection on Dickinson to foreground the material and social culture of her time while opening new windows to interpretive possibility in ours. The volume strives to balance Dickinson's own center of gravity in the material culture and historical context of nineteenth-century Amherst with the significance of important critical conversations of our present, thus understanding her poetry with the broadest "Latitude of Home"—as she puts it in her poem "Forever-is composed of Nows." Debates about the lyric, about Dickinson's manuscripts and practices of composition, about the viability of translation across language, media, and culture, and about the politics of class, gender, place, and race circulate through this volume. These debates matter to our moment but also to our understanding of hers. Although rooted in the evolving history of Dickinson criticism, the chapters foreground truly new original research and a wide range of innovative critical methodologies, including artistic responses to her poetry by musicians, visual artists, and other poets. The suppleness and daring of Dickinson's thought and uses of language remain open to new possibilities and meanings, even while they are grounded in contexts from over 150 years ago, and this collection expresses and celebrates the breadth of her accomplishments and relevance.

The Oxford Handbook of Emily Dickinson is designed to engage, inform, interest, and delight students and scholars of Emily Dickinson, of nineteenth-century US literature and cultural studies, of American poetry, and of the lyric. It also establishes potential agendas for future work in the field of Dickinson studies. This is the first collection on Dickinson to foreground the material and social culture of her time while opening new windows to interpretive possibility in ours. The volume strives to balance Dickinson's own center of gravity in the material culture and historical context of nineteenth-century Amherst with the significance of important critical conversations of our present, thus understanding her poetry with the broadest "Latitude of Home"—as she puts it in her poem "Forever-is composed of Nows." Debates about the lyric, about Dickinson's manuscripts and practices of composition, about the viability of translation across language, media, and culture, and about the politics of class, gender, place, and race circulate through this volume. These debates matter to our moment but also to our understanding of hers. Although rooted in the evolving history of Dickinson criticism, the chapters foreground truly new original research and a wide range of innovative critical methodologies, including artistic responses to her poetry by musicians, visual artists, and other poets. The suppleness and daring of Dickinson's thought and uses of language remain open to new possibilities and meanings, even while they are grounded in contexts from over 150 years ago, and this collection expresses and celebrates the breadth of her accomplishments and relevance.

In addition to poems like "A Visit from St. Nicholas," this anthology covers lyrics by Cole Porter & Stephen Sondheim.

A companion volume to The Oxford Book of Literary Anecdotes, this volume covers the whole range of American literary history from the 17th century to the present. Taken from biographies, letters, memoirs, and table-talk, the stories form an irreverent history of American literature.

An anthology of poetry written for children.

Inveterate sailor and bestselling author of Hunting Mister Heartbreak Jonathan Raban has compiled a remarkable anthology of our changing visions of the sea--a rich treasury of writings as varied and enthralling as the ocean itself. Arranged chronologically and spanning everything from Anglo-Saxon poetry to modern oceanography.

The supernatural has this in common with nature: you may drive it out with a pitchfork, but it will constantly come running back. At a time when science and technology are proving ambivalent in their effects and institutionalized religion is weakened by self-inflicted wounds, interest in its manifestations is insatiable. This sweeping anthology presents material in which, touchingly, eerily or bizarrely, the supernatural and the natural meet and ignite, illuminating our deepest anxieties, frailties, and hopes. While chiefly concerned with specific instances, it gives due weight to the views of philosophers and fanatics, of men of letters and the man in the street, and of lovers and lost souls. Mixing what is advanced as fact with what is offered as fiction, it takes in hauntings both malignant and benign, magic, vampires and other popular monsters, witches and fairies, the devil seeking whom he may devour, sex and the supernatural, dreams and coincidences, daemonic influences in art, comedies of the occult, near-death, experiences and after-death expectations. The closing section sums up the war between believers and disbelievers and touches on the processes of reading and of writing about the subject. Testimonies cited are ancient and modern, drawn from East and West, from Christian, Islamic, and Buddhist sources, and range from Homer to Hardy, Pliny to Primo Levi, Apuleius to A. S. Byatt, through Rabelais, Shakespeare, Johnson, Goethe, Dickens, George Eliot, Flaubert, Kipling, Yeats, Rebecca West, and many others, including some who, like Browning's medium, Mr Sludge, find a little cheating comparable to the china egg that prompts a hen to lay a real one. For fervent believers andsceptics alike, there can be no more magical compendium than this.