Here are the essential ideas of psychoanalytic theory, including Freud's explanations of such concepts as the Id, Ego and Super-Ego, the Death Instinct and Pleasure Principle, along with classic case studies like that of the Wolf Man. Adam Phillips's marvellous selection provides an ideal overview of Freud's thought in all its extraordinary ambition and variety. Psychoanalysis may be known as the 'talking cure', yet it is also and profoundly, a way of reading. Here we can see Freud's writings as readings and listenings, deciphering the secrets of the mind, finding words for desires that have never found expression. Much more than this, however, The Penguin Freud Reader presents a compelling reading of life as we experience it today, and a way in to the work of one of the most haunting writers of the modern age.

Through globalization humanity is becoming more and more mutually dependent and even united, but at the same time the multidimensional differences and gaps between us are appearing as a challenge to this connectedness. "No one can live only on food" (Lk 4, 4) are words that clearly witness that the connective tissue of humanity can't be only of economical and political nature. Also the pasture the media offer to people is too often just an instrument of the owners and not the fulfilment of media's proper function to cultivate and spread (capacity for knowing) the truth. At one hand the interweaving of ideological streams is (mis)used by new gurus for taking the possession of control. At the other hand the representatives of established religions and value systems are searching for formulas for a successful competition on the global market. What are then the possibilities and ways of survival, well-being and life worth of human person in the contemporary increasingly complex condition? From various scientific aspects and different (religious) horizons, this question is reflected upon in this book.

What are the unconscious fantasies circulating in representations of disability? What role do these fantasies play in defining the condition of disability? What can these fantasies teach us about human vulnerability writ large? The Fantasy of Disability explores how popular culture texts, such as Degrassi: The Next Generation and Glee, fantasize about what life with a physical disability must be like, while at the same time exerting tremendous pressure on disabled individuals to conform their identity and behaviour to fit within the margins of these societally perpetuated archetypes. Rather than merely engaging with how disability is represented, though, this text investigates how representations of disability reveal their nondisabled producers to be perpetually anxious subjects, doomed to fear not just the disabled subject but the very reality of disability lurking within. Situated at the nexus of disability studies, media studies and psychology, this text presents an innovative way of analyzing representations of disability in popular culture, inverting the psychoanalytic gaze back upon the nondisabled to investigate how disability can become a lens through which to interrogate the normate subject.

Richard Matheson (1926–2013) was a prolific author and screenwriter whose career helped shape the horror and fantasy genres in literature, film, and television for over sixty years. Matheson authored more than ninety short stories and dozens of novels, many of which—including I Am Legend, A Stir of Echoes, What Dreams May Come, The Shrinking Man, Hell House, and Bid Time Return—have been adapted into feature films. Despite his extensive body of work and influence, however, Matheson has remained largely outside the scope of academic scrutiny. The essays in Reading Richard Matheson: A Critical Survey provide the first critical overview of Matheson’s texts, covering seven of Matheson’s novels, a sampling of short stories, and several adaptations for both film and television. The essays are arranged thematically and address the sociopolitical anxieties reflected in Matheson’s oeuvre; consider his precursors and successors; and situate him within narrative traditions of mythology, cinema, genre, and memory studies. By providing an overview of his career, Reading Richard Matheson illustrates how a commercial writer can contribute to academic discourses of literature and film. Though the essays use a variety of theoretical frameworks, the crossover nature of the collection reflects the broad range of Matheson’s output. As such, this volume will appeal to fans of Matheson’s work in general as well as scholars of literature, film studies, cultural studies, genre studies, media studies, memory studies, and popular culture.

This book focuses on the theory and practice of understanding and transforming organizations with the goal to discover common ground between groups and individuals. Diamond presents a framework of reflective practice for organizational researchers, scholar-practitioner consultants, executives, managers, and workers in order to promote a more satisfying and humane work-life.

Sigmund Freud’s work has influenced the modern world in many profound ways. The “father of psychoanalysis,” Freud wrote numerous works wherein his psychoanalytic perspectives were applied to history, society, religion, and other cultural phenomenon. By expanding his psychoanalytic theories into these realms, Freud insured his place within the disciplines of philosophy, sociology, history, theology, and religious studies, wherein his works are still studied. More specifically, his psychoanalytic theories were adopted, revised, and expanded upon by philosophers and sociologists, such as Theodor W. Adorno, Erich Fromm, Herbert Marcuse, Jürgen Habermas, Jacques Derrida, Julia Kristeva, Gilles Deleuze, Judith Butler, Slavoj Žižek, and many others, who in some cases radicalized the latent political content within Freud’s thought, using it to critique modern industrialized capitalism and theorize about the possibility for alternative forms of societies more conducive towards mental health. Although Freud is often marginalized, or even denigrated, we think there are still elements within the corpus of Freud’s work that are valuable for both diagnosing social problems and addressing such problems psychoanalytically. The book demonstrates the lasting relevancy of Freud’s thought to a variety of disciplines, as they diagnose a myriad of social issues.

Blue Light of the Screen is a memoir about the author's obsession with horror and the supernatural. Blue Light of the Screen is about what it means to be afraid -- about immersion, superstition, delusion, and the things that keep us up at night. A creative-critical memoir of the author's obsession with the horror genre, Blue Light of the Screen embeds its criticism of horror within a larger personal story of growing up in a devoutly Catholic family, overcoming suicidal depression, uncovering intergenerational trauma, and encountering real and imagined ghosts. As Cronin writes, she positions herself as a protagonist who is haunted by what she watches and reads, like an antiquarian in an M.R. James ghost story whose sense of reality unravels through her study of arcane texts and cursed archives. In this way, Blue Light of the Screen tells the story of the author's conversion from skepticism to faith in the supernatural. Part memoir, part ghost story, and part critical theory, Blue Light of the Screen is not just a book about horror, but a work of horror itself.

‘Rethinking Therapeutic Reading’ uses a combination of literary criticism and experimental psychology to examine the ways in which literature can create therapeutic spaces for personal thinking. It reconsiders the role that serious literary reading might play in the real world, reclaiming literature as a vital tool for dealing with human troubles.

Loss is the core experience which determines the identity of Kazuo Ishiguro’s narrators and shapes their subsequent lives. Whether a traumatic ordeal, an act of social degradation, a failed relationship or a loss of home, the painful event serves as a sharp dividing line between the earlier, meaningful past and the period afterwards, which is infused with a sense of lack, dissatisfaction and nostalgia. Ishiguro’s narrators have been unable to confine their loss to the past and remain preoccupied by its legacy, which ranges from suppressed guilt to a keen sense of failure or disappointment. Their immersion in the past finds expression in the narratives which they weave in order to articulate, justify or merely understand their experiences. Their reconstructions of the past are interpreted as exercises in misremembering and self-deception which enable them to sustain their illusions and save them from despair. Revisiting Loss is the first book-length study of memory encompassing Ishiguro’s entire novelistic output. It adopts a highly interdisciplinary approach, combining a selection of philosophical (Jacques Derrida, Paul Ricoeur, and Jean Starobinski) and psychological perspectives (Sigmund Freud, Frederic Bartlett, Jacques Lacan, and Daniel L. Schacter). The book offers a thoroughly researched critical survey drawing on all published critical monographs and collections of academic articles on Ishiguro’s work.

Touching on the fields of philosophy, critical theory, cultural studies, and queer theory, Pervert-Schizoid-Woman critiques the organization of Western economy, language, and desire. Author Michael Williams seeks to promote alternative frameworks for a posthumanist theory and practice of perverse selfhood and sociality. In this study, he identifies the capitalist economic system as structured by scarcity and supply/demand dynamics, discerning the paradoxical accumulation of debt as the essence of the assumed scarcity in the financial system. He also uncovers the profound isomorphism between the economics of scarcity and the castration and lack at the center of the psychoanalytic interpretation of gender, sexuality, and desire, concluding that the essential negativity in the scarcity of capitalism, the absence in the structure of language, and the castration in the network of desire are the sources of the dysfunctions in Western systems of finance, expression, and gender and sexuality.