"The Politics of the Essay is that rare scholarly work that provides both a history of this relatively new field and of its formal characteristics and inspires its readers to want to participate in the making of this history." -- Signs The first in-depth study of the relationship between women and essays. Employing gender, race, class, and national identity as axes of analysis, this volume introduces new perspectives into what has been a largely apolitical discussion of the essay. Includes an original essay by Susan Griffin.

These essays cover topics as radically diverse as Charles Rennie Mackintosh, Václav Havel, The Magic Flute and Viz magazine. All have been published before, and many have already proved controversial. The author, a leading Oakeshott scholar, contributes frequently to the TLS . Witty, moving and erudite, his prose is also conspicuously graceful and clear. This collection is addressed as much to the educated general reader as to the academic specialist. It includes an otherwise almost unobtainable exchange with Sir Isaiah Berlin.

Offering a detailed analysis of post-colonial South Asia, The Politics of Dialogue discusses the creation and impact of borders and the pervasive tension between the new nations. Neither all-out war nor complete peace, this fragile condition makes political leaders and strategists feel claustrophobic - a war produces an end result but peace allows the rulers to carry out their policies for governing along their preferred path of development. The book shows how cartographic, communal and political lines are not only dividing countries, but that they are being replicated within countries, creating new visible and invisible internal frontiers. It argues that, in a situation where geopolitics constrains democracy, the political class becomes incapable of coping with the tension between the inside/outside, eg democracy appears as an internal problem and geopolitics appears as a problem related to the 'outside'.

The banner of deliberative democracy is attracting increasing numbers of supporters, in both the world's older and newer democracies. This effort to renew democratic politics is widely seen as a reaction to the dominance of liberal constitutionalism. But many questions surround this new project. What does deliberative democracy stand for? What difference would deliberative practices make in the real world of political conflict and public policy design? What is the relationship between deliberative politics and liberal constitutional arrangements? The 1996 publication of Amy Gutmann and Dennis F. Thompsons Democracy and Disagreement was a signal contribution to the ongoing debate over the role of moral deliberation in democratic politics. In Deliberative Politics an all-star cast of political, legal, and moral commentators seek to criticize, extend, or provide alternatives to Gutmann and Thompson's hopeful model of democratic deliberation. The essays discuss the value and limits of moral deliberation in politics, and take up practical policy issues such as abortion, affirmative action, and health care reform. Among the impressive roster of contributors are Norman Daniels, Stanley Fish, William A. Galston, Jane Mansbridge, Cass R. Sunstein, Michael Walzer, and Iris Marion Young, and the editor of the volume, Stephen Macedo. The book concludes with a thoughtful response from Gutmann and Thompson to their esteemed critics. This fine collection is essential reading for anyone who takes seriously the call for a more deliberative politics.

In this thought-provoking book, the author argues that a preoccupation with the self and its solitary concerns—a mindset that is Locke's legacy—is at the root of America's present political and economic problems. John Locke was an English philosopher who is regarded as the "father of liberalism." His thinking had a profound influence on political philosophy; in fact, the founding fathers who drafted the Constitution of the United States based a portion of its content upon Locke's tenets. However, it can be argued that these Lockean concepts are ill-adapted to realities of the modern world, and as such are the root cause of dysfunction in our body politic today—and are hampering the Obama administration's attempts to effect change. This book traces the evolution of liberalism as a political philosophy in England and the United States from the 18th century to today. The author presents a series of historical and contemporary studies that illustrate how John Locke's political philosophy of antisocial individualism continues to affect modern American culture. Additionally, this book attempts to address why American "conservatives" are actually liberal, how American "liberals" can also be deemed liberal, to provide direction in getting American politics moving again, and restore the American dream for ourselves and our children.

This book studies the tension between arts and politics in four contemporary artists from different countries, working with different media. The film directors Luc and Jean-Pierre Dardenne film parts of their natal city to refer to specific political problems in interpersonal relations. The novelist Arundhati Roy uses her poetic language to make room for people’s desires; her fiction is utterly political and her political essays make place for the role of narratives and poetic language. Ai Weiwei uses references to Chinese history to give consistency to its ‘economic miracle’. Finally, Burial’s electronic music is firmly rooted in a living, breathing London; built to create a sound that is entirely new, and yet hauntingly familiar. These artists create in their own way a space for politics in their works and their oeuvre but their singularity comes together as a desire to reconstruct the political space within art from its ruins. These ruins were brought by the disenchantment of 1970s: the end of art, postmodernism, and the rise of design, marketing and communication. Each artwork bears the mark of the resistance against the depoliticisation of society and the arts, at once rejecting cynicism and idealism, referring to themes and political concepts that are larger than their own domain. This book focuses on these productive tensions.

Explore the tradition of the political essay with this brilliant anthology. David Bromwich is one of the most well-informed, cogent, and morally uncompromising political writers on the left today. He is also one of our finest intellectual historians and literary critics. In Writing Politics, Bromwich presents twenty-seven essays by different writers from the beginning of the modern political world in the seventeenth century until recent times, essays that grapple with issues that continue to shape history—revolution and war, racism, women’s rights, the status of the worker, the nature of citizenship, imperialism, violence and nonviolence, among them—and essays that have also been chosen as superlative examples of the power of written English to reshape our thoughts and the world. Jonathan Swift, Edmund Burke, Henry David Thoreau, Harriet Taylor, Abraham Lincoln, George Eliot, W. E. B. Du Bois, Mohandas Gandhi, Virginia Woolf, Martin Luther King, and Hannah Arendt are here, among others, along with a wide-ranging introduction.

This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies

The Politics of Curricular Change fills an important void in the literature regarding the relationship of multicultural curricular change to race, hegemony, and power as independent constructs. Given the scant corpus of research on how these constructs s