George Whitefield (1714-70) was one of the best known and most widely travelled evangelical revivalists in the eighteenth century. For a time in the middle decades of the eighteenth century, Whitefield was the most famous person on both sides of the Atlantic. An Anglican clergyman, Whitefield soon transcended his denominational context as his itinerant ministry fuelled a Protestant renewal movement in Britain and the American colonies. He was one of the founders of Methodism, establishing a distinct brand of the movement with a Calvinist orientation, but also the leading itinerant and international preacher of the evangelical movement in its early phase. Called the 'Apostle of the English empire', he preached throughout the whole of the British Isles and criss-crossed the Atlantic seven times, preaching in nearly every town along the eastern seaboard of America. His own fame and popularity were such that he has been dubbed 'Anglo-America's first religious celebrity', and even one of the 'Founding Fathers of the American Revolution'. This collection offers a major reassessment of Whitefield's life, context, and legacy, bringing together a distinguished interdisciplinary team of scholars from both sides of the Atlantic. In chapters that cover historical, theological, and literary themes, many addressed for the first time, the volume suggests that Whitefield was a highly complex figure who has been much misunderstood. Highly malleable, Whitefield's persona was shaped by many audiences during his lifetime and continues to be highly contested.

The proposal of this book is to guide the reader to the contrastive ministries of the two most dominant preachers of the eighteen-century evangelical revival. In a wonderful comparative approach the author draws John Wesley and George Whitefield's portraits and explores their life and practice, as well as their relationship. Committed to the principle that the 'whole world was their parish', Wesley and Whitefield manifested their singular desire to be men of one book through preaching ministries that were equally committed to the spread of the gospel throughout the transatlantic world.

This compilation of reader response to Jonathan Edwards, spanning 276 years, includes a reprint of two earlier works ? Jonathan Edwards: A Reference Guide (1981) and Jonathan Edwards: An Annotated Bibliography (1994) ? and the publication of a third, a gathering of commentary from 1994 to 2005. Nearly 140 essays have been added to the first and second works, while the last new gathering ? which includes a celebration of the tercentenary of Edwards??'s birth ? adds another 700 to the whole. The text preserves the pattern of arranging items alphabetically within a given year and of recording cross-references. Essays in a collection are annotated serially rather than alphabetically. Each of the three sections is self-contained with an introduction and annotated bibliography of its own. Adding to the immense value of this work to Edwards scholars are the chronology of Edwards??'s works, listed by date and by short and long title, which precedes the entire work, and the three comprehensive indexes ? of authors and titles, of subjects, and additions to the previous volumes.

This book offers an innovative account of how audiences and actors emotionally interacted in the English theatre during the middle decades of the eighteenth century, a period bookended by two of its stars: David Garrick and Sarah Siddons. Drawing upon recent scholarship on the history of emotions, it uses practice theory to challenge the view that emotional interactions between actors and audiences were governed by empathy. It carefully works through how actors communicated emotions through their voices, faces and gestures, how audiences appraised these performances, and mobilised and regulated their own emotional responses. Crucially, this book reveals how theatre spaces mediated the emotional practices of audiences and actors alike. It examines how their public and frequently political interactions were enabled by these spaces.

Reprint of the original, first published in 1875. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.