The Relentless Pursuit of Tone: Timbre in Popular Music assembles a broad spectrum of contemporary perspectives on how "sound" functions in an equally wide array of popular music. Ranging from the twang of country banjoes and the sheen of hip-hop strings to the crunch of amplified guitars and the thump of subwoofers on the dance floor, this volume bridges the gap between timbre, our name for the purely acoustic characteristics of sound waves, and tone, an emergent musical construct that straddles the borderline between the perceptual and the political. Essays engage with the entire history of popular music as recorded sound, from the 1930s to the present day, under four large categories. "Genre" asks how sonic signatures define musical identities and publics; "Voice" considers the most naturalized musical instrument, the human voice, as racial and gendered signifier, as property or likeness, and as raw material for algorithmic perfection through software; "Instrument" tells stories of the way some iconic pop music machines-guitars, strings, synthesizers-got (or lost) their distinctive sounds; "Production" then puts it all together, asking structural questions about what happens in a recording studio, what is produced (sonic cartoons? rockist authenticity? empty space?) and what it all might mean.

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Her love reawakened his heart. His touch taught her the meaning of desire . . . Sometimes what happens between a man and a woman can be miraculous. Bestselling, award-winning author Katherine Kingsley casts her beguiling spell once again in this magical, unforgettable story of betrayal, seduction, and the redeeming power of love. . . . The whisper of scandal . . . After years of exile on the Continent, Joanna was returning to the aristocratic English society she left in disgrace. Nothing--not even the gossip mongers--could keep her from Wakefield Abbey, where she intended to rescue her cousin Lydia's beloved son from his own father, the man Joanna suspected of Lydia's untimely death. Cool, dashing, and devilishly handsome, Guy de Salis, Marquess of Greaves, seemed capable of anything--except giving and receiving love. The song of love . . . She bore a startling resemblance to his dead wife. Clearly, Joanna was a woman to beware. Reluctantly, Guy asked her to be his son's governess and was astonished when the troubled child bloomed under her care. Before he knew it, the beautiful, exasperating woman was upsetting his well-ordered life, challenging his well-guarded secrets, making him imagine what joy there could be in loving the right woman--if only he could express the silent passions that raged in his torn and broken heart.