In The Remembered Gate, nationally prominent fiction writers, essayists, and poets recall how their formative years in Alabama shaped them as people and as writers. The essays range in tone from the pained and sorrowful to the wistful and playful, in class from the privileged to the poverty-stricken, in geography from the rural to the urban, and in time from the first years of the 20th century to the height of the Civil Rights era and beyond.

Explores the ways poets address the difficult question of how to remember, and commemorate, those killed in the First World War and beyond.

This revised textbook for courses on urban politics challenges the notion that the field is dominated by political economy, showing that despite the undeniable importance of economic issues, citizens do play a significant part in urban politics.

Contributors delineate the range of relationships among women writers, women detectives in mystery fiction, and women readers, examining detective fiction through the eyes of actual and hypothetical women readers in a gender- and genre-specific analysis. They offer a theoretical and critical investigation of both historical and contemporary models of mystery fiction. Authors discussed include Sara Paretsky, Joan Hess, Sue Grafton, and D.R. Meredith. No index. Paper edition (unseen), $12.95. Annotation copyright by Book News, Inc., Portland, OR

Today, we associate the Red Fort with the view of the Prime Minister proudly unfurling the national flag every year on 15 August on the massive red wall curtain. To children and even most of us, the Red Fort is only this view that is broadcast on television. It is the ubiquitous image often used in marketing as well. Many of us haven’t even bothered to go inside the Fort, and many, including me, satisfied ourselves with our photos taken in front of this wall. This actually is a later addition erected by Shah Jahan’s son Aurangzeb. The Red Fort is much more than this red wall and the platform where the prime minister delivers his speech. In the book, the author attempts to swipe aside the wall and take a deep dive inside the Fort – not just the physical structures but how exactly the planning was done to create a truly complex and artistic palace fortress, to explore the Mughal way of life with their festivals, ceremonies, food and clothing amongst other themes. The beauty of the fort can only be understood and best appreciated from the string of apartments that once lined the river Yamuna on its opposite side. It must have been beautiful indeed to glide down the Yamuna on a boat and appreciate all the buildings that housed the emperor’s private quarters. Now the river has receded afar, but in olden times the various private apartments such as the Rang mahal, Khwabgah (‘abode of dreams’) or the emperor’s bed-chamber as well as the famous Diwan-e-Khas where the Mughal Emperor sat on the Peacock Throne were lined along the river front. There is a reason why the pioneering British historian-explorer James Fergusson termed the Red Fort ‘the most magnificent palace in the East.’ It was a creative venture well integrated to a new city and was truly unrivalled with respect to its design as well as functioning. The book also highlights that, though separated in time by more than three centuries from today, we can still visualize how the unsure footsteps which Babur took in Hindustan took shape in the reign of Shah Jahan, a connoisseur of art and culture. Descending on one side from Genghis Khan and the brutal Tamerlane on the other, Babur gained an irreversible entry to India in the plains of Panipat almost unexpectedly, by defeating a mammoth army of Ibrahim Lodi in 1526. The Mughals, which was the Persian word for ‘Mongols’, set up an incredible empire in Agra and Delhi, to which were born great emperors like Akbar and Shah Jahan. Apart from magnificent monuments they also built a truly syncretic culture of shared values, encouraged free exchange of knowledge and established rituals, customs and festivals that assimilated age-old traditions from east and west. Even the Taj Mahal, described by Rabindranath Tagore as a ‘teardrop on the face of Time’, was built as a symbol of love of a king to his departed queen, like an re-incarnation of Majnun for his Laila, so different from the obvious imagery that a barbaric king may evoke in one’s mind. Similarly, the Red Fort of Delhi was the culmination of Mughal soft power. With profusely laid flower and fruit-bearing char-bagh gardens criss-crossed with streams of water canals, it was layered in symbolism that art historians find interesting even after many centuries to discuss elements that give it a sense of freshness even with the mere empty shell of buildings left behind after 1857. As the author says, “Delhi however lived up to its reputation of slipping through the very fingers of those who attempted to raise a new city here: starting with Prithvi Raj Chauhan’s Lal Kot; Allauddin Khilji’s Siri; the Tughluq trio’s troika of Tughluqabad, Jahanpanah & Kotla Firuz Shah; Humayun’s Dinpanah and later Lutyen’s Delhi of the British; Shah Jahan’s majestic offering to the city of his choice was soon to be destroyed by fate.” The narrative follows the incidents of 1857 till the British Durbars and highlights that the Fort was not the home of the Mughals only in their prime, but also in their decline and till their very extinction. The book seeks to present the lived culture of Mughals in all its multiple facets. The book is divided in four parts. In Part 1 the focus is on the Imperial court and the court etiquette, cultivation of Persian and its enrichment with translations from Sanskrit, patronage of Hindu and Jain scholars. Part 2 contains detailed accounts of the Red Fort and the symbolism of its architecture, the philosophy of jharokha darshan, ceremonies, games and pastimes, the material culture of costumes and jewellery, food, drink and perfumery. The remaining two parts deal with the decline and fall of the Mughal rule and the British Colonial Durbars at the Red Fort. The broadly historical narrative is enlivened by various anecdotes.

Investigation into how a shared narrative of law and cinema produces ways of collectively remembering mass violence in postcolonial India.

The aim of this book is to provide the student of Japanese with a simple method for correlating the writing and the meaning of Japanese characters in such a way as to make them both easy to remember. It is intended not only for the beginner, but also for the more advanced student looking for some relief from the constant frustration of how to write the kanji and some way to systematize what he or she already knows. The author begins with writing because--contrary to first impressions--it is in fact the simpler of the two. He abandons the traditional method of ordering the kanji according to their frequency of use and organizes them according to their component parts or "primitive elements." Assigning each of these parts a distinct meaning with its own distinct image, the student is led to harness the powers of "imaginative memory" to learn the various combinations that result. In addition, each kanji is given its own key word to represent the meaning, or one of the principal meanings, of that character. These key words provide the setting for a particular kanji's "story," whose protagonists are the primitive elements. In this way, students are able to complete in a few short months a task that would otherwise take years. Armed with the same skills as Chinese or Korean students, who know the meaning and writing of the kanji but not their pronunciation in Japanese, they are now in a much better position to learn to read (which is treated in a separate volume). For further information and a sample of the contents, visit http: ///www.nanzan-u.ac.jp/SHUBUNKEN/publications/miscPublications/Remembering_the_Kanji_l.htm.

A collection of essays exploring subjects pertaining to women's history, this book considers issues such as waged work, family life, political activism, community building and sexual difference from a multi-cultural perspective.

THEIR ORIGINS ARE A MYSTERY. THEIR FUTURE IS AT HAND. For thousands of years the Meq have existed side by side with humanity—appearing as twelve-year-old children, unsusceptible to wounds and disease, dying only by extraordinary means. They have survived through the rise and fall of empires and emperors, through explorations, expansions, and war. Five sacred stones give a few of them mystical powers, but not the power to understand a long-destined event called the Remembering. In the aftermath of the nuclear bombing of Japan in 1945, Zianno Zezen finds himself alone, while the fate of the other Meq and his beloved Opari, carrier of the Stone of Blood, is unknown. But Z’s archenemy, the Fleur-du-Mal, survives. In the next half century Z will reunite with far-flung friends both Meq and human, as American and Soviet spies vie to steal and harness the powers and mysteries of the timeless children. With the day of the Remembering rapidly approaching, Z must interpret the strange writing on an ancient etched stone sphere. In those markings, Z will discover messages within messages and begin a journey to the truth about his people and himself. Lyrical and mesmerizing, The Remembering spans the world and history, from the first humans to a secret that has never been told before. The Remembering is the moving saga of the Meq—their purpose, past, and future among us.

From the darkness… came a call from the trees. Deep in the soul of the world a being is growing, feeding on the destruction of the natural world. The Forgetting is seeping through the Rings of Time, bringing dark rain, poisoned mists, and deep fractures in the earth. The Rings are nearing collapse, the Ancient Tree Council needs help. Escaping the torment of his neighbours, the twins, Jack runs to the woods and the Ancient Tree Council see their chance, Jack is their hope. They ask him and his scruffy dog Stan to undertake a dangerous journey to help restore balance, to bring about a remembering. To Jacks horror, the trees mistakenly bring Mia, one of the twins and their lives are entwined in a way they could never have anticipated. The adventure takes them beyond their wildest imaginings, meeting wise elders, facing tempestuous primal worlds, turbulent rivers, and a mighty storm - with near tragic consequences. Discovering strength, friendship, belonging and hope. A thrilling adventure to the heart of the earth.