Preliminary Material /Cynthia L. Miller --Introduction /Cynthia L. Miller --Metapragmatics and Linguistic Diversity in the Representation of Speech /Cynthia L. Miller --Syntactic Varieties of Indirect Speech /Cynthia L. Miller --Syntactic Varieties of Direct Speech /Cynthia L. Miller --Reported Speech in Conversation and Narration /Cynthia L. Miller --The Discourse-Pragmatic Functions of Direct Speech /Cynthia L. Miller --Conclusions /Cynthia L. Miller --Afterword /Cynthia L. Miller --Additions and Corrections for the Second Printing /Cynthia L. Miller --Matrix Verbs in Frames /Cynthia L. Miller --Bibliography /Cynthia L. Miller --General Index /Cynthia L. Miller --Index of Biblical References /Cynthia L. Miller.

First published in 1996, this study has come to be recognized as the standard description of the syntactic devices that are used in representing speech in biblical narrative. In this new printing, an Afterword examines other recent approaches; in addition, corrected indexes and a number of other small corrections have been made.

In The Representation of Speech Events in Chariton's Callirhoe and the Acts of the Apostles, Adrian T. Smith summarizes cross-linguistic research on how and why narrators vary the formulae that introduce direct speech. This research is applied to Chariton and to Acts. The findings demonstrate that narrators vary quotation formulae for numerous pragmatic purposes, including the tracking of conversational dynamics via a set of 'marked' and 'unmarked' quotation devices.

S. Min Chun discusses how to read Old Testament narrative from an ethical perspective. He employs a linguistic and literary approach to Biblical interpretation, using close study of the narrative of Josiah in the book of Kings, and argues that such an approach makes the most of the genre-characteristics of Old Testament narrative.

In Strategies of Persuasion in Herodotus’ Histories and Genesis–Kings, Eva Tyrell comparatively analyzes narrative means in two monumental ancient texts about the past. Combining a narratological approach with insights of modern historical theory and biblical scholarship, she investigates patterns of narrative persuasion as a trans-cultural phenomenon and their connection with ancient concepts of reality and truth. The study contrasts differences in fundamental narrative structures of both narratives, such as mediacy and discursive versus diegetic text portions. It explores the role of material remains mentioned in the accounts to evoke or even create the reality of a past.

The book of Ruth is probably best known as a romantic love story that, through the expression of loving devotion, overcomes tragedy and ends with the founding of the most famous family in all of biblical Israel. But the book wasn't always this way. In fact, it wasn't a book at all but rather a story told with a very different purpose in mind. Before Ruth, there was the Story of Naomi, a subversive story designed to challenge a male-dominated status quo. Through comedy, sarcastic irony, and unparalleled rhetorical skill the Naomi storyteller holds up for inspection social gender roles and the power of sexuality in a manner that resonates yet today. The Story of Naomi--The Book of Ruth goes behind the literary rendition of the story and recaptures the original oral tale, with script and performance directions that brings to life the humor, tragedy, and transparent honesty shared between the Naomi storyteller and her audience.

In recent years, Old Testament scholars have come to see that the aesthetic and rhetorical richness of Hebrew poetry goes far beyond simple synonymous, antithetic, and synthetic parallelism. One aspect that has yet to receive sustained treatment is the poetic device known as direct discourse or quotation-the direct citation of a person's speech. Rolf A. Jacobson remedies this lack and makes a significant contribution to Old Testament studies by offering a sustained investigation into the function of direct discourse in the Hebrew Psalter. This leads to a greater understanding both of direct discourse and also of those psalms in which this poetic device occurs.

In Interpreting Quoted Speech, Samuel Hildebrandt analyzes the literary phenomenon of one speaker quoting the words of another speaker within prophetic discourse. Challenging approaches that categorize these speech quotations and use them as direct windows into Israel’s past, Hildebrandt makes a compelling case for reading quoted speech in its literary context. He presents a substantial method for such an interpretive approach, demonstrates its value in a detailed analysis of Jeremiah 2.1-3.5, and highlights the significance of quoted phrases in Jeremiah and other prophetic texts. Interpreting Quoted Speech marks an important contribution to the exploration of Jeremiah’s discourse and polyphony and, due to its accessible methodology and exegesis, offers a model for further research in prophetic literature.

This work is a study in the attribution, aesthetics and representations of Yahweh’s speeches in the Hebrew Bible. It describes the literary elegance and beauty of the speeches of Yahweh in the Abrahamic narratives. Employing a synchronic reading of the Abrahamic cycle, it underscores the presence of various literary devices in the divine speeches (12:1-9, 13:1-18, 15:1-21, 17:1-27, 18:1-33, and 22: 1-19). Specifically, it engages the high concentration, literary effects and use of metaphors/metaphoric language, similes, alliterations, wordplays, euphemisms, hyperboles, repetitions, allusions and other distinctive literary features in the speeches of Yahweh which are deliberately denied, and glaringly absent in the speeches of the other main characters of the Abrahamic narratives (e.g. Abraham, Sarah, and Hagar). Similarly, it demonstrates the importance of these elevated speeches in the narrative world of Abrahamic epic. Most importantly, it also highlights the ideological significance of these decorated speeches of Yahweh to the original audience of the narrator who presumably identified with their excessive optimism and rhetoric. Consequently, this book is a pioneering work in the contemporary study of stylistics, characterizations and functions of attributed speeches in the Hebrew narratives.

This title introduces readers to the various critical communication theories currently being used by scholars in anthropology, sociology, psychology and literary studies.