Zvi Mark uncovers previously unknown and never-before-discussed aspects of Rabbi Nachman’s personal spiritual world. The first section of the book, Revelation, explores Rabbi Nachman’s spiritual revelations, personal trials and spiritual experiments. Among the topics discussed is the powerful “Story of the Bread,” wherein Rabbi Nachman receives the Torah as did Moses on Mount Sinai – a story that was kept secret for 200 years. The second section of the book, Rectification, is dedicated to the rituals of rectification that Rabbi Nachman established. These are, principally, the universal rectification, the rectification for a nocturnal emission and the rectification to be performed during pilgrimage to his grave. In this context, the secret story, “The Story of the Armor,” is discussed. The book ends with a colorful description of Bratzlav Hasidism in the 21st century.

Rabbi Nachman of Bratslav (1772-1810) is widely considered to be one of the foremost visionary storytellers of the Hasidic movement. The great-grandson of the Ba'al Shem Tov, founder of the movement, Rabbi Nachman came to be regarded as a great figure and leader in his own right, guiding his followers on a spiritual path inspired by Kabbalah. In the last four years of his life he turned to storytelling, crafting highly imaginative, allegorical tales for his Hasidim. Three-time National Jewish Book Award winner Howard Schwartz has masterfully compiled the most extensive collection of Nachman's stories available in English. In addition to the well-known Thirteen Tales, including "The Lost Princess" and "The Seven Beggars," Schwartz has included over one hundred narratives in the various genres of fairy tales, fables, parables, dreams, and folktales, many of them previously unknown or believed lost. One such story is the carefully guarded "Tale of the Bread," which was never intended to be written down and was only to be shared with those Bratslavers who could be trusted not to reveal it. Eventually recorded by Rabbi Nachman's scribe, the tale has maintained its mythical status as a "hidden story." With utmost reverence and unfettered delight, Schwartz has carefully curated A Palace of Pearls alongside masterful commentary that guides the reader through the Rabbi's spiritual mysticism and uniquely Kabbalistic approach, ultimately revealing Rabbi Nachman to be a literary heavyweight in the vein of Gogol and Kafka. Vibrant, wise, and provocative, this book is a must-read for any lover of fairy tales and fables.

This volume addresses the complex topic of the preeminent status of the divine feminine power, to be referred also as Female, within the theosophical structures of many important Kabbalists, Sabbatean believers, and Hasidic masters. This privileged status is part of a much broader vision of the Female as stemming from a very high root within the divine world, then She was emanated and constitutes the tenth, lower divine power, and even in this lower state She is sometime conceived of governing this world and as equal to the divine Male. Finally, She is conceived of as returning to Her original place in special moments, the days of Sabbath, the Jewish Holidays or in the eschatological era. Her special dignity is sometime related to Her being the telos of creation, and as the first entity that emerged in the divine thought, which has been later on generated. In some cases, an uroboric theosophy links the Female Malkhut, directly to the first divine power, Keter. The author points to the possible impact of some of the Kabbalistic discussions on conceptualizations of the feminine in the Renaissance period.

Hasidic Art and the Kabbalah presents eight case studies of manuscripts, ritual objects, and folk art developed by Hasidic masters in the mid-eighteenth to late nineteenth centuries, whose form and decoration relate to sources in the Zohar, German Pietism, and Safed Kabbalah. Examined at the delicate and difficult to define interface between seemingly simple, folk art and complex ideological and conceptual outlooks which contain deep, abstract symbols, the study touches on aspects of object history, intellectual history, the decorative arts, and the history of religion. Based on original texts, the focus of this volume is on the subjective experience of the user at the moment of ritual, applying tenets of process philosophy and literary theory – Wolfgang Iser, Gaston Bachelard, and Walter Benjamin – to the analysis of objects.

This book endeavors to fill a lacuna in the literature on early twentieth-century kabbalah, namely the lack of a comprehensive account of the traditional kabbalah seminaries (Yeshivot) in Jerusalem from 1896 to 1948 as well as the various manifestations of kabbalah within traditional Jewish society. The foundations that were laid in the early twentieth century also paved the way for the contemporary blossoming of kabbalah in many and manifold circles. In this sense, retracing the pertinent developments in Palestine at the outset of the twentieth century is imperative not only for repairing the distorted picture of the past, but for understanding the ongoing surge in kabbalah study.

The compelling vision of religious life and practice found in Hasidic sources has made it the most enduring and successful Jewish movement of spiritual renewal of all time. In this book, Ariel Evan Mayse grapples with one of Hasidism's most vexing questions: how did a religious movement known for its radical views about immanence, revelation, and the imperative to serve God with joy simultaneously produce strict adherence to the structures and obligations of Jewish law? Exploring the movement from its emergence in the mid-1700s until 1815, Mayse argues that the exceptionality of Hasidism lies not in whether its leaders broke or upheld rabbinic norms, but in the movement's vivid attempt to rethink the purpose of Jewish ritual and practice. Rather than focusing on the commandments as law, he turns to the methods and vocabulary of ritual studies as a more productive way to reckon with the contradictions and tensions of this religious movement as well as its remarkable intellectual vitality. Mayse examines the full range of Hasidic texts from the eighteenth and early nineteenth centuries, from homilies and theological treatise to hagiography, letters, and legal writings, reading them together with contemporary theories of ritual. Arguing against the notion that spiritual integrity requires unshackling oneself from tradition, Laws of the Spirit is a sweeping attempt to rethink the meaning and significance of religious practice in early Hasidism.

This lofty volume analyzes a circular cultural relationship: not only how trauma is reflected in cultural processes and products, but also how trauma itself acts as a critical shaper of literature, the visual and performing arts, architecture, and religion and mythmaking. The political power of trauma is seen through US, Israeli, and Japanese art forms as they reflect varied roles of perpetrator, victim, and witness. Traumatic complexities are traced from spirituality to movement, philosophy to trauma theory. And essays on authors such as Kafka, Plath, and Cormac McCarthy examine how narrative can blur the boundaries of personal and collective experience. Among the topics covered: Television: a traumatic culture. From Hiroshima to Fukushima: comics and animation as subversive agents of memory in Japan. The death of the witness in the era of testimony: Primo Levi and Georges Perec. Sigmund Freud’s Moses and Monotheism and the possibility of writing a traumatic history of religion. Placing collective trauma within its social context: the case of the 9/11 attacks. Killing the killer: rampage and gun rights as a syndrome. This volume appeals to multiple readerships including researchers and clinicians, sociologists, anthropologists, historians, and media researchers.

Jonathan Garb's "Yearnings of the Soul: Psychological Thought in Modern Kabbalah" is an original, path-breaking study of the renderings of the "heart and soul" in the works of major, minor, and obscure but important figures of modern Kabbalah. Garb has unearthed a treasure-trove of neglected figures and texts, bringing into dialogue their views on heart and soul with those found in other religious and secular authorities. There is no other study that comes close to the territory Garb covers or, for that matter, provides the historical and cultural context necessary for understanding the rise of such psychological renderings in the works of the modern Kabbalists. His analysis shows that any attempt to essentialize the multiple and varied understandings of heart and soul in Jewish mysticism is mistaken. Analyzing text and figure in context on a case-by-case basis Garb is able to provide comparison without being reductive. This is an invaluable contribution to the discipline that cements Garb as the leading scholar of modern Kabbalah.

This third volume completes the set of a groundbreaking reception history of the Psalter, the culmination of two decades’ work In Volume Three of Psalms Through the Centuries: A Reception History Commentary on Psalms 73-151, the internationally recognized biblical scholar Professor Susan Gillingham examines the Jewish and Christian cultural and reception history of Books Three to Five of the Psalter. She examines the changing ways in which psalms have been understood in translations and commentaries, liturgy and prayer, study and preaching, music and art, poetic and dramatic performance, and political and ethical discourse. Lavishly illustrated with thirty colour plates, several black and white images and a number of musical scores, this volume also includes a comprehensive glossary of terms for readers less familiar with the subject and a full, selective bibliography complete with footnote references for each psalm. Numerous links to website resources also allow readers to pursue topics at greater depth, and three clearly organized indices facilitate searches by specific psalms or authors, or types of reception for selected psalms. This structure makes the commentary easy to use, whether for private study, teaching or preaching. The book also offers: A one-of-a-kind treatment of the reception history of the psalms that starts where most commentaries end— beginning with the trajectory of the Psalter’s multi-faceted reception over two millennia Specific discussions of both Jewish and Christian responses to individual psalms Psalms Through the Centuries: A Reception History Commentary on Psalms 73-151, like the previous two volumes, will earn a distinctive place in the libraries of faculties, colleges, seminaries, and religious communities as well as in private collections of students and scholars of biblical studies, theology, and religion.

Reel Kabbalah: Jewish Mysticism and Neo-Hasidism in Contemporary Cinema​ studies the ways in which fictional film in the first decade of the twenty-first century represents the esoteric Jewish speculative traditions known as Kabbalah and Hasidism. It examines the textual and conceptual traditions behind five important cinematic representations -- Pi (1998), Ushpizin (2004), Bee Season (2005), The Secrets (2007), and A Serious Man (2009) -- and it considers how film both stands in continuity with those traditions and modifies them in the New Age vein of what is known as neo-Kabbalah and neo-Hasidism. Brian Ogren transforms our understanding of reception history by focusing on how cinema has altered perceptions of Jewish mysticism. In showing how the Jewish speculative traditions of Kabbalah and Hasidism have been able to affect mass-consumed cinematic portrayals of ultimate Truth, this book sheds light on the New Age, pop-cultural dialectic of the particular within the universal and of the universal within the particular.