The so-called “Bone Wars” of the 1880s, which pitted Edward Drinker Cope against Othniel Charles Marsh in a frenzy of fossil collection and discovery, may have marked the introduction of dinosaurs to the American public, but the second Jurassic dinosaur rush, which took place around the turn of the twentieth century, brought the prehistoric beasts back to life. These later expeditions—which involved new competitors hailing from leading natural history museums in New York, Chicago, and Pittsburgh—yielded specimens that would be reconstructed into the colossal skeletons that thrill visitors today in museum halls across the country. Reconsidering the fossil speculation, the museum displays, and the media frenzy that ushered dinosaurs into the American public consciousness, Paul Brinkman takes us back to the birth of dinomania, the modern obsession with all things Jurassic. Featuring engaging and colorful personalities and motivations both altruistic and ignoble, The Second Jurassic Dinosaur Rush shows that these later expeditions were just as foundational—if not more so—to the establishment of paleontology and the budding collections of museums than the more famous Cope and Marsh treks. With adventure, intrigue, and rivalry, this is science at its most swashbuckling.

In early July 1899, an excavation team of paleontologists sponsored by Andrew Carnegie discovered the fossil remains in Wyoming of what was then the longest and largest dinosaur on record. Named after its benefactor, the Diplodocus carnegii—or Dippy, as it’s known today—was shipped to Pittsburgh and later mounted and unveiled at the Carnegie Museum of Natural History in 1907. Carnegie’s pursuit of dinosaurs in the American West and the ensuing dinomania of the late nineteenth century coincided with his broader political ambitions to establish a lasting world peace and avoid further international conflict. An ardent philanthropist and patriot, Carnegie gifted his first plaster cast of Dippy to the British Museum at the behest of King Edward VII in 1902, an impulsive diplomatic gesture that would result in the donation of at least seven reproductions to museums across Europe and Latin America over the next decade, in England, Germany, France, Austria, Italy, Russia, Argentina, and Spain. In this largely untold history, Ilja Nieuwland explores the influence of Andrew Carnegie’s prized skeleton on European culture through the dissemination, reception, and agency of his plaster casts, revealing much about the social, political, cultural, and scientific context of the early twentieth century.

Via the Smithsonian Institution, an exploration of the growing friction between the research and outreach functions of museums in the 21st century. Describing participant observation and historical research at the Smithsonian’s National Museum of Natural History as it prepared for its largest-ever exhibit renovation, Deep Time, the author provides a grounded perspective on the inner-workings of the world’s largest natural history museum and the social processes of communicating science to the public. From the introduction: In exhibit projects, the tension plays out between curatorial staff—academic, research, or scientific staff charged with content—and exhibitions, public engagement, or educational staff—which I broadly group together as “audience advocates” charged with translating content for a broader public. I have heard Kirk Johnson, Sant Director of the NMNH, say many times that if you look at dinosaur halls at different museums across the country, you can see whether the curators or the exhibits staff has “won.” At the American Museum of Natural History in New York, it was the curators. The hall is stark white and organized by phylogeny—or the evolutionary relationships of species—with simple, albeit long, text panels. At the Field Museum of Natural History in Chicago, Johnson will tell you, it was the “exhibits people.” The hall is story driven and chronologically organized, full of big graphic prints, bold fonts, immersive and interactive spaces, and touchscreens. At the Denver Museum of Nature and Science, where Johnson had previously been vice president and chief curator, “we actually fought to a draw.” That, he says, is the best outcome; a win on either side skews the final product too extremely in one direction or the other. This creative tension, when based on mutual respect, is often what makes good exhibitions.

The famous bone beds of the Morrison Formation, formed one hundred and fifty million years ago and running from Wyoming down through the red rock region of the American Southwest, have yielded one of the most complete pictures of any ancient vertebrate ecosystem in the world. Jurassic West, Second Edition tells the story of the life of this ancient world as scientists have so far been able to reconstruct it. Aimed at the general reader, Jurassic West, Second Edition recounts the discovery of many important Late Jurassic dinosaurs such as Apatosaurus, Allosaurus, and Stegosaurus. But dinosaurs compose barely a third of the more than 90 types of vertebrates known from the formation, which include crocodiles and turtles, frogs and salamanders, dinosaurs and mammals, clams and snails, and ginkgoes, ferns, and conifers. Featuring nearly all new illustrations, the second edition of this classic work includes new taxa named since 2007, updates to the naming and classifications of some old taxa, and expanded sections on numerous aspects of Morrison Formation paleontology and geology.

Geared towards a broad variety of students, Dinosaurs: The Textbook, sixth edition, is a concise and lucid presentation of the biological and geological concepts of dinosaur science. It clarifies the evolution, phylogeny, and classification of the various species while modeling the best approach for navigating new and existing research. Revised to reflect recent fossil discoveries and the current consensus on dinosaur science, this text moves through the major taxonomic groups—including theropods, sauropodomorphs, ornithopods, ceratopsians, pachycephalosaurs, stegosaurs, and ankylosaurs—and concludes with updated chapters on the behavior and extinction of the dinosaurs, their biological relationship to birds, and their representation (or misrepresentation) in art, literature, film, and other forms of popular culture. The sixth edition represents a major revision of the leading text for an introductory course on dinosaurs, including comprehensive updates based on the latest scientific discoveries, research, and literature. With an extensive art program revised by leading paleoartists that features cutting-edge illustrations, it is a complete reader-friendly pedagogical package with extensive end-of-chapter summary tools, review questions, a detailed glossary, a dinosaur dictionary, and a comprehensive index. Please visit our supplemental materials page (https://cup.columbia.edu/extras/supplement/dinosaurs-the-textbook-sixth-edition) to find study and teaching aides for both students and teachers using Dinosaurs: The Textbook, sixth edition in class.

A Science Friday Best Book to Read This Summer A gripping narrative of a fearless paleontologist, the founding of America’s most loved museums, and the race to find the largest dinosaurs on record. In the dust of the Gilded Age Bone Wars, two vastly different men emerge with a mission to fill the empty halls of New York’s struggling American Museum of Natural History: Henry Fairfield Osborn, a privileged socialite whose reputation rests on the museum’s success, and intrepid Kansas-born fossil hunter Barnum Brown. When Brown unearths the first Tyrannosaurus Rex fossils in the Montana wilderness, forever changing the world of paleontology, Osborn sees a path to save his museum from irrelevancy. With four-foot-long jaws capable of crushing the bones of its prey and hips that powered the animal to run at speeds of 25 miles per hour, the T. Rex suggests a prehistoric ecosystem more complex than anyone imagined. As the public turns out in droves to cower before this bone-chilling giant of the past and wonder at the mysteries of its disappearance, Brown and Osborn together turn dinosaurs from a biological oddity into a beloved part of culture. Vivid and engaging, The Monster’s Bones journeys from prehistory to present day, from remote Patagonia to the unforgiving badlands of the American West to the penthouses of Manhattan. With a wide-ranging cast of robber barons, eugenicists, and opportunistic cowboys, New York Times best-selling author David K. Randall reveals how a monster of a bygone era ignited a new understanding of our planet and our place within it.

Victorian culture was characterized by a proliferation of shows and exhibitions. These were encouraged by the development of new sciences and technologies, together with changes in transportation, education and leisure patterns. The essays in this collection look at exhibitions and their influence in terms of location, technology and ideology.

Horns and Beaks completes Ken Carpenter's series on the major dinosaur types. As with his volumes on armored, carnivorous, and sauropodomorph dinosaurs, this book collects original and new information, reflecting the latest discoveries and research on these two groups of animals. The Ornithopods include Iguanodon, one of the first dinosaurs ever discovered and analyzed, and perhaps the most common and best-documented group, the hadrosaurs or "duckbilled dinosaurs." The Ceratopsians include Triceratops, known for its distinctive three-horned skull and protective collar. Contributors are Michael K. Brett-Surman, Kathleen Brill, Kenneth Carpenter, Benjamin S. Creisler, Tony DiCroce, Andrew A. Farke, Peter M. Galton, David Gilpin, Thomas M. Lehman, Nate L. Murphy, Christopher J. Ott, Gregory S. Paul, Xabier Pereda Suberbiola, Albert Prieto-Marquez, Bruce Rothschild, José Ignacio Ruiz-Omeñaca, Darren H. Tanke, Mark Thompson, David Trexler, and Jonathan R. Wagner.

Reimagining Dinosaurs argues that transatlantic popular literature was critical for transforming the dinosaur into a cultural icon between 1880 and 1920

Providing an appealing chronology of "all things dinosaur," this book covers these ancient creatures' roles and surprising importance in science, religion, and society at large. This exhaustive, up-to-date book contains more than 2,000 entries about dinosaurs and dinosaur-related topics. It provides not only detailed information about their discovery, underlying science, and recent technologies and theories but also encompasses all of the facets of dinosaurs in society—for example, their use in consumer marketing and promotion, popularization of dinosaurs in the media, as "proof" for both evolutionists and creationists to substantiate their claims about life's origins, and as cultural artifacts. Organized chronologically, the book offers an informative and entertaining timeline of how dinosaurs have appeared in science, religion, and society since they were discovered in the 1800s, covering everything from dinosaur museum displays to how dinosaurs served advocates of young-Earth creationism. This fascinating work enables a broad appreciation for the surprising significance of dinosaurs in many aspects of our daily lives and modern society.