The seventies witnessed economic decline in America, coupled with a series of foreign policy failures, events that created an air of unease and uncertainty. This volume examines the ways in which Americans responded to a changing world and sought to redefine themselves.

Presents volume two of a three-volume encyclopedia that describes the events, movements, trends, people, sports, science, music, politics, and more of the 1970s listed in alphabetical order.

In assessing this tumultuous period in American history, Stephanie A. Slocum-Schaffer provides readers with a visceral experience of the seventies and a comprehensive survey of the important events of the entire decade. Central to the book is the belief that the 1970s were a time of betrayal and loss for the U.S., tempered by moments of healing and renewal. Slocum-Schaffer evokes the pain of Nixon's betrayal of the nation, the revelations of the My Lai massacre and the Pentagon Papers, and the losses of icons such as John Wayne, Jimi Hendrix, and the cult followers at Jonestown. At the same time, she revisits the successes of Camp David, Billie Jean King, and Frank Robinson, and the first Space Shuttle test flight, and reminds us of the healing that such events offered to the U. S.'s faltering self-esteem. America in the Seventies concludes with a "Legacy Chapter," summarizing the influence of the events of the decade on future generations and an annotated bibliography that includes the author's recommendations for the "best first book" to read on each subject, as well as relevant Internet sources.

The 1970s was one of the most culturally vibrant periods in American history. This book discusses the dominant cultural forms of the 1970s - fiction and poetry; television and drama; film and visual culture; popular music and style; public space and spectacle - and the decade's most influential practitioners and texts: from Toni Morrison to All in the Family, from Diane Arbus to Bruce Springsteen, from M.A.S.H. to Taxi Driver and from disco divas to Vietnam protesters. In response to those who consider the seventies the time of disco, polyester and narcissism, this book rewrites the critical engagement with one of America's most misunderstood decades.Key Features*Focused case studies featuring key texts and influential writers, artists, directors and musicians*Chronology of 1970s American Culture*Bibliographies for each chapter and a general bibliography on 1970s Culture*14 black-and-white illustrations

A fascinating year-by-year history of American film in the seventies, a decade filled with innovations that reinvented the medium and showed that movies can be more than entertainment. In The Seventies: The Decade That Changed American Film Forever, Vincent LoBrutto tracks the changing of the guard in the 1970s from the classic Hollywood studio system to a new generation of filmmakers who made personal movies targeting a younger audience. He covers in kaleidoscopic detail the breadth of American cinema during the 1970s, with analyses of the movies, biographical sketches of the filmmakers, and an examination of the innovative production methods that together illustrate why the seventies were unique in American film history. Featuring iconic filmmakers such as Martin Scorsese, Steven Spielberg, and Francis Ford Coppola and films such The Godfather, Jaws, Taxi Driver, and The Exorcist, this book reveals how the seventies challenged the old guard in groundbreaking and exciting ways, ushering in a new Hollywood era whose impact is still seen in American film today.

If the 1960s was the decade of peace, love and understanding, the 1970s was the decade of glitter and glam rock. Or was it? Gerard DeGroot peels away the polyester to examine what really happened in a decade that began with the death of Jimi Hendrix and ended with Ronald Reagan in the White House and Margaret Thatcher in 10 Downing Street. Some commentators have written off the Seventies as a period in which nothing happened, yet politically it was a time of great hope. Dictatorial regimes ended in Portugal, Spain, Nicaragua, Rhodesia and Greece. Accord between nations was established at Camp David, Peking, Moscow, Geneva and Brussels. For feminists, environmentalists and homosexuals, the Seventies was the decade of hope. In cultural terms, it brought the Sydney Opera House, Monty Python, Annie Hall, David Hockney and M.A.S.H. The music, with or without ABBA, was simply brilliant. But it was also a time of quite extraordinary violence and as the decade continued, the bloodshed and the hate came to dominate, whether in Jonestown, Belfast, Palestine or Cambodia. And while the violence of nations is a constant throughout history, in the 1970s ordinary people seemed to surrender to violence with frightening ease. As the Sixties chickens came home to roost, the Seventies became an era when dreams died, hope was thwarted, problems long ignored finally exploded, and optimism repeatedly crushed gave way to frustration. Incisive, iconoclastic and hugely entertaining The Seventies Unplugged is popular history at its best.

Most of us think of the 1970s as an "in-between" decade, the uninspiring years that happened to fall between the excitement of the 1960s and the Reagan Revolution. A kitschy period summed up as the "Me Decade," it was the time of Watergate and the end of Vietnam, of malaise and gas lines, but of nothing revolutionary, nothing with long-lasting significance. In the first full history of the period, Bruce Schulman, a rising young cultural and political historian, sweeps away misconception after misconception about the 1970s. In a fast-paced, wide-ranging, and brilliant reexamination of the decade's politics, culture, and social and religious upheaval, he argues that the Seventies were one of the most important of the postwar twentieth-century decades. The Seventies witnessed a profound shift in the balance of power in American politics, economics, and culture, all driven by the vast growth of the Sunbelt. Country music, a southern silent majority, a boom in "enthusiastic" religion, and southern California New Age movements were just a few of the products of the new demographics. Others were even more profound: among them, public life as we knew it died a swift death. The Seventies offers a masterly reconstruction of high and low culture, of public events and private lives, of Jonathan Livingston Seagull, Evel Knievel, est, Nixon, Carter, and Reagan. From The Godfather and Network to the Ramones and Jimmy Buffett; from Billie jean King and Bobby Riggs to Phyllis Schlafly and NOW; from Proposition 13 to the Energy Crisis; here are all the names, faces, and movements that once filled our airwaves, and now live again. The Seventies is powerfully argued, compulsively readable, and deeply provocative.

The Necronomicon Shocking Cinema of the Seventies continues the acclaimed journal's exploration of film culture with a special edition devoted to film from this special era. In a series of innovative articles, leading critics and scholars consider the social and cinematic issues which shaped the films of the decade. Covering genres such as horror, the disaster movie, blaxploitation, and kung fu, the authors discover the truth behind one of the most prolific, turbulent, and challenging periods of cinema history.

Taking a closer look at teen film in the 1970s, New American Teenagers uncovers previously marginalized voices that rework the classically male, heterosexual American teenage story. While their parents' era defined the American teenager with the romantic male figure of James Dean, this generation of adolescents offers a dramatically altered picture of transformed gender dynamics, fluid and queered sexuality, and a chilling disregard for the authority of parent, or more specifically, patriarchal culture. Films like The Rocky Horror Picture Show, Halloween, and Badlands offer a reprieve from the 'straight' developmental narrative, including in the canon of study the changing definition of the American teenager. Barbara Brickman is the first to challenge the neglect of this decade in discussions of teen film by establishing the subversive potential and critical revision possible in the narratives of these new teenage voices, particularly in regards to changing notions of gender and sexuality.