This book is an expanded, larger-format, and more highly illustrated version of a smaller book released by CEU Press in 2011. It presents and comments on an extensive set of religious and personal photographs and illustrations that depict people along with divine beings or absent loved ones. First, Christian examines the periodic appearances of Christ-like strangers in the Spanish countryside through the vision of a woman in La Mancha in 1931. Then he considers the long history of images with liquids on them not only for early modern Spain, but also in the United States, Italy and France in the 1940s and 1950s. The third and most extensive chapter addresses the iconography of illustrated depictions of divine and spirit beings in conjunction with humans and how its conventions were incorporated into commercial postcards and personal photographs, culminating in photo montages of families and their absent soldiers in World War I. The fourth theme is new to this edition. It compares the electric moments in Spanish communities when people ritually come into physical contact with saints and with animals, or transform themselves into saints or animals for ritual purposes. Over 50 of the color photographs by Spain's preeminent documentary photographer, Cristina García Rodero, are included.

A survey of the history of one of the most important biblical texts in the history of Christian spirituality while exploring original pathways for research.

One hardly known but fascinating aspect of the Cold War was the use of the holy Virgin Mary as a warrior against atheist ideologies. After the Second World War, there was a remarkable rise in the West of religiously inflected rhetoric against what was characterised as “godless communism”. The leaders of the Roman Catholic Church not only urged their followers to resist socialism, but along with many prominent Catholic laity and activist movements they marshaled the support of Catholics into a spiritual holy war. In this book renowned experts address a variety of grassroots and Church initiatives related to Marian politics, the hausse of Marian apparitions during the Cold War period, and the present-day revival of Marian devotional culture. By identifying and analysing the militant side of Mary in the Cold War context on a global scale for the first time, Cold War Mary will attract readers interested in religious history, history of the Cold War, and twentieth-century international history.

Since before the myth of Pygmalion bringing a statue to life through desire, artists have used sculpture to explore the physical materiality of the body. This groundbreaking volume examines key sculptural works from thirteenth-century Europe to the global present, revealing new insights into the strategies artists deploy to blur the distinction between art and life. Three-dimensional renderings of the human figure are presented here in numerous manifestations, created by artists ranging from Donatello and Edgar Degas to Kiki Smith and Jeff Koons. Featuring works created in media both traditional and unexpected—such as glass, leather, and blood—Like Life presents sculpture by turns conventional and shocking, including effigies, dolls, mannequins, automata, waxworks, and anatomical models. Texts by curators and cultural historians as well as contemporary artists complete this provocative exploration of realistic representations of the human body. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

List of IllustrationsPrefaceAcknowledgmentsIntroduction 1: From Urban Pietism to Sex Education 2: Intense Friendship 3: Singleness and the Consecrated Secretary 4: Marriage and the Sacrificial "Y Wife" 5: Women and the Young Men's Christian Association 6: Getting Physical 7: Cruising Epilogue App. 1: Analysis of Quantitative Sources on YMCA Secretarial Marital StatusApp. 2: Methodological Problems: Silences, the Spirit/Body Split, and the Denial of Cruising Notes Bibliography Index Copyright © Libri GmbH. All rights reserved.

"Anders has created wonderful variations on the beauty and the beast theme and the damsel-in-distress trope, a greatly tormented hero, and a powerful mix of menace and romance." —Booklist He thought he was beyond saving. A cop turned undercover gang member turned...whatever he is now. He thought no one would ever see him as anything but a beast. Until he found her. Until she changed everything. Undercover cop Clay Navarro left the Sultans biker gang a changed man. Its ringleaders may be awaiting trial, but he wears the memory of his time in that hell tattooed across his skin. He figures he doesn't have space in his messed-up life for anything gentle?not now, maybe not ever. Besides, what woman could possibly want the man he's become? Dr. Georgette Hadley is drawn to the damaged stranger's pain, intimidated but intrigued by the warmth that lies beneath Clay's frightening exterior. She thrills at the way he gentles at her touch...and under his rough hands, she burns with a passion she never thought she'd know. But when the Sultans return looking for revenge, Georgette finds herself drawn into the dirty underbelly of a life forged in violence...that not even her touch may be able to heal. Blank Canvas series: Under Her Skin (Book 1) By Her Touch (Book 2) In His Hands (Book 3) Praise for the Blank Canvas dark romance series: "A dark and emotional tale that will make your spine tingle as well as your heart."—SARINA BOWEN, USA Today bestselling author of Bittersweet for Under Her Skin "The perfect romance...a hint of danger, a whole lot of spice, and an HEA you believe in."—ANNE CALHOUN, award-winning author of Under the Surface for Under Her Skin "Emotionally riveting page-turner."—Publishers Weekly STARRED for Under Her Skin "Incredibly sexy, heartbreaking, and intense."—Kirkus STARRED for Under Her Skin "Gripping [and] emotionally satisfying."—Publishers Weekly STARRED for By Her Touch

'This intriguing and immersive novel is a real-page turner with plenty of romance and a dark mystery at its heart' Rachel Hore, Sunday Times bestselling author of A Beautiful Spy She doesn’t know if she can trust him. But she’s determined to save him . . . Nebraska, 1943: Jenni Fields's husband Danny was killed in action two months ago. Now pregnant with another man's child, Jenni is determined to keep her secret from the small community of Meadow Hills. Max Koenig fled Germany in 1938, escaping the Nazis and leaving behind a dark secret of his own. Employed to translate a historic German-language diary, Max moves to Meadow Hills, but the overly patriotic community isn’t happy to have a German in their midst. When the diary goes missing, the whole town thinks Max is the thief. And when local businesses and landmarks start being vandalized with German graffiti, the residents naturally point the finger his way. Jenni is the only one who believes Max is innocent. Clearly, the diary holds information someone in the town would rather keep quiet. What happened in Meadow Hills all those years ago? And will Jenni be able to prove Max’s innocence before it’s too late? A gripping and emotional WWII mystery with a love story at its heart, The Stranger From Berlin is perfect for fans of Suzanne Goldring and Angela Petch. 'Mellissa hooks her reader in from the very first page with a compelling narrative… Two unlikely characters connect, both harboring their own dark secret that highlights the prejudice of that time that builds to a gripping and heart-wrenching conclusion' Suzanne Kelman, author of Under a Sky on Fire 'I love historical fiction that takes a period we think we know, and finds an unexplored element - this is an intriguing glimpse into smalltown America in WWII, wrapped up in a thoroughly gripping mystery' Frances Quinn, author of The Smallest Man 'A searing look at the toll which divisiveness, shame, and fear can take on one man, one town, and even one nation' James R. Benn, author of Road of Bones and other Billy Boyle mysteries? '[A] well-researched and assured debut novel … both a tender love story and a thoughtful examination of national and individual guilt, shame, responsibility, and healing' Susan Elia MacNeal, author of the New York Times-bestselling Maggie Hope novels 'A spellbinding story about a town secret that might be revealed due to the relentless undertow of World War II… This is historical fiction at its finest' Patrick Hicks, author of In the Shadow of Dora 'An eye-opening and poignant love story' Rhys Bowen, author of The Venice Sketchbook

This beautifully illustrated study recaptures the rich history of women photographers and image collectors in nineteenth-century England. Situating the practice of collecting, exchanging and displaying photographs and other images in the context of feminine sociability, Patrizia Di Bello shows that albums express Victorian women's experience of modernity. The albums of individual women, and the broader feminine culture of collecting and displaying imagesare examined, uncovering the cross-references and fertilizations between women's albums and illustrated periodicals, and demonstrating the way albums and photography, itself, were represented in women's magazines, fashion plates, and popular novels. Bringing a sophisticated eye to overlooked images such as the family photograph, Di Bello not only illustrates their significance as historical documents but elucidates the visual rhetorics at play. In doing so, she identifies the connections between Victorian album-making and the work of modern-day amateurs and artists who use digital techniques to compile and decorate albums with Victorian-style borders and patterns. At a time when photographic album-making is being re-vitalised by digital technologies, this book rewrites the history of photographic albums, placing the female collector at its centre and offering an alternative history of photography focused on its uses rather than on its aesthetic or artistic considerations. It is remarkable in elegantly connecting the history of photography with the fields of material culture and women's studies.

When recently widowed Kerry travels to St Ives, her main reason for visiting is to take the same boat trip that took her late husband’s life in a horrific accident. Accompanied by her fiercely protective teenage son, Dan, Kerry sees the boat trip as the start of her healing process. But when Kerry meets Italian widower, Gian, this chance encounter releases a cascade of emotions that make her question her immediate choices and her future; not only for herself but also for Dan. Hers is a story of hope, of digging deep, of finding the strength and resolve to overcome one of the most difficult events in her life – of losing her best friend and soul mate. She discovers that, during her holiday, her coping mechanism is helping Gian, who has his own battles to face.

Tempest, Claire, and Leona: triplets blessed—or cursed—with a special extra sense they would each deny, given the chance . . . Tempest was born with the uncanny ability to learn everything about an object—or even a person—just by the touch of her naked hands. But she knows this gift comes at a price, so she protects herself by keeping those she loves at a distance, But when a sinister enemy threatens all that she holds dear, Tempest is forced to reach out to Marcus Greystone, who she once touched willingly . . . and with passionate abandon. Marcus has never forgotten the sensuous night he and Tempest shared—before she left his bed without a word. Now that she needs his help, Marcus isn't letting her go easily. It's his chance to show Tempest that his touch can also electrify. But a gathering storm of violence is following Tempest, and a killer waits to get his hands on her . . .