First Published in 2002. Amongst a time of rapid and radical social change, New Accents is a positive response to change, with each volume seeking to encourage rather than resist the process of change, to stretch rather than reinforce boundaries that currently define literature and its academic study. This study offers the authors’ theories of American literature and more specifically, his interest here is in how those theories define the canon of American literature and how those definitions influence our understanding and teaching of that canon.

A comparative study of Latin American and North American fiction.

Drawing from the social theories of Niklas Luhmann and Mary Douglas, Predicting the Past advocates a reflexive understanding of the paradoxical institutional dynamic of American literary history as a professional discipline and field of study. Contrary to most disciplinary accounts, Michael Boyden resists the utopian impulse to offer supposedly definitive solutions for the legitimation crises besetting American literature studies by "going beyond" its inherited racist, classist, and sexist underpinnings. Approaching the existence of the American literary tradition as a typically modern problem generating diverse but functionally equivalent solutions, Boyden argues how its peculiarity does not, as is often supposed, reside in its restrictive exclusivity but rather in its massive inclusivity, which drives it to constantly revert to a self-negating "beyond" perspective. Predicting the Past covers a broad range of literary histories and reference works, from Rufus Griswold's 1847 Prose Writers of America to Sacvan Bercovitch's monumental Cambridge History of American Literature. Throughout, Boyden focuses on particular themes and topics illustrating the self-induced complexity of American literary history, such as the early "Anglocentric" roots theories of American literature; the debate on contemporary authors in the age of naturalism; the plurilingual ethnocentrism of the pioneer Americanists of the mid-twentieth century; and the genealogical misrepresentation of founding figures such as Jonathan Edwards, Emily Dickinson, and Robert Lowell.

This study focuses on Eugene O'Neill, Thornton Wilder, Arthur Miller, and Tennessee Williams, who, within the overall framework of formal realism, reshaped dramatic form to depict a past that interacts with the present in complex and often surprising ways. Fairleigh Dickinson University Press Award in Modern Drama.

This book examines how the intellectual developments of the Scottish Enlightenment undermined Scotland's sense of nationalism.

The controversial Leslie Fiedler (1917-2003) was one of the first critics of popular culture as well as an early proponent of queer theory. This book traces the evolution of this larger-than-life figure through an extensive examination of his works. Beginning with his homoerotic reading of the relationship between Jim and Huck Finn in the Mark Twain novel, this book covers how his many contributions have been provocative, outrageous, novel, and enduring.

In this absorbing book, George McKenna ranges across the entire panorama of American history to track the development of American patriotism. That patriotism—shaped by Reformation Protestantism and imbued with the American Puritan belief in a providential “errand”—has evolved over 350 years and influenced American political culture in both positive and negative ways, McKenna shows. The germ of the patriotism, an activist theology that stressed collective rather than individual salvation, began in the late 1630s in New England and traveled across the continent, eventually becoming a national phenomenon. Today, American patriotism still reflects its origins in the seventeenth century. By encouraging cohesion in a nation of diverse peoples and inspiring social reform, American patriotism has sometimes been a force for good. But the book also uncovers a darker side of the nation’s patriotism—a prejudice against the South in the nineteenth century, for example, and a tendency toward nativism and anti-Catholicism. Ironically, a great reversal has occurred, and today the most fervent believers in the Puritan narrative are the former “outsiders”—Catholics and Southerners. McKenna offers an interesting new perspective on patriotism’s role throughout American history, and he concludes with trenchant thoughts on its role in the post-9/11 era.

Introduction: the critical work and critical pleasure of American literature -- Inner-self industries: soft capitalism's reproductive logic -- How America works: getting personal to get personnel -- Dress-down conquest: Americanizing top-down as bottom-up -- Afterword: payoffs

Each essay in this collection focuses on an individual classical American author--Thoreau, Hawthorne, Melville, Moore, and Stevens--and the author's primary works. Traditional interpretations are reassessed based on close study of source texts and criticism.