The Virgin and the Gypsy is a short story by English author D. H. Lawrence, about personal and sexual liberation. It was written in 1926 and published posthumously in 1930. The Virgin and the Gypsy has become a classic and is one of Lawrence’s most vibrant short novels.

David Herbert Lawrence (1885-1930) was an English novelist, poet, playwright and literary critic, one of the key writers of the early twentieth century, most famous for his criticism of rationalism and industrialization. Considered a masterpiece, “The Virgin and the Gipsy” is one of most electrifying short novels, demonstrating the author’s approach to sexuality and morality. The book tells the story of a young English girl from the countryside, who wants to fi nd something thrilling beyond her ordinary life. When she meets a handsome young gypsy whose life appears different from hers in every way, she is immediately intrigued and at the same time frightened by new feelings.

These stories of myth and resurrection, of uncanny events and violent impulse, were with one exception written and published in the latter half of the 1920s.

Deborah Epstein Nord traces the nearly ubiquitous British preoccupation with Gypsies in imaginative works by John Clare, Walter Scott, William Wordsworth, George Eliot, Arthur Conan Doyle, and D. H. Lawrence. She also exhumes lesser-known literary, ethnographic, and historical texts, exploring the fascinating histories of the nomadic writer George Borrow, the Gypsy Lore Society, Dora Yates, and other rarely examined figures and institutions. These textual representations are characterized by a tension between Gypsies as an alien, often despised "race" and the psychic or aesthetic desire to dissolve the boundary between English and Gypsy worlds. Nord suggests that, by the beginning of the twentieth century, romantic identification with Gypsies hardened into caricature and served to obscure the realities of Gypsy life and history. This phenomenon is reflected most famously in The Virgin and the Gipsy, in which D. H. Lawrence both exploits and criticizes the myth of Gypsies' unfettered sensuality, closeness to nature, and opposition to the oppressive strictures of modern life.

Luis de Morales, known as El Divino because of his intensely religious subject matter, is the most significant and recognisable Spanish painter of the mid-sixteenth century, the high point of the Spanish and Portuguese counter-reformations. He spent almost his entire working life in the Spanish city of Badajoz, not far from the border with Portugal, and did not travel outside of a small area around that city, straddling the border. The social, political and cultural environment of Badajoz and its environs is crucial for a thorough understanding of Morales’s output, and this book provides context in detail – considering literature and liturgical theatre, the situation of converted Jews and Muslims, the presence of Erasmianism, Lutheranism and Illuminism (Alumbradismo), devotional writing for lay people, and proximity to the Bragança ducal palace in Portugal as a means of explaining this most enigmatic of painters.

A formidable challenge to the study of Roma (Gypsy) music is the muddle of fact and fiction in determining identity. This book investigates "Gypsy music" as a marked and marketable exotic substance, and as a site of active cultural negotiation and appropriation between the real Roma and the idealized Gypsies of the Western imagination. David Malvinni studies specific composers-including Liszt, Brahms, Rachmaninov, Janacek, and Bartók-whose work takes up contested and varied configurations of Gypsy music. The music of these composers is considered alongside contemporary debates over popular music and film, as Malvinni argues that Gypsiness remains impervious to empirical revelations about the "real" Roma.

Louis Marshall Gould takes us on a colourful and magical odyssey through Poetry, Prose & Song - and Photographs. With vivid illustrations by René Märtin. Louis Marshall Gould tar med oss på en färgstark och magisk odyssé genom Poesi, Prosa, Sång & Fotografier. Boken innehåller levande illustrationer av konstnären René Märtin.

Chaperon Diana Price knew she was teetering on the edge of ruin. Her father had staked his fortune, and her virginity, at the card table—and lost! To the most notorious gamester in town… Nathan Wardale had money, plenty of it, but it was a long time since he'd been considered a gentleman. Still, he never intended to pursue this debt. Until he met Diana Price in the flesh—and began to wonder just how long his honor would hold out…

Each story has a passionate, intense, central relationship but the thread linking them together is a darkly dangerous, yet sexy stranger, who is out for revenge, delivering a silken rope as his calling card.