This book explores one of the central myths of Spain: the idea that Spanish culture arose from that of the Visigoths. It begins with a sketch of Visigothic history, then proceeds to explore attitudes towards the Goths and legends and myths that developed around them from late antiquity to the twentieth century; such ideas proved influential among those who saw the Goths as their spiritual, if not literal, ancestors. The focus is on the myth of the Goths as expressed in literature of a broadly historical nature; many authors have played a significant role in forming and shaping this myth, and thus in shaping the mentality of their contemporaries and descendants. The Gothic myth was of great use to the different monarchies that succeeded the Goths after the Arabic invasion of 711. Visigothic kings were adopted as models by one age after another, from the rudimentary kingdom of Asturias in the ninth century to the world-monarchy of Spain under the Catholic Kings and the Habsburgs. Over the centuries, adroit 'improvements' on history and even outright fabrications influenced the creation of an idealized, epic past to which Spaniards look even today. This study of the evolution and persistence of the myth of Spain's Gothic roots is essential reading for scholars of Spanish history.

When J. R. R. Tolkien was writing his best-known work, The Lord of the Rings, between 1937 and 1949, he drew inspiration from various sources, with the largest well of inspiration being European folklore. However, according to some sources, he would also use real-life historical figures and base his characters on them.

This book is a study in the myth of the origins and early history of the Goths as told in the Getica written by Jordanes in AD 551. Jordanes claimed they emigrated from the island of Scandza (Sweden) in 1490 BC, thus giving them a history of more than two thousand years. He found this narrative in Cassiodorus' Gothic history, which is now lost. The present study demonstrates that Cassiodorus and Jordanes did not base their accounts on a living Gothic tradition of the past, as the Getica would have us believe. On the contrary, they got their information only from the Graeco-Roman literature. The Greeks and Romans, however, did not know of the Goths until the middle of the third century AD. Consequently, Cassiodorus and Jordanes created a Gothic history partly through an erudite exploitation of the names of foreign peoples, and partly by using the narratives about other peoples' history as if they belonged to the Goths. The history of the Migrations therefore must be reconsidered.

This biographical dictionary separates myth from history by differentiating and defining figures associated with Arthuriana. Entries cover more than 400 legendary and historic figures, and include extensive cross-referencing, maps, illustrations and photographs. An appendix provides a comprehensive character index of Sir Thomas Malory's Le Morte D'Arthur.

Coverage includes research on Visigothic identity in Gaul, regional studies of Galacia and Lusitania, anti-Semitism in Visigothic law, the political grammar of Ildephonsus of Toledo, monasticism and liturgy, numismatics, Roman-Visigothic pottery in Baetica, and urban and rural.

Between 376 and 476 the Roman Empire in western Europe was dismantled by aggressive outsiders, "barbarians" as the Romans labelled them. Chief among these were the Visigoths, a new force of previously separate Gothic and other groups from south-west France, initially settled by the Romans but subsequently, from the middle of the fifth century, achieving total independence from the failing Roman Empire, and extending their power from the Loire to the Straits of Gibraltar. These studies draw on literary and archaeological evidence to address important questions thrown up by the history of the Visigoths and of the kingdom they generated: the historical processes which led to their initial creation; the emergence of the Visigothic kingdom in the fifth century; and the government, society, culture and economy of the "mature" kingdom of the sixth and seventh centuries. A valuable feature of the collection, reflecting the switch of the centre of the Visigothic kingdom from France to Spain from the beginning of the sixth century, is the inclusion, in English, of current Spanish scholarship. Dr PETER HEATHER teaches in the Department of History at University College London. Contributors: Dennis H. Green, Peter Heather, Ana Jimenez Garnica, Giorgio Ausenda, Ian Nicholas Wood, Isabel Velazquez, Felix Retamero, Pablo C. Diaz, Mayke de Jong, Gisela Ripoll Lopez, Andreas Schwarcz

Gothic Myths and Legends is a modern creative retelling of the surviving ancient Gothic stories and histories as preserved in the writings of ancient Roman historians and Norse sagas. These are combined with some of the author's own narrative and poetry. The stories have been thoughtfully woven together into one long tale of the Gothic gods, kings and heroes. The story of the Goths is told in two parts: the "Gude Spill" or Story of the Gods begins with the creation of the world and the divine origins of the Goths, and the "Amale Spill" or Story of the Amali line of Gothic kings, as well as their Balthic, Longobardic and Anglo-Saxon descendants. Also included is a commentary on the Gude Spill which explains how the primary sources have been woven together, and an English translation of "The Battle of the Goths and Huns" from the Hervarar Saga.