In The War against Animals, Dinesh Wadiwel draws on critical political theory to provide a provocative account of how our mainstay relationships with animals are founded upon systemic hostility and bio-political sovereign violence.

Are non-human animals our friends or enemies? In this provocative book, Dinesh Wadiwel argues that our mainstay relationships with billions of animals are essentially hostile. The War against Animals asks us to interrogate this sustained violence across its intersubjective, institutional and epistemic dimensions. Drawing from Foucault, Spivak and Derrida, The War against Animals argues that our sovereign claim of superiority over other animals is founded on nothing else but violence. Through innovative readings of Locke and Marx, Dinesh Wadiwel argues that property in animals represents a bio-political conquest that aims to secure animals as the “spoils of war.” The goal for pro-animal advocacy must be to challenge this violent sovereignty and recognize animal resistance through forms of counter-conduct and truce.

We are currently engaged in an existential species war against nonhuman animals. This book argues that, during this war, nonhuman animals should be granted legal personhood and treated as ‘protected persons’ rather than the property of ‘protected persons.’ The main argument is that War Crimes and Crimes against Humanity – rape, forced pregnancy and other acts of sexual violence – are being committed within the meat, egg and dairy industries. Avoiding ‘dreaded comparisons’, the book explores shared sources of oppression between human and nonhuman animals who are subject to the expressions and consequences of reproductive violence. It asks: what drives and facilitates the war against nonhuman animals? And what are the global consequences of this war? Throughout, it demonstrates how racism, sexism, and speciesism informs both intrahuman violence and the violence(s) of the animal-industrial complex. Ultimately the book asks us to reconsider what it means to be human.

Animals and War: Confronting the Military-Animal Industrial Complex is the first book to examine how nonhuman animals are used for war by military forces. Each chapter delves deeply into modes of nonhuman animal exploitation: as weapons, test subjects, and transportation, and as casualties of war leading to homelessness, starvation, and death. With leading scholar-activists writing each chapter, this is an important text in the fields of peace studies and critical animal studies. This is a must read for anyone interested in ending war and fostering peace and justice.

The Routledge Companion to Cinema and Politics brings together forty essays by leading film scholars and filmmakers in order to discuss the complex relationship between cinema and politics. Organised into eight sections - Approaches to Film and Politics; Film, Activism and Opposition; Film, Propaganda, Ideology and the State; The Politics of Mobility; Political Hollywood; Alternative and Independent Film and Politics; The Politics of Cine-geographies and The Politics of Documentary - this collection covers a broad range of topics, including: third cinema, cinema after 9/11, eco-activism, human rights, independent Chinese documentary, film festivals, manifestoes, film policies, film as a response to the post-2008 financial crisis, Soviet propaganda, the impact of neoliberalism on cinema, and many others. It foregrounds the key debates, concepts, approaches and case studies that critique and explain the complex relationship between politics and cinema, discussing films from around the world and including examples from film history as well as contemporary cinema. It also explores the wider relationship between politics and entertainment, examines cinema’s response to political and social transformations and questions the extent to which filmmaking, itself, is a political act.

Animals and War is the first collection of essays to explore its important, yet neglected, topic. Scholars from sociology, history, anthropology, and literary and cultural studies investigate the presence of animals in human wars. The essays analyze a wide range of phenomena, including the new militarization of bees, zoo animals during war, war dogs, Finish horses in World War II, Canadian war literature, and the effort to memorialize nonhuman war animals. Although animals are often forced to participate in human wars, their presence also signals human vulnerability and dependence. Several chapters demonstrate that in the frequently horrible circumstances of war, powerful sympathies nonetheless flourish between humans and animals. Animals and War thus exposes the often paradoxical contours of human-animal relationships.

This collection explores what the social and philosophical aspects of veganism offer to critical theory. Bringing together leading and emerging scholars working in animal studies and critical animal studies, Thinking Veganism in Literature and Culture shows how the experience of being vegan, and the conditions of thought fostered by veganism, pose new questions for work across multiple disciplines. Offering accounts of veganism which move beyond contemporary conceptualizations of it as a faddish dietary preference or set of proscriptions, it explores the messiness and necessary contradictions involved in thinking about or practicing a vegan way of life. By thinking through as well as about veganism, the project establishes the value of a vegan mode of reading, writing, looking, and thinking.