Describes Jewish life in the ghetto and analyzes the uprising in 1943. Emphasizes that the fact that thousands of ordinary people, and not only military organizations, took part in this revolt makes it a unique event, not only in the history of Jewish resistance, but in that of anti-Nazi resistance in all of Europe. States that the main difficulty to define the nature of the revolt lies in the very vague and limited knowledge of the real events in the ghetto during April-May 1943.

"Examines the Warsaw ghetto uprising, including the roots of the resistance in the Warsaw ghetto, stories from the participants in the uprising, how the battle ended, and how the small group of fighters became heroes during the Holocaust"--Provided by publisher.

At the height of the Nazi extermination campaign in the Warsaw Ghetto, a young Jewish woman, Irena, seeks the protection of her former lover, a young architect, Jan Malecki. By taking her in, he puts his own life and the safety of his family at risk. Over a four-day period, Tuesday through Friday of Holy Week 1943, as Irena becomes increasingly traumatized by her situation, Malecki questions his decision to shelter Irena in the apartment where Malecki, his pregnant wife, and his younger brother reside. Added to his dilemma is the broader context of Poles’ attitudes toward the “Jewish question” and the plight of the Jews locked in the ghetto during the final moments of its existence. Few fictional works dealing with the war have been written so close in time to the events that inspired them. No other Polish novel treats the range of Polish attitudes toward the Jews with such unflinching honesty. Jerzy Andrzejewski’s Holy Week (Wielki Tydzien, 1945), one of the significant literary works to be published immediately following the Second World War, now appears in English for the first time. This translation of Andrzejewski’s Holy Week began as a group project in an advanced Polish language course at the University of Pittsburgh. Class members Daniel M. Pennell, Anna M. Poukish, and Matthew J. Russin contributed to the translation; the instructor, Oscar E. Swan, was responsible for the overall accuracy and stylistic unity of the translation as well as for the biographical and critical notes and essays.

A Junior Library Guild Selection! The Warsaw Ghetto Uprising is one of history's most powerful acts of resistance. Here, author Joshua M. Greene (Signs of Survival) tells the true story of a young Jewish woman who was instrumental in the uprising as a smuggler of messages and weapons into and out of the Warsaw Ghetto. Warsaw, Poland, 1940s: The Nazis are on the march, determined to wipe out the Jewish people of Europe. Teenage Vladka and her family are among the thousands of Jews forced to relocate behind the walls of the Warsaw Ghetto, a cramped, oppressive space full of starvation, suffering, and death. When Vladka's family is deported to concentration camps, Vladka joins up with other young people in the ghetto who are part of the Jewish underground: a group determined to fight back against the Nazis, no matter the cost. Vladka's role in the underground? To pass as a non-Jew, sneaking out of the ghetto to blend into Polish society while smuggling secret messages and weapons back over the ghetto wall. Every move she makes comes with the risk of being arrested or killed. But Vladka and her friends know that their missions are worth the danger-they are preparing for an uprising like no other, one that will challenge the Nazi war machine. This astonishing true story of the Warsaw Ghetto Uprising, told through the lens of Holocaust survivor and educator Vladka Meed, introduces readers to a crucial piece of history while highlighting the persistence of bravery in the face of hate.

On the eve of Passover, April 19, 1943, Jews in the Warsaw Ghetto staged a now legendary revolt against their Nazi oppressors. Since that day, the deprivation and despair of life in the ghetto and the dramatic uprising of its inhabitants have captured the American cultural imagination. The Warsaw Ghetto in American Art and Culture looks at how this place and its story have been remembered in fine art, film, television, radio, theater, fiction, poetry, and comics. Samantha Baskind explores seventy years’ worth of artistic representations of the ghetto and revolt to understand why they became and remain touchstones in the American mind. Her study includes iconic works such as Leon Uris’s best-selling novel Mila 18, Roman Polanski’s Academy Award–winning film The Pianist, and Rod Serling’s teleplay In the Presence of Mine Enemies, as well as accounts in the American Jewish Yearbook and the New York Times, the art of Samuel Bak and Arthur Szyk, and the poetry of Yala Korwin and Charles Reznikoff. In probing these works, Baskind pursues key questions of Jewish identity: What links artistic representations of the ghetto to the Jewish diaspora? How is art politicized or depoliticized? Why have Americans made such a strong cultural claim on the uprising? Vibrantly illustrated and vividly told, The Warsaw Ghetto in American Art and Culture shows the importance of the ghetto as a site of memory and creative struggle and reveals how this seminal event and locale served as a staging ground for the forging of Jewish American identity.

A Holocaust expert who survived three Nazi concentration camps recounts the events of the Jewish uprising in Warsaw.

This work chronicles the struggle of Warsaw Jewry from the outbreak of World War II (September 1939) through the final and most tragic chapter in the history of the community--the armed Jewish uprising, the annihilation of the remnant Jewish community, and the destruction of the traditional Jewish sector of the city (April-May 1943).

Jews in Nazi-occupied Warsaw during the 1940s were under increasing threat as they were stripped of their rights and forced to live in a guarded ghetto away from the non-Jewish Polish population. Within the ghettos, a small but distinct group existed: the assimilated, acculturated, and baptized Jews. Unwilling to integrate into the Jewish community and unable to merge with the Polish one, they formed a group of their own, remaining in a state of suspension throughout the interwar period. In 1940, with the closure of the Jewish residential quarter in Warsaw, their identity was chosen for them. Person looks at what it meant for assimilated Jews to leave their prewar neighborhoods, understood as both a physical environment and a mixed Polish Jewish cultural community, and to enter a new, Jewish neighborhood. She reveals the diversity of this group and how its members’ identity shaped their involvement in and contribution to ghetto life. In the first English-language study of this small but influential group, Person illuminates the important role of the acculturated and assimilated Jews in the history and memory of the Warsaw Ghetto.

Encyclopedia of the Holocaust is a comprehensive, authoritative one-volume reference that provides reliable information on this ignoble and frightening episode of modern history. It features eight essays on the history of the Holocaust and its antecedents, as well as coverage of such topics as the history of European Jewry, Jewish contributions to European culture, and the rise of anti-semitism and Nazism. The essays are followed by more than 650 entries on significant aspects of the Holocaust, including people, cities and countries, camps, resistance movements, political actions, and outcomes. More than 300 black-and-white photographs from the archives at Yad Vashem bear witness to the horrors of the Nazi regime and at the same time attest to the invincibility of the human spirit. Best Specialist Reference Work of the Year - Reference Reviews UK

The photographs of the unknown Warsaw Ghetto little boy and the well-known Anne Frank became famous documents worldwide, representing the Holocaust. Many artists adopted them as a source of inspiration to express their feelings and ideas about Holocaust events in general and to deal with the fate of these two victims in particular. Moreover, the artists emphasized the uniqueness of both children, but at the same time used their image to convey social and political messages. By using images of these children, the artists both evoke our attention and sympathy and our anger against the Nazis’ crime of killing one and a half million Jewish children in the Holocaust. Because they represent different sexes, and different aspects - Western and Eastern Jewry - of Holocaust experience, artists used them in many contexts. This book will complete the lack of comprehensive research referring to the visual representations of these children in artworks.