"Examines the Warsaw ghetto uprising, including the roots of the resistance in the Warsaw ghetto, stories from the participants in the uprising, how the battle ended, and how the small group of fighters became heroes during the Holocaust"--Provided by publisher.

Describes Jewish life in the ghetto and analyzes the uprising in 1943. Emphasizes that the fact that thousands of ordinary people, and not only military organizations, took part in this revolt makes it a unique event, not only in the history of Jewish resistance, but in that of anti-Nazi resistance in all of Europe. States that the main difficulty to define the nature of the revolt lies in the very vague and limited knowledge of the real events in the ghetto during April-May 1943.

A Junior Library Guild Selection! The Warsaw Ghetto Uprising is one of history's most powerful acts of resistance. Here, author Joshua M. Greene (Signs of Survival) tells the true story of a young Jewish woman who was instrumental in the uprising as a smuggler of messages and weapons into and out of the Warsaw Ghetto. Warsaw, Poland, 1940s: The Nazis are on the march, determined to wipe out the Jewish people of Europe. Teenage Vladka and her family are among the thousands of Jews forced to relocate behind the walls of the Warsaw Ghetto, a cramped, oppressive space full of starvation, suffering, and death. When Vladka's family is deported to concentration camps, Vladka joins up with other young people in the ghetto who are part of the Jewish underground: a group determined to fight back against the Nazis, no matter the cost. Vladka's role in the underground? To pass as a non-Jew, sneaking out of the ghetto to blend into Polish society while smuggling secret messages and weapons back over the ghetto wall. Every move she makes comes with the risk of being arrested or killed. But Vladka and her friends know that their missions are worth the danger-they are preparing for an uprising like no other, one that will challenge the Nazi war machine. This astonishing true story of the Warsaw Ghetto Uprising, told through the lens of Holocaust survivor and educator Vladka Meed, introduces readers to a crucial piece of history while highlighting the persistence of bravery in the face of hate.

The German invasion of Poland in 1939 gave the Nazis the opportunity to implement their master plan to eliminate Europe's Jews. Part of the plan encompassed confining the Jews in a restricted area of Warsaw to make their survival difficult, followed by mass transportation of survivors to concentration camps, where they were killed. The Jews in the Warsaw Ghetto did not go quietly to their deaths but engaged in armed resistance. This riveting volume describes the ghetto's daily life--the people's extraordinary efforts to survive under horrendous circumstances--and the events that led to the uprising and the ghetto's 1943 destruction.

At the height of the Nazi extermination campaign in the Warsaw Ghetto, a young Jewish woman, Irena, seeks the protection of her former lover, a young architect, Jan Malecki. By taking her in, he puts his own life and the safety of his family at risk. Over a four-day period, Tuesday through Friday of Holy Week 1943, as Irena becomes increasingly traumatized by her situation, Malecki questions his decision to shelter Irena in the apartment where Malecki, his pregnant wife, and his younger brother reside. Added to his dilemma is the broader context of Poles’ attitudes toward the “Jewish question” and the plight of the Jews locked in the ghetto during the final moments of its existence. Few fictional works dealing with the war have been written so close in time to the events that inspired them. No other Polish novel treats the range of Polish attitudes toward the Jews with such unflinching honesty. Jerzy Andrzejewski’s Holy Week (Wielki Tydzien, 1945), one of the significant literary works to be published immediately following the Second World War, now appears in English for the first time. This translation of Andrzejewski’s Holy Week began as a group project in an advanced Polish language course at the University of Pittsburgh. Class members Daniel M. Pennell, Anna M. Poukish, and Matthew J. Russin contributed to the translation; the instructor, Oscar E. Swan, was responsible for the overall accuracy and stylistic unity of the translation as well as for the biographical and critical notes and essays.

Describes life in the section of Warsaw where Polish Jews were confined by the Nazis in the early 1940s, focusing on the final days of fighting prior to the destruction of the ghetto in 1943.

On the eve of Passover, April 19, 1943, Jews in the Warsaw Ghetto staged a now legendary revolt against their Nazi oppressors. Since that day, the deprivation and despair of life in the ghetto and the dramatic uprising of its inhabitants have captured the American cultural imagination. The Warsaw Ghetto in American Art and Culture looks at how this place and its story have been remembered in fine art, film, television, radio, theater, fiction, poetry, and comics. Samantha Baskind explores seventy years’ worth of artistic representations of the ghetto and revolt to understand why they became and remain touchstones in the American mind. Her study includes iconic works such as Leon Uris’s best-selling novel Mila 18, Roman Polanski’s Academy Award–winning film The Pianist, and Rod Serling’s teleplay In the Presence of Mine Enemies, as well as accounts in the American Jewish Yearbook and the New York Times, the art of Samuel Bak and Arthur Szyk, and the poetry of Yala Korwin and Charles Reznikoff. In probing these works, Baskind pursues key questions of Jewish identity: What links artistic representations of the ghetto to the Jewish diaspora? How is art politicized or depoliticized? Why have Americans made such a strong cultural claim on the uprising? Vibrantly illustrated and vividly told, The Warsaw Ghetto in American Art and Culture shows the importance of the ghetto as a site of memory and creative struggle and reveals how this seminal event and locale served as a staging ground for the forging of Jewish American identity.