Conventional wisdom holds that same-sex marriage is a purely modern innovation, a concept born of an overtly modern lifestyle that was unheard of in nineteenth century America. But as Rachel Hope Cleves demonstrates in this eye-opening book, same-sex marriage is hardly new. Born in 1777, Charity Bryant was raised in Massachusetts. A brilliant and strong-willed woman with a clear attraction for her own sex, Charity found herself banished from her family home at age twenty. She spent the next decade of her life traveling throughout Massachusetts, working as a teacher, making intimate female friends, and becoming the subject of gossip wherever she lived. At age twenty-nine, still defiantly single, Charity visited friends in Weybridge, Vermont. There she met a pious and studious young woman named Sylvia Drake. The two soon became so inseparable that Charity decided to rent rooms in Weybridge. In 1809, they moved into their own home together, and over the years, came to be recognized, essentially, as a married couple. Revered by their community, Charity and Sylvia operated a tailor shop employing many local women, served as guiding lights within their church, and participated in raising their many nieces and nephews. Charity and Sylvia is the intimate history of their extraordinary forty-four year union. Drawing on an array of original documents including diaries, letters, and poetry, Cleves traces their lives in sharp detail. Providing an illuminating glimpse into a relationship that turns conventional notions of same-sex marriage on their head, and reveals early America to be a place both more diverse and more accommodating than modern society might imagine, Charity and Sylvia is a significant contribution to our limited knowledge of LGBT history in early America.

An assessment of Trinitarian thought in the two-hundred-year-old Stone-Campbell Movement, including suggestions for ways in which the renewal of Trinitarian doctrine can revitalize the church's life and mission. Throughout its history the Stone-Campbell Movement has noticeably neglected Trinitarian doctrine, prohibiting a biblical understanding of God as Trinity from significantly impacting the movement's churches. This book attempts to rectify this weakness in three ways. First, a focus on the Trinitarian positions of Thomas Campbell, Alexander Campbell, and Barton W. Stone sheds new light on the early shapers of the movement. Second, the book lays out specific ways in which the movement would benefit by a biblically grounded Trinitarianism and the contributions of contemporary trinitarian theologians. And third, it presents a plan for the advancement of biblical Trinitarian doctrine among Stone-Campbell churches. Significant contributions of this study include the most thorough examination to date of Trinitarian doctrine in Stone-Campbell thought, an original presentation of the historical theology that stands behind the Trinitarian positions of Thomas Campbell, Alexander Campbell, and Barton W. Stone, and a fresh proposal regarding the roots of Barton Stone's quasi-Arianism.

The hymns of Isaac Watts are a remarkable blend of biblical, theological, liturgical, poetic, musical, and practical dimensions, some of which have seldom been touched upon in previous studies of the hymn writer. In this book, you will find analyses of Watts’s texts from each of these perspectives. As shown by this study, it is not only these individual factors but their combination that made Watts’s hymns innovative but also effective and long lasting in his own time—and that makes many of them still useful and widely sung today.

The Palgrave Encyclopedia Imperialism and Anti-Imperialism objectively presents the prominent themes, epochal events, theoretical explanations, and historical accounts of imperialism from 1776 to the present. It is the most historically and academically comprehensive examination of the subject to date.

Proceeding from Josef A. Jungmanns groundbreaking book of the same title, this volume gathers new work from fifteen renowned scholars on christological and trinitarian themes in prayer and worship. Eastern and Western traditions, Catholic and Protestant, ancient and contemporary are all represented in this record of the 2005 meeting of the Yale Institute of Sacred Music. Collectively, these practitioners and theologians, from their varied settings, grapple with the competing ideas and expressions of christological and trinitarian doctrine in meaningful liturgy.

Taking up a little-known story of education, schooling, and missionary endeavor, Helen May, Baljit Kaur, and Larry Prochner focus on the experiences of very young ’native’ children in three British colonies. In missionary settlements across the northern part of the North Island of New Zealand, Upper Canada, and British-controlled India, experimental British ventures for placing young children of the poor in infant schools were simultaneously transported to and adopted for all three colonies. From the 1820s to the 1850s, this transplantation of Britain’s infant schools to its distant colonies was deemed a radical and enlightened tool that was meant to hasten the conversion of 'heathen' peoples by missionaries to Christianity and to European modes of civilization. The intertwined legacies of European exploration, enlightenment ideals, education, and empire building, the authors argue, provided a springboard for British colonial and missionary activity across the globe during the nineteenth century. Informed by archival research and focused on the shared as well as unique aspects of the infant schools’ colonial experience, Empire, Education, and Indigenous Childhoods illuminates both the pervasiveness of missionary education and the diverse contexts in which its attendant ideals were applied.

In Sacred Song in America, Stephen A. Marini explores the full range of American sacred music and demonstrates how an understanding of the meanings and functions of this musical expression can contribute to a greater understanding of religious culture.Marini examines the role of sacred song across the United States, from the musical traditions of Native Americans and the Hispanic peoples of the Southwest, to the Sacred Harp singers of the rural South and the Jewish music revival to the music of the Mormon, Catholic, and Black churches. Including chapters on New Age and Neo-Pagan music, gospel music, and hymnals as well as interviews with iconic composers of religious music, Sacred Song in America pursues a historical, musicological, and theoretical inquiry into the complex roles of ritual music in the public religious culture of contemporary America.