Forty years after they ended, the 1960s continue to fascinate us. The decade was a pivot point of the 20th century, a watershed period when society, politics and culture underwent a series of shattering changes. Abroad, it was an era bristling with confrontation and crisis, from cold war showdowns in Berlin and Cuba to a long, ugly war in Vietnam. At home, it was a time of social upheaval, as a new generation of idealistic youngsters challenged the values of their elders. Now Time captures the 1960s in all their swirling glory and lingering heartache in an expansive gallery of the photographs that define the decade. Here are the great faces: the Rev. Martin Luther King Jr. and Che Guevara; Arnold Palmer and Twiggy; Muhammad Ali and Andy Warhol. Here are the great events, from the historic landing on the moon to the high times of Woodstock to the assassinations of three inspiring young American leaders. Here are the pulsating currents that drove social change, from the streets of Birmingham, Ala., to Washington's National Mall, from London's Carnaby Street to the Fillmore Auditorium in San Francisco. Yes, the times, they were a-changin'. And, fortunately, photographers were a shootin'. The result is a close encounter with a world that has vanished, but which roars back into vivid life in this fascinating, indispensable volume. Turn the pages and tune in to the highs and lows of one of the most exciting periods in American history: the '60s.

The 1960s have yet to be adequately explained. After a decade of "Sixties -bashing" and mass media romanticizing, after a host of "second wave" books reexamining portions of the 1960s, there is a need to integrate the experience of those years into a larger framework of understanding. The Sixties Experience is a coherent and uniquely comprehensive assessment of the meaning of that time for the contemporary world. "Sixties movements," observes Edward P. Morgan, "were grounded in a democratic vision that is as compelling today as it was then: a belief that all people should be included as full members of society, that individuals become empowered through meaningful social participation, and that politics ought to be grounded on respect and compassion for the individual person." He argues that the most fundamental lesson taught by movement experience was that, outside of significant liberal achievements (such as civil rights legislation), this democratic vision would not, and could not, be realized within the American system. This realization thus led to a radical reassessment of basic American institutions. The Sixties Experience traces the evolution of this democratic vision and explores it through the concrete experiences of the civil rights and black power movements, the new student Left and the campus revolt, Vietnam and the antiwar movement, and the counterculture. Using first-person material, narrative accounts, and evocative excerpts from popular culture, he brings alive the vibrant energy and intense feelings generated by movement experiences He also traces the connection of the women's and ecology movements to the Sixties experience, outlining their contribution, and that of a "revitalized Left," to the enduring legacies of the 1960s. In its vivid narratives and comprehensive, accessible explanations, The Sixties Experience addresses two main audiences: the generation that came of age during the 1960s and continues to reformulate the meaning of its experience, and young people curious about the tumult, the commitment, and the importance of the Sixties. More broadly, in its critical perspective, the book responds to those who scapegoat and dismiss that decade; in his critical assessment of the movements themselves, Morgan counters those who romanticize the 1960s. Author note: Edward P. Morgan is Professor of Government at Lehigh University.

Drawn from a wide range of perspectives and showcasing a variety of primary source materials, Brian Ward’s The 1960s: A Documentary Reader highlights the most important themes of the era. Supplies students with over 50 primary documents on the turbulent period of the 1960s in the United States Includes speeches, court decisions, acts of Congress, secret memos, song lyrics, cartoons, photographs, news reports, advertisements, and first-hand testimony A comprehensive introduction, document headnotes, and questions at the end of each chapter are designed to encourage students to engage with the material critically

With remarkable speed, the Sixties have gone from lived history to mythology. They remain alive in our culture in a manner different from any previous era. At the dawn of a new century, we are still debating the issues that emerged during that decade, still living in the conscious aftermath of its events and transformations. This collection looks back at the Sixties, attempting to understand the issues of the day on their own terms and to think about their meanings in today's world. Alexander Bloom has gathered ten original essays, each of which explores the gulf between history and myth regarding a central characteristic of the Sixties. Topics covered include civil rights, the student movement and the New Left, the Vietnam War, the antiwar movement, gay rights, the counterculture, and the women's movement. Long Time Gone dispels myths about the Sixties and constructs an accurate vision of the past and an understanding of its impact on the modern world. It is an invaluable resource for anyone seeking deeper knowledge of this incredible decade and its continuing influence on American culture.

The Vietnam War, the Cuban Missile Crisis, the Civil Rights Movement, and the Summer of Love--the 1960s were one of the most turbulent decades in US history. These years launched an unprecedented public debate over the meaning of "America," dividing US society in deep and troubling ways. Yet despite the passage of time, the contemporary crises in the "American way of life" and the political system that sustain it might well make one wonder: to what degree are we still living on the outskirts of the '60s? By examining crucial events, trends, and individuals from the civic, social, political, intellectual, cultural, and economic spheres across a range of disciplines, this volume offers a nuanced and pluralist account of the longest decade in America.

This book offers a critical reflection of the historical genesis, transformation, and problématique of “humanity” in the transatlantic world, with a particular eye on cultural representations. “Humanity,” the essays show, was consistently embedded in networks of actors and cultural practices, and its meanings have evolved in step with historical processes such as globalization, cultural imperialism, the transnationalization of activism, and the spread of racism and nationalism. Visions of Humanity applies a historical lens on objects, sounds, and actors to provide a more nuanced understanding of the historical tensions and struggles involved in constructing, invoking, and instrumentalizing the “we” of humanity.

Millions of "boomers" have moved on to grandparenthood and those beloved sixties are but memories; but what great memories they are! This is a fun, colorful, compact but fact-filled tribute to the people, fad and fashions, music, films, TV show, lingo, and muscle cars that defined the era. This fast-paced, engaging book invites readers to tune in to those glory days as they turn the pages and drop out of the present - at least for several highly entertaining hours.

The ubiquity of digital images has profoundly changed the responsibilities and capabilities of anyone and everyone who uses them. Thanks to a range of innovations, from the convergence of moving and still image in the latest DSLR cameras to the growing potential of interactive and online photographic work, the lens and screen have emerged as central tools for many artists. Vision Anew brings together a diverse selection of texts by practitioners, critics, and scholars to explore the evolving nature of the lens-based arts. Presenting essays on photography and the moving image alongside engaging interviews with artists and filmmakers, Vision Anew offers an inspired assessment of the medium’s ongoing importance in the digital era. Contributors include Ai Weiwei, Gerry Badger, David Campany, Lev Manovich, Christian Marclay, László Moholy-Nagy, Walter Murch, Trevor Paglen, Pipilotti Rist, Shelly Silver, Rebecca Solnit, and Alec Soth, among others. This vital collection is essential reading for artists, educators, scholars, critics, and curators, and anyone who is passionate about the lens-based arts.

The greatest wave of communal living in American history crested in the tumultuous 1960s era including the early 1970s. To the fascination and amusement of more decorous citizens, hundreds of thousands of mostly young dreamers set out to build a new culture apart from the established society. Widely believed by the larger public to be sinks of drug-ridden sexual immorality, the communes both intrigued and repelled the American people. The intentional communities of the 1960s era were far more diverse than the stereotype of the hippie commune would suggest. A great many of them were religious in basis, stressing spiritual seeking and disciplined lifestyles. Others were founded on secular visions of a better society. Hundreds of them became so stable that they survive today. This book surveys the broad sweep of this great social yearning from the first portents of a new type of communitarianism in the early 1960s through the waning of the movement in the mid-1970s. Based on more than five hundred interviews conducted for the 60s Communes Project, among other sources, it preserves a colorful and vigorous episode in American history. The book includes an extensive directory of active and non-active communes, complete with dates of origin and dissolution.

David Burner's panoramic history of the 1960s conveys the ferocity of debate and the testing of visionary hopes that still require us to make sense of the decade. He begins with the civil rights and black power movements and then turns to nuanced descriptions of Kennedy and the Cold War, the counterculture and its antecedents in the Beat Generation, the student rebellion, the poverty wars, and the liberals' war in Vietnam. As he considers each topic, Burner advances a provocative argument about how liberalism self-destructed in the 1960s. In his view, the civil rights movement took a wrong turn as it gradually came to emphasize the identity politics of race and ethnicity at the expense of the vastly more important politics of class and distribution of wealth. The expansion of the Vietnam War did force radicals to confront the most terrible mistake of American liberalism, but that they also turned against the social goals of the New Deal was destructive to all concerned. Liberals seemed to rule in politics and in the media, Burner points out, yet they failed to make adequate use of their power to advance the purposes that both liberalism and the left endorsed. And forces for social amelioration splintered into pairs of enemies, such as integrationists and black separatists, the social left and mainline liberalism, and advocates of peace and supporters of a totalitarian Hanoi. Making Peace with the 60s will fascinate baby boomers and their elders, who either joined, denounced, or tried to ignore the counterculture. It will also inform a broad audience of younger people about the famous political and literary figures of the time, the salient moments, and, above all, the powerful ideas that spawned events from the civil rights era to the Vietnam War. Finally, it will help to explain why Americans failed to make full use of the energies unleashed by one of the most remarkable decades of our history.