A free open access ebook is available upon publication. Learn more at www.luminosoa.org. In this book, Deborah A. Starr recuperates the work of Togo Mizrahi, a pioneer of Egyptian cinema. Mizrahi, an Egyptian Jew with Italian nationality, established himself as a prolific director of popular comedies and musicals in the 1930s and 1940s. As a studio owner and producer, Mizrahi promoted the idea that developing a local cinema industry was a project of national importance. Togo Mizrahi and the Making of Egyptian Cinema integrates film analysis with film history to tease out the cultural and political implications of Mizrahi’s work. His movies, Starr argues, subvert dominant notions of race, gender, and nationality through their playful—and queer—use of masquerade and mistaken identity. Taken together, Mizrahi’s films offer a hopeful vision of a pluralist Egypt. By reevaluating Mizrahi’s contributions to Egyptian culture, Starr challenges readers to reconsider the debates over who is Egyptian and what constitutes national cinema.

Jews lived in Egypt without interruption since Biblical times. The community knew an apogee in the first half of 20th century. Political events during the second half of the 20th century caused the Jews to leave Egypt and disperse throughout the world. This book contains 28 interviews of middle class Egyptian Jews describing their life in Egypt in their own voices just before their final departure. They bring to life the charm and diversities of the lives they led with its many contradictions. A cosmopolitan life they shared with many other groups living in Egypt at that time. "As a professional historian, I found the material of immense potential scholarly value. As a Jew who left Egypt during the 1956 Suez crisis, it touches me in a deep and personal way. I recommend this book to anyone interested in the forces that affect cultural dynamics, political conflict and, last but not least, human nature." -Jean Marc R. Openheim, PHD Teachers College, Columbia University "We have been given an extraordinary gift in this compilation of poignant memories of an Egypt of long ago. These oral histories not only capture the rich way of life of Egyptian Jews, but they also inform of their caring for this land and its people." -Nimet Habachy Author, Broadcaster (WQXR)

On Egyptian cinema

A timely examination of British-Egyptian relations by British and Egyptian scholars, government ministers, economists, and analysts.

This analysis of an Egyptian film produced in Cairo in the mid-1980s shows how Egyptian cultural identity is represented. The film Khalil Ba'ad Al-Ta'dil (Khalil After Straightening Out) is a mainstream comedy-drama representing Cairo's urban life and some of its concerns and problems: family life, gender roles, jobs, friendship, sex, marriage, parenthood, divorce and love. The imagery of this film is examined including the content of the dialogue in relation to the characters expressing it; the symbolism of the music, songs and sound effects on its soundtrack; and the colors, clothes, offices, houses, buildings and streets of its settings. This film constructs these images and symbols and what they say about who and what is Egyptian and who and what is Western. These elements are used by the filmmaker to illustrate and highlight the differences.

"Since it was first published in 1998, Viola Shafik's Arab Cinema: History and Cultural Identity has become an indispensable work for scholars of film and the contemporary Middle East. Combining detailed narrative history - economic, ideological, and aesthetic - with thought-provoking analysis, Arab Cinema provides a comprehensive overview of cinema in the Arab world, tracing the industry's development from colonial times to the present." "Now updated to reflect cultural shifts in the last ten years of cinema, this revised edition contains a postscript highlighting the latest developments in popular film and cinema d'auteur, with a special focus on Iraq, Lebanon, Syria, Tunisia, and Palestine."--BOOK JACKET.

Gay and Lesbian Cinema: p. 513-514.