This book discusses how Romantic-age writers and new cultural institutions transformed ideas of knowledge inherited from the early-modern period.

Innovative, alternative account of romanticism, exploring how art and science together contested the evidentiary authority of the human body.

This collection provides students and researchers with a new and lively understanding of the role of institutions in the production, reception, and meaning of literature in the period 1700–1900. The period saw a fundamental transition from a patronage system to a marketplace in which institutions played an important mediating role between writers and readers, a shift with consequences that continue to resonate today. Often producers themselves, institutions processed and claimed authority over a variety of cultural domains that never simply tessellated into any unified system. The collection's primary concerns are British and imperial environments, with a comparative German case study, but it offers encouragement for its approaches to be taken up in a variety of other cultural contexts. From the Post Office to museums, from bricks and mortar to less tangible institutions like authorship and genre, this collection opens up a new field for literary studies.

In the eighteenth century, literature meant learned writings; by the twentieth century, literature had come to be identified with imaginative, aesthetically significant works, and academic literary studies had developed special protocols for interpreting and valuing literary texts. Literature in the Making examines what happened in between: how literature came to be more precisely specified and valued; how it was organized into genres, canons, and national traditions; and how it became the basis for departments of modern languages and literatures in research universities. Modern literature, the version of literature familiar today, was an international invention, but it was forged when literary cultures, traditions, and publishing industries were mainly organized nationally. Literature in the Making examines modern literature's coalescence and institutionalization in the United States, considered as an instructive instance of a phenomenon that was going global. Since modern literature initially offered a way to formulate the value of legacy texts by authors such as Homer, Cervantes, and Shakespeare, however, the development of literature and literary culture in the U.S. was fundamentally transnational. Literature in the Making argues that Shakespeare studies, one of the richest tracts of nineteenth-century U.S. literary culture, was a key domain in which literature came to be valued both for fuelling modern projects and for safeguarding values and practices that modernity put at risk-a foundational paradox that continues to shape literary studies and literary culture. Bringing together the histories of literature's competing conceptualizations, its print infrastructure, its changing status in higher education, and its life in public culture during the long nineteenth century, Literature in the Making offers a robust account of how and why literature mattered then and matters now. By highlighting the lively collaboration between academics and non-academics that prevailed before the ascendancy of the research university starkly divided experts from amateurs, Literature in the Making also opens new possibilities for envisioning how academics might partner with the reading public.

Few critical terms coined by poets are more famous than “negative capability.” Though Keats uses the mysterious term only once, a consensus about its meaning has taken shape over the last two centuries. Keats’s Negative Capability: New Origins and Afterlives offers alternative ways to approach and understand Keats’s seductive term.

"In this book, Jon Mee proposes a new literary-cultural history of the Industrial Revolution in Britain from the late-eighteenth to the mid-nineteenth centuries. Against the stubbornly persistent image of "dark satanic mills," in many ways so comforting to literary Romanticism, Jon Mee provides fresh, revisionary account of the Industrial Revolution as a story of unintended consequences. Reading a wide range of texts-economic, medical, and more conventionally "literary" ones-with a distinctive focus on their circulation through networks and institutions, Mee shows how a project of enlightened liberal reform, articulated in Britain's emerging manufacturing towns, led unexpectedly to coercive forms of machine productivity, a pattern that might be seen repeating in the digital technologies in our own time. Instead of treating the Industrial Revolution as Romanticism's "other," Mee shows how writing, practices, and institutions emanating from the industrial towns developed a new kind of knowledge economy, one where "literary" debates played a key role, especially through local literary and philosophical societies who were important transmission hubs for the circulation of knowledge. Mee provides a new perspective on the development of social relations across the period, challenging the idea that the Industrial Revolution as the result of some kind of prior, ideological intention. The book will interest literary scholars concerned with the relation of Romanticism to Britain's social and economic upheavals; social and economic historians studying the underpinnings of the Industrial Revolution; and cultural historians tracing the relation between social networks and political philosophy"--

A Concise Companion to the Romantic Age provides newperspectives on the relationships between literature and culture inBritain from 1780 to 1830 Provides original essays from a variety of multi-disciplinaryscholars on the Romantic era Includes fresh insights into such topics as religiouscontroversy and politics, empire and nationalism, and therelationship of Romanticism to modernist aesthetics Ranges across the Romantic era's literary, visual, andnon-fictional genres

In fifty pithy and engaging daily reflections from Ash Wednesday to Easter and beyond, Rob Marshall leads us on a pilgrim journey to the Mountain of the Transfiguration. The story of Jesus displaying the overwhelming glory of God to three chosen disciples is one of the most potent yet mysterious stories in the gospels, and a prelude to all that will occur in Jerusalem. Popular broadcaster Rob Marshall explores the many layers of the Transfiguration and relates them to ordinary human experiences – journeying, prayer, revelation, tiredness, sleep, fear, doubt, waiting, questioning, listening, suffering, vision and much more. Mountaintop encounters with the divine are transformative, but like the disciples we are not meant to stay there. Instead, we return to the realities of daily life, changed forever by glimpsing the glory of the God. Transfiguration will help you take the power of divine revelation into your ordinary daily Christian life.

Danto argues that recent developments in art--in particular the production of works that cannot be told from ordinary things--make urgent the need for a new theory of art. He demonstrates the relationship between philosophy and art and the connections that hold between art, social institutions, and art history.