Toward a Theory of True Crime Narratives vivifies how nonfiction murder stories are told, what role they play in society, and in the form of true crime why they remain enduringly popular internationally on every platform. This book establishes for the first time the actual line—or dotted line—between mainstream journalism and the multimedia phenomena of true crime. Presenting a stable definition of what is—and what is not—true crime will either challenge or justify Truman Capote’s claims regarding the creation of a "new journalism" with In Cold Blood, and accordingly expose the reluctance of the promoters of NPR’s Serial, HBO’s The Jinx, and Netflix’s Making a Murderer to refer to their products as such. This research codifies true crime texts of various types on multiple platforms—radio, television, print, digital, and film—to reveal the defining characteristics of the genre.

Takes the reader on an exploration of this genre, from the mid-nineteenth century through 1993.

During the 1950s and 1960s True Detective magazine developed a new way of narrating and understanding murder. It was more sensitive to context, gave more psychologically sophisticated accounts, and was more willing to make conjectures about the unknown thoughts and motivations of killers than others had been before. This turned out to be the start of a revolution, and, after a century of escalating accounts, we have now become a nation of experts, with many ordinary people able to speak intelligently about blood-spatter patterns and organized vs. disorganized serial killers. The Rise of True Crime examines the various genres of true crime using the most popular and well-known examples. And despite its examination of some of the potentially negative effects of the genre, it is written for people who read and enjoy true crime, and wish to learn more about it. With skyrocketing crime rates and the appearance of a frightening trend toward social chaos in the 1970s, books, documentaries, and fiction films in the true crime genre tried to make sense of the Charles Manson crimes and the Gary Gilmore execution events. And in the 1980s and 1990s, true crime taught pop culture consumers about forensics, profiling, and highly technical aspects of criminology. We have thus now become a nation of experts, with many ordinary people able to speak intelligently about blood-spatter patterns and organized vs. disorganized serial killers. Through the suggestion that certain kinds of killers are monstrous or outside the realm of human morality, and through the perpetuation of the stranger-danger idea, the true crime aesthetic has both responded to and fostered our culture's fears. True crime is also the site of a dramatic confrontation with the concept of evil, and one of the few places in American public discourse where moral terms are used without any irony, and notions and definitions of evil are presented without ambiguity. When seen within its historical context, true crime emerges as a vibrant and meaningful strand of popular culture, one that is unfortunately devalued as lurid and meaningless pulp.

True Crime in the Headlines: The Cases That Shocked the World delves into some of the most infamous crime stories that gripped the globe. This book masterfully examines the interplay between media sensationalism and justice, offering a compelling narrative that unveils the complex dynamics behind high-profile cases. It not only scrutinizes the evolution of true crime reporting but also explores the ethical dilemmas posed by the media’s role in shaping public perception. Through detailed case studies, the book sheds light on how media narratives can blur the lines between justice and spectacle, often prioritizing entertainment over truth. From the chilling murders of Tupac Shakur and The Notorious B.I.G. to the media frenzy surrounding Amanda Knox, this work is a riveting exploration of crime, media, and society. Table of Contents: The Crime-Entertainment Complex Unraveling the intersection of media and morality in crime narratives. Unsolved Mysteries and Their Allure A deep dive into public fascination with cases like Madeleine McCann and the Zodiac Killer. Hip-Hop's Reflection on Crime Narratives and realities, including the murders of Tupac Shakur and The Notorious B.I.G. The Ethics Behind True Crime Narratives Examining the media's impact on victims' families and the ethical implications of coverage. The Media's Influence on the Perception of Justice Case studies such as Drew Peterson’s trial reveal how media shapes justice. Crime in the Era of Social Media The role of viral rumors, misinformation, and online communities in modern crime stories. The College Admissions Scandal A deep dive into the deception and privilege behind the headlines. The Shadows of Celebrity Culture High-profile cases like R. Kelly, Phil Spector, and Harvey Weinstein. Mass Shootings: The Influence of Media Narratives Analyzing coverage of Columbine and Sandy Hook, and the implications for reform. The Emotional Toll of Crime Understanding the impact on victims and communities, with a focus on Uvalde. A Global Perspective on Crime Cultural contexts and the role of global media in shaping crime narratives. The Art of Manipulating Crime Narratives Investigative journalism’s power in shaping perceptions of justice. Obsession and Manipulation Unraveling murder-for-hire cases, including Pamela Smart. This book is an essential read for true crime enthusiasts, media critics, and anyone intrigued by the profound influence of storytelling on justice and society. Purchase True Crime in the Headlines today and embark on a journey that questions the narratives we've been told and uncovers the deeper truths behind the headlines.

Bringing new research from true crime writers, scholars, and media practitioners around the world, this book offers fresh perspectives on how women read, write, and are portrayed in true crime stories across different platforms, including documentaries, podcasts, and TikToks. The genre of true crime is flourishing, and it is overwhelmingly consumed by women. Despite this, there is much we do not know about how women consume true crime and are represented in true crime stories of various kinds. This edited volume helps to fill this gap in our knowledge. Across ten chapters and using a variety of study methods, including creative practice, interviews, surveys, archival research, and case studies, the book reveals the multifaceted ways that true crime matters to women and suggests areas of future research. It also offers new insights on a diverse range of topics, such as racial identities, fraudsters, activism, victimisation, and deviance, as well as highlighting major cases from past to present which have influenced criminal justice responses. True Crime and Women is intended for researchers and students of criminology, literary studies, gender studies, media and journalism studies, and rhetorical studies, as well as media practitioners and writers.

This book provides a critical discussion of True Crime literature, arguing for the deconstruction of the genre into subgenres that better reflect a work’s contents. In analysing seminal and lesser-known works, the areas of authenticity, accuracy, and author proximity are considered to form a framework on which an individual publication’s subgenre (re)categorisation can be assessed. The book considers the likes of Ann Rule, Truman Capote, and Maggie Nelson, among other notable authors. Their works – those that fit into True Crime and those that defy categorisation within the genre as it exists – are reviewed, and their defining features critiqued. Topics such as narrative methodologies, figurative language, and utilisation of research are considered in support of this. These strands combine to a larger discussion regarding a deconstruction of True Crime, and the ways in which this will improve the social responsibility of the genre, and encourage a more conscientious consumerism of it.

Why do true crime stories exert such popular fascination? What do they have to say about the fear of crime in the present moment? This book examines the historical origins and development of true crime and its evolution into distinctive contemporary forms. Embracing a range of non-fiction accounts - true crime book and magazines, law and order television, popular journalism - it traces how they harness and explore current concerns about law and order, crime and punishment and personal vulnerability.

Reshaping True Crime Stories from the Global Margins: Voicing the Less Dead uses criminal cases, news stories, and media analysis from around the globe to reflect upon the thousands and thousands of missing and murdered individuals from marginalized communities. Contributors ask readers to consider: How do we see these human beings compared to others, and how are they viewed by law enforcement and government officials? These vulnerable populations are often rendered invisible, so how do the media decide what story is told to the public and which one is neglected? Drawing on Steven Egger’s concept of the ‘less dead,’ this collection provides an interdisciplinary, global perspective on how vulnerable groups are erased and demonstrates ways their stories can be made visible.

This book examines the representation and misrepresentation of queer people in true crime, addressing their status as both victims and perpetrators in actual crime, as well as how the media portrays them. The chapters apply an intersectional perspective in examining criminal cases involving LGBTQ people, as well as the true crime media content surrounding the cases. The book illuminates how sexual orientation, gender, race, and other social locations impact the treatment of queer people in the criminal legal system and the mass media. Each chapter describes one or more high-profile criminal cases involving queer people (e.g., the murders of Brandon Teena and Kitty Genovese; serial killer Aileen Wuornos; the Pulse nightclub mass shooting). The authors examine how the cases are portrayed in the media via news, films, podcasts, documentaries, books, social media, and more. Each chapter discusses not only what is visible or emphasized by the media but also what is invisible in the accounting or societal focus surrounding the case. Lesser-known (but similar) cases are used in the book to call attention to how race, gender, sexuality, sexual orientation, social class, and/or other features influence the dominant narrative surrounding these cases. Each chapter addresses "teachable moments" from each case and its coverage, leaving readers with several considerations to take with them into the future. The book also provides media resources and supplemental materials so that curious readers, including scholars, students, content creators, and advocates, can examine the cases and media content further. The book will appeal to scholars and students of criminology, psychology, sociology, law, media studies, sexuality studies, and cultural studies, and people with an interest in true crime.

This book explores contemporary American true crime narratives across various media formats. It dissects the popularity of true crime and the effects, both positive and negative, this popularity has on perceptions of crime and the justice system in contemporary America. As a collection of new scholarship on the development, scope, and character of true crime in twenty-first century American media, analyses stretch across film, streaming/broadcast TV, podcasts, and novels to explore the variety of ways true crime pervades modern culture. The reader is guided through a series of interconnected topics, starting with an examination of the contemporary success of true crime, the platforms involved, the narrative structures and engagement with audiences, moving on to debates on representation and the ethics involved in portraying both victims and perpetrators of crime within the genre. This collection provides new critical work on American true crime media for all interested readers, and especially scholars and students in the humanities and social sciences. It offers a significant area of research in social sciences, criminology, media, and English Literature academic disciplines.