A newspaper reporter struggles with unreliable sources while covering two explosive stories—the apparent murder of a priest who stood up to his church and a spate of increasingly destructive bombings. Shock waves reverberate through tight-knit Riverside, Maine, when an outspoken priest is found dead. After writing Father Patrick Doherty's obituary, Portland Daily Chronicle reporter Joe Gale learns that the good Father didn't die in the garden where his body was found—the cops say it was murder, and the killer went to great pains to cover it up. Friends and parishioners tell Joe that Patrick was sincere and selfless. But a vocal gang of rabble-rousers claim he was corrupt. Joe is nowhere near cracking the case when a second crisis threatens to tear Riverside apart: a poorly constructed bomb detonates near the local high school. On the eve of Patrick's wake, the police imply the dead priest was involved in criminal activity prior to his death. And as Joe races to sort truth from rumor, his two big stories collide, putting him in mortal danger. 83,000 words

I first met Susan Batson in New York just a week before I made Peacemaker. We worked together in earnest for two years on Eyes Wide Shut in London and on every film I've done since, wherever they've taken us. This book you hold is called Truth, and that title precisely describes the core of the work Susan Batson and I do together. I can't create unless I have truth-I have to feel it. Susan helps me to find the truth in myself and use its purity, intimacy, and honesty to make my work real. She's helped me to nurture and protect truth in myself and in the characters that I've played. What I've learned from Susan is how to keep the truth alive no matter what. There's so much more to acting than just creative success. It runs thicker and deeper than that. It has to-it's in my blood, it beats through me. I know that it's in Susan's blood, too. I feel like we've been together my whole life. A great teacher can make anything seem possible. So many of the actors I've admired and idolized and, in a few lucky instances, been blessed to work with, were shaped and inspired by teachers who opened them to the possibilities of their art. Among actors, Lee Strasberg, Sanford Meisner, and Jeff Corey are just as legendary as their pupils Marilyn Monroe, Robert Duvall, and Jack Nicholson. I am confident that Susan Batson will go down in history as one of acting's legendary teachers. I only hope that my work can contribute to her legend. I'll always be grateful that I found her. And now, through this book, you've found her, too. Book jacket.

This novel takes place in the real word and on screen, and a few unexpected things happen. People find out the truth about themselves and others. One character named Serenity finds out who her real parents are, which made her have a hard time believing what was right in front of her. She falls in love with a pirate named Jeff Jacob, who just happens to be a captain of a ship named the Destiny. He was in love with another, but she wasnt his true love. This novel has love, hate, gods, demigods, and all kinds of mystical creatures.

This Companion offers an in-depth overview of the Beat era, one of the most popular literary periods in America.

As seen on the Oxygen mini-series The Disappearance of Maura Murray When an eleven year old James Renner fell in love with Amy Mihaljevic, the missing girl seen on posters all over his neighborhood, it was the beginning of a lifelong obsession with true crime. That obsession leads James to a successful career as an investigative journalist. It also gave him PTSD. In 2011, James began researching the strange disappearance of Maura Murray, a UMass student who went missing after wrecking her car in rural New Hampshire in 2004. Over the course of his investigation, he uncovers numerous important and shocking new clues about what may have happened to Maura, but also finds himself in increasingly dangerous situations with little regard for his own well-being. As his quest to find Maura deepens, the case starts taking a toll on his personal life, which begins to spiral out of control. The result is an absorbing dual investigation of the complicated story of the All-American girl who went missing and James's own equally complicated true crime addiction. James Renner's True Crime Addict is the story of his spellbinding investigation of the missing person's case of Maura Murray, which has taken on a life of its own for armchair sleuths across the web. In the spirit of David Fincher's Zodiac, it is a fascinating look at a case that has eluded authorities and one man's obsessive quest for the answers.

Maya Ishida is no stranger to sorrow. Torn from her artist father in her native Japan, raised by her cold, ambitious mother in Minneapolis, she has finally put together a life with few disruptions: a safe marriage and a quiet life weaving clothes in a country studio. The past is no more than a story she vaguely remembers; the present is a gray landscape of solitary pleasures and modest expectations. After her father dies, Maya is pulled back into the memory of their parting. In his many stories of Orpheus and Eurydice and of the tennyo, a mythic Japanese figure, he had taught her that love means making the sacrifice of letting go. And so she had walked away from him without looking back. Twenty-four years later, holding her father's last sketch, Maya knows she can avoid looking back no longer. She must question her placid marriage, her decision not to become an artist, and even the precarious peace she has made with her mother before she can be released--to feel passion, risk change, and fall in love. Kyoko Mori's young adult novel, Shizuko's Daughter, was hailed in The New York Times Book Review as "a jewel...one of those rarities that shine out only a few times in a generation." In Stone Field, True Arrow, her first novel for adults, she sheds brilliant light on eternal questions about life and love.