Representing a decade of scholarly activity within the C. S. Lewis & Inklings Society (CSLIS), this book challenges readers to examine the complex factors that shaped the theological perspectives, cultural concerns, and literary conventions in the works of the Oxford Inklings. The mythopoeic fiction that Lewis, Tolkien, Williams, and their associates enjoyed and composed put mortal humanity in contact with the immortal and the divine. The selection of papers in this volume, intended not only for experts but also for undergraduates and general readers, includes keynote presentations by Joe R. Christopher, Rolland Hein, Kerry Dearborn, David Neuhouser, and Thomas Howard that explore the Inklings legacy of moral mythopoeia, as well as essays that analyze works like Screwtape (Tom Shippey), The Magician s Nephew (Salwa Khoddam), The Silmarillion (Jason Fisher), The Lord of the Rings (David Oberhelman) and The Dark Tower (Jonathan B. Himes). The Inklings believed there was still power in the old myths, and ultimately that there was still truth to fortify humanity in them. Their friendship and their fiction provided these men a forum for entertaining speculative and sometimes unorthodox answers to the complex realities of sacred tradition.

The Literary Agenda is a series of short polemical monographs about the importance of literature and of reading in the wider world and about the state of literary education inside schools and universities. The category of 'the literary' has always been contentious. What is clear, however, is how increasingly it is dismissed or is unrecognised as a way of thinking or an arena for thought. It is sceptically challenged from within, for example, by the sometimes rival claims of cultural history, contextualized explanation, or media studies. It is shaken from without by even greater pressures: by economic exigency and the severe social attitudes that can follow from it; by technological change that may leave the traditional forms of serious human communication looking merely antiquated. For just these reasons this is the right time for renewal, to start reinvigorated work into the meaning and value of literary reading. Seth Lerer presents an original take on tradition in the literary imagination. He asks how we can have an unironic, affective relationship to the literary past in an age marked by historical self-consciousness, critical distance, and shifts in cultural literacy. Tradition: A Feeling for the Literary Past ranges through a set of fiction, poetry, and criticism that makes up our inherited traditions and that also confronts the question of a literary canon and its personal and historical meaning. How are we taught to have a felt experience of literary objects? How do we make our personal anthologies of reading to shape social selves? Why should we care about what literature does both to and for us? This book affirms the value of close and nuanced reading for our understanding of both past and present. Its larger goal is to explore the ways in which the literary past makes us, and in the process, how we create canons for reading, teaching, and scholarship. The writers discussed here were all great readers. Dickens and Orwell, Rushdie and Bradbury, Dickinson and Frost, Anne Bradstreet and Gjertrud Schnackenberg, Chaucer, Dante, Virgil—they all built their literary structures on the scaffold of their bookshelves. Lerer demonstrates how reading the past generates the literary present, and imagines our literate future.

Join Neal as she explores how key characters in the Harry Potter books, the Chronicles of Narnia, and the Star Wars movies deal with the problem of good and evil as they make choices and face difficulties--and how their choices form their characters.

Sehnsucht: The C. S. Lewis Journal, established by the Arizona C. S. Lewis Society in 2007, is the only peer-reviewed journal devoted to the study of C. S. Lewis and his writings published anywhere in the world. It exists to promote literary, theological, historical, biographical, philosophical, bibliographical and cultural interest (broadly defined) in Lewis and his writings. The journal includes articles, review essays, book reviews, film reviews and play reviews, bibliographical material, poetry, interviews, editorials, and announcements of Lewis-related conferences, events and publications. Its readership is aimed at academic scholars from a wide variety of disciplines, as well as learned non-scholars and Lewis enthusiasts. At this time, Sehnsucht is published once a year.

A distinguished academic, influential Christian apologist, and best-selling author of children's literature, C. S. Lewis is a controversial and enigmatic figure who continues to fascinate, fifty years after his death. This Companion is a comprehensive single-volume study written by an international team of scholars to survey Lewis's career as a literary historian, popular theologian, and creative writer. Twenty-one expert voices from the University of Oxford, the University of Cambridge, Princeton University, and Wheaton College, among many other places of learning, analyze Lewis's work from theological, philosophical, and literary perspectives. Some chapters consider his professional contribution to fields such as critical theory and intellectual history, while others assess his views on issues including moral knowledge, gender, prayer, war, love, suffering, and Scripture. The final chapters investigate his work as a writer of fiction and poetry. Original in its approach and unique in its scope, this Companion shows that C. S. Lewis was much more than merely the man behind Narnia.

Although many people today reject Christianity for intellectual reasons, greater numbers of people are rejecting Christianity because it does not engage their imagination. Christians must not only demonstrate that the Christian worldview is true, but that it is also good, beautiful, and relevant. The Good News of the Return of the King: The Gospel in Middle-earth is a book that endeavors to show the truth, goodness, and beauty of Jesus Christ, the gospel, and the biblical metanarrative by engaging the imagination through J. R. R. Tolkien’s The Lord of the Rings, as well as The Hobbit and The Silmarillion. In this book, I propose that J. R. R. Tolkien’s The Lord of the Rings is a story about what Jesus’ parables are about: the good news about the return of the king. As a work of imaginative fiction similar to Jesus’ parables, The Lord of the Rings can bypass both intellectual and imaginative objections to the gospel and pull back the “veil of familiarity” that obscures the gospel for many.

Most popularly known as the author of the children's classic The Chronicles of Narnia, C. S. Lewis was also a prolific poet, essayist, novelist, and Christian writer. His most famous work, The Lion, the Witch, and the Wardrobe, while known as a children's book is often read as a Christian allegory and remains to this day one of his best-loved works. But Lewis was prolific in a number of areas, including poetry, Christian writing, literary criticism, letters, memoir, autobiography, sermons and more. This set, written by experts, guides readers to a better understanding and appreciation of this important and influential writer. Clive Staples Lewis was born on November 29, 1898, in Belfast, Northern Ireland. His mother died when he was young, leaving his father to raise him and his older brother Warren. He fought and was wounded in World War I and later became immersed in the spiritual life of Christianity. While he delved into the world of Christian writing, he did not limit himself to one genre and produced a remarkable oeuvre that continues to be widely read, taught, and adored at all levels. As part of the circle known as the Inklings, which consisted of writers and intellectuals, and included J.R.R. Tolkien, Charles Williams, and others, he developed and honed his skills and continued to put out extensive writings. Many different groups now claim him as their own: spanning genres from science fiction to Christian literature, from nonfiction to children's stories, his output remains among the most popular and complex. Here, experts in the field of Lewis studies examine all his works along with the details of his life and the culture in which he lived to give readers the fullest complete picture of the man, the writer, and the husband, alongside his works, his legacy, and his place in English letters.

This collection, first published in 1992, offers critical-interpretive essays on various aspects of the work of Joseph Campbell (1904-1987), one of a very few international experts on myth. Joseph Campbell examines myths and mythologies from a comparative point of view, and he stresses those similarities among myths the world over as they suggest an existing, transcendent unity of all humankind. His interpretations foster an openness, even a generous appreciation of, all myths; and he attempts to generate a broad, sympathetic understanding of the role of these 'stories' in human history, in our present-day lives, and in the possibilities of our future.

We find ourselves living today in very much a "post-Christian" world. Not only does the culture largely reject Christianity's claims, we find that long-held basic truths that people have embraced throughout history have been jettisoned—the belief in objective morality (right and wrong transcend each person's opinions and feelings), spiritual reality (the world contains more than what we see via our 5 senses – that God is real), that truth is objective and knowable (if something is true, my disagreeing with it or finding it unpleasant emotionally doesn't make it false). This presents a great difficulty for Christians trying to communicate the Christian message to people today. We can take nothing for granted if the message is to make any sense to the hearer. We must start with the most basic concepts. The question then arises—How do we make a start when the bedrock ideas are not only disbelieved but viewed with contempt by so many today? C. S. Lewis thought that he had found "a door" we could enter to "steal past the watchful dragons" of the modern person's reason by way of imaginative fiction. He sought to re-introduce Christian ideas clothed in mythological garb so that in time, after their affections had been stirred, the explicit message about Christ might be given a fair hearing. He engaged both the heart and the head. In this way, he "pre-evangelized" his audience. This book examines the grounds—both philosophically and theologically—upon which he did that. It explores Lewis's view of reality and the human imagination, surveying his Chronicles of Narnia and The Space Trilogy in particular, to demonstrate precisely how he carried out this strategy. We can learn from Lewis here, as we show both the beauty and the truthfulness of Christianity to people in a way that meets them where they are.

This volume collects, for the first time in book form, stories from the “September Six,” a group of intellectuals officially excommunicated or disfellowshipped from the LDS Church in September of 1993 on charges of “apostasy” or “conduct unbecoming” Church members. Their experiences are significant and yet are largely unknown outside of scholarly or more liberal Mormon circles, which is surprising given that their story was immediately propelled onto screens and cover pages across the Western world. Interviews by Dr. Philip Lindholm (Ph.D. Theology, University of Oxford) include those of the “September Six,” Lynne Kanavel Whitesides, Paul James Toscano, Maxine Hanks, Lavina Fielding Anderson, and D. Michael Quinn; as well as Janice Merrill Allred, Margaret Merrill Toscano, Thomas W. Murphy , and former employee of the LDS Church’s Public Affairs Department, Donald B. Jessee. Each interview illustrates the tension that often exists between the Church and its intellectual critics, and highlights the difficulty of accommodating congregational diversity while maintaining doctrinal unity—a difficulty hearkening back to the very heart of ancient Christianity.