what seemed to be a regular Thursday afternoon for rapper/jacker, Dexter "Psycho" Quick, turned into a tune that was hard to dance to. A drive-by shooting on a dice game turned friends into enemies and enemies into friends as a convoluted plot introduced a chain link effect on strangers and associates alike. Follow Psycho through his conflicts of love, lifestyle and mental afflictions that write the theme music of his life. A melody that could very well have us all nodding our heads in unison... until the music fades out.

Ariana Ruiz wants to be noticed. But as an autistic girl who never talks, she goes largely ignored by her peers-despite her bold fashion choices. So when cute, popular Luis starts to pay attention to her, Ari finally feels seen. Luis's attention soon turns to something more, and they have sex at a party-while Ari didn't say no, she definitely didn't say yes. Before she has a chance to process what happened and decide if she even has the right to be mad at Luis, the rumour mill begins churning and boys at school now see Ari as an easy target, someone who won't say no. Through a mysterious note in her locker and an unexpected Tumblr follower, it becomes apparent that Ari is one of many who who have been assaulted by Luis. And so a group of unlikely students come together, determined to expose Luis for the predator he is. In the process, a once lonely Ari, finds herself with an eclectic group of genuine friends, including her growing feelings for the very last girl she expected to fall for. But in order to take Luis down, she'll have to come to terms with the truth of what he did to her that night-and risk everything to see justice done.

A step-by-step guide to learning five different social dances including the swing, cha-cha, fox-trot, waltz, and polka, with illustrations that show proper technique, suggestions for detecting and correcting errors, practice drills, and checklists for evaluating progress; includes a music CD.

For every copy of the paperback version sold on the Troubador website, the author will donate £1.50 to Macmillan Cancer Support ** All copies that are pre-ordered in the UK before 1pm on 18th December will be delivered in time for Christmas ** The Opening Ceremony of the Olympic Games in 2012 was celebrated as the greatest ceremony ever. It won over critics and the general public, and made the nation proud. Now you can discover exactly how the incredible spectacle was put together, and transformed into what the world saw on the night. The Pandemonium segment of the Opening Ceremony of the Olympic Games was met with disbelief and awe, and has been widely acclaimed as the most spectacular part of the show. Making Pandemoniumdescribes the entire rehearsal process of the volunteers from a performer’s perspective. Nadeem Masood was one of the volunteers lucky enough to perform on the night. In this book, he takes the reader through the application process, the auditions, and every single rehearsal that led up to the final show. He describes first-hand the highs and the lows, the commitments and sacrifices, working with Danny Boyle and everything that the volunteers were put through. Interspersed with accounts of the preparations that were taken, Masood also touches on the Games Maker experience, giving readers an insight into the entire process that led to volunteers being granted the rare privilege of hosting the Olympic Games. Making Pandemonium will give readers a whole new perspective of the greatest Olympic Games that the world has ever seen. This book will identify with readers interested in sports, memoirs and Olympic history, as well as those who enjoyed watching the ceremony itself.

Ian Johnson's evaluation of Alwyn's film music places his achievement in the context of wider movements within the film industry. William Alwyn was a leading composer of British film music in the 1940s and '50s, a time when the British film industry was at its peak. His scores ranged from documentaries to almost 80 full-length feature films, including classics such as Fires were Started, Desert Victory, Odd Man Out, The Fallen Idol, and The History of Mr Polly; he was adept at any musical genre, from classical to cartoon slapstick, and in the process worked with legendary directors, including Carol Reed, David Lean, Humphrey Jennings, and Anthony Asquith. Alone with Vaughan Williams he was granted the distinction of a separate title credit; columnists mentioned him alongside Bliss, Bax and Walton. However, as the reputation of the British film industry declined in the 1950s, so musical snobbery against those who were its leading lights became unpleasantly raw. In recent years, however, with sensitive performances of hisfilm and concert music available on CD, this most appealing of composers has enjoyed something of a renaissance. In this long overdue reassessment, Alwyn's films are analysed and put into the context of his biography,the film industry, and of society at large: the author shows in particular this remarkably versatile composer developed a hitherto unrecognised grammar of film music which enhanced every film on which he worked. He also examines his work for war propaganda, radio, and the concert hall. The volume is enhanced by the most complete filmography, discography, and bibliography of the composer's works yet published, as well as listings of his concert and radio music.

The double bass - the preferred bass instrument in popular music during the 1960s - was challenged and subsequently superseded by the advent of a new electric bass instrument. From the mid-1960s and throughout the 1970s, a melismatic and inconsistent approach towards the bass role ensued, which contributed to a major change in how the electric bass was used in performance and perceived in the sonic landscape of mainstream popular music. Investigating the performance practice of the new, melodic role of the electric bass as it appeared (and disappeared) in the 1960s and 1970s, the book turns to the number one songs of the American Billboard Hot 100 charts between 1951 and 1982 as a prime source. Through interviews with players from this era, numerous transcriptions - elaborations of twenty bass related features - are presented. These are juxtaposed with a critical study of four key players, who provide the case-studies for examining the performance practice of the melodic electric bass. This highly original book will be of interest not only to bass players, but also to popular musicologists looking for a way to instigate methodological and theoretical discussions on how to develop popular music analysis.

Learn from a seasoned Hollywood film composer the intricacies of synchronizing music to picture in Logic Pro 10.6 and later versions, and apply these lessons to elevate your own projects in this part-color guide Key Features Learn essential film music terminologies and practices used in Hollywood with this illustrated guide Explore crucial synchronization techniques using a hands-on example of writing music to picture Prepare yourself for a real gig as a film, TV, and multimedia composer Purchase of the print or Kindle book includes a free PDF eBook Book DescriptionThis book will help you leverage the Logic Pro digital audio workstation (DAW) for scoring to picture. With the help of expert insights from a Hollywood film composer, you'll understand how the film music industry works and be ready to meet the demands of film directors or producers, exploring common scenarios and the process of post-production and final film score delivery. Packed with all the technical and practical skills needed when scoring to picture in Logic Pro, along with insights into real film scoring tasks, this book will prepare you for success in the industry. You’ll start by getting acquainted with film scoring terminology and then advance to working with QuickTime video and its components, getting an overview of how to set up and sync a movie file in Logic Pro. You’ll see the different methods of creating tempo maps, find a suitable tempo for a film scene using hit points and scene markers, and work with time signature and beat mapping functions. You’ll also work with a pre-composed score of a Mercedes commercial that you can analyze and emulate in your own Logic Pro session. By the end of this book, you’ll have gained new skills and the knowledge of commonly used industry scenarios to help you enter the professional market of scoring to picture.What you will learn Master film and multimedia tasks as a film composer Use QuickTime video in Logic Pro Create tempo maps and calculate the best tempos for film cues Understand advanced concepts to deal with timing in film music Acquire essential skills to thrive in the competitive film music industry Gain the knowledge necessary to communicate confidently with film industry professionals Develop the technical skills of scoring to picture Who this book is for This book is for aspiring multimedia composers and musicians as well as advanced film, TV, and game music composers. Music supervisors, editors, and orchestrators will also find this book useful. Basic knowledge of Logic Pro, music theory, composition, and film scoring is expected.

This collection of essays reflects on the ways in which writing centres in South Africa are working in and across disciplines. Institutional constraints and challenges that arise from these collaborations are addressed and opportunities for transforming teaching and learning spaces are explored. The chapters speak to the global move in higher education to reconsider how knowledge is made, who makes it, and how support and development opportunities for students and lecturers should be created and sustained across the disciplines. This volume contributes to the body of knowledge in the growing field of the scholarship of teaching and learning in higher education in South Africa. It builds on the work of the first collection of such essays: Changing Spaces: Writing Centres and Access to Higher Education (Eds. A Archer and R Richards, 2011, SUN PReSS) to understand why working within the disciplines is so critical for writing development in a South African context.

Leading scholars of opera and film explore the many ways these two seemingly unrelated genres have come together from the silent-film era to today.