Rarely in history has a great city arisen in a less likely place than the islands and mud flats of the Venetian lagoon. But they provided the city’s founders with a refuge from the barbarians who had invaded their mainland homes. With energy and ingenuity, these displaced people created a maritime empire of unequaled splendor. At its height, the Republic of Venice was said to encompass “one quarter and one half of one quarter” of the known world. During those years, its merchant princess lived more lavishly than many kings. With the discovery of the New World, however, Venice’s trading monopolies were broken. The long, slow decline that followed was protracted and infinitely poignant. Today, the decaying buildings adjoining the Rialto Bridge serve as haunting reminders of the bygone age of La Serenissima, the Most Serene Republic. Here is the dramatic story of the city that was once known as the most beautiful in the world - the bride of the Adriatic and the unchallenged mistress of the Mediterranean.

Margaret Plant presents a wide-ranging cultural history of the city from the fall of the Republic in 1797, until 1997, showing how it has changed and adapted and how perceptions of it have shaped its reality.

Martin Garrett explores the extraordinary history, art and architecture of Venice and the islands of the lagoon. Looking at the legacy of the city's Jewish, Greek, Slav and Armenian minorities, he recalls the exploits of such legendary figures as Casanova and Byron. He also assesses the successful struggle to preserve the city in the face of flood and corruption, and its important modern role as host of the Biennale and film festival.MARTIN GARRETT is the author of literary companions to Italy and Greece, and has written or edited a number of works on Renaissance and nineteenth-century writers, including Sidney, Byron and the Brownings

A group of senior citizens decide to move in together in All Together, a French-language comedy from director Stephanie Robelin. When Claude (Claude Rich) suffers an injury while trying to climb steps in order to meet a woman for a liaison, he and his friends, who are all suffering from some age-related malady, decide to move in together and hire a graduate student to look out for them. Among the new co-tenants are the senile Albert (Pierre Richard) and his wife, the outgoing Jeanne (Jane Fonda) who herself is fighting cancer. Also living with them is Jean (Guy Bedos) a onetime social crusader who enjoys the wealth he's acquired with his wife Annie (Geraldine Chaplin), who wants nothing more than to visit with her children and grandchildren. As they adjust to their new living arrangements, old jealousies and hurts resurface, forcing everyone to reconsider how they want to spend their golden years. ~ Perry Seibert, Rovi

Views of the city of lagoons and gondolas; Henry James was passionate: 'You desire to embrace it, to caress it, to possess it...', whereas Mark Twain found St Mark's 'so ugly...Propped on its long row of thick-legged columns, its back knobbed with domes, it seems like a vast, warty bug taking a mediaeval walk.' Reactions to Venice have been, throughout the ages, astonishingly different. John Julius Norwich has produced a dazzling anthology from the writings of Byron, Goethe, Wagner, Casanova, Jan Morris, Robert Browning, and Horace Walpole, among many others. From the days of the sixth century, when lagoon-dwellers lived 'like sea-birds' in huts built on heaps of osiers, to the Venice of eighteenth-century revellers and nineteenth-century art lovers - the city's many different guises are all portrayed as its inhabitants and visitors saw them.

Learn about the life of the famous explorer.

Carol Kidwell's lavishly illustrated book is the first full-length biography of Renaissance Cardinal Pietro Bembo. Her extensive use of translations from Bembo's 2,600 letters, including exchanges of love letters with Lucrezia Borgia, provides a picture of personal life in the brilliant, turbulent years of the Italian Renaissance. Bembo, a Venetian patrician and man of letters, had a close association with the printer Aldus. He enjoyed a rich life with illicit love affairs in the courts of Ferrara, Urbino, and finally Rome, where he was appointed Latin secretary to Leo X. Ten years later, ill and bored, Bembo left Rome for Padua with Morosina, the young sister of a Vatican courtesan. To guarantee a living he took vows of chastity, poverty and obedience in the aristocratic order of St John of Jerusalem, and then started a family. Bembo was active in education in Padua; and his great achievement was to have helped create a common language for Italy through the revival of medieval Tuscany in his poetry and prose. Appointed official historian of Venice, after Morosina's death he became a cardinal. An open mind, coupled with staunch support of the established church during the troubled years of the reformation, made him an asset to the papal curia. At the time of his accidental death in Rome in 1547 he was considered a likely successor to Paul III.

When Venice was both a center of Renaissance culture and a gathering place for news from around the world, Marin Sanudo tried to write everything down. He was the finest diarist of his time, with a keen eye for the everyday and the monumental alike. Venice, Cità Excelentissima offers a broad and engaging introduction to Sanudo's detailed observations of life in his beloved city and the world it knew. This expertly translated volume glimpses into Renaissance life at a spectacular time when Venice was at the top of its game. Organized thematically, the selections offer a Venetian's viewpoint of the glories of high culture, the gritty reality and sparkling drama of daily life, the perils of diplomacy and war, and the high-risk ventures of voyages and commerce. Here, the work of the Renaissance's most assiduous historian is finally given the accessibility it warrants and the merit it is due.