West Germany's terrorist period of the 1970s is still a troubling and fascinating subject for Germans, not least because of the high proportion of women involved, most notoriously Ulrike Meinhof. The present study examines the West German print media of the 1960s and 1970s, from the right-wing 'Bild' to the left-leaning 'Der Spiegel'to explore how violent women - both terrorists and others - were represented in image and text. This is the first book to explore print-media representations of German terrorism from an explicitly gendered perspective, and one of very few books in English to addres.

This volume presents and interrogates both theoretical and artistic expressions of the revolutionary, militant spirit associated with "1968" and the aftermath, in the specific context of gender. The contributors explore political-philosophical discussions of the legitimacy of violence, the gender of aggression and peaceability, and the contradictions of counter violence; but also women’s artistic and creative interventions, which have rarely been considered. Together the chapters provide and provoke a wide-ranging rethink of how we read not only "1968" but more generally the relationship between gender, political violence, art and emancipation. This work will be of great interest to students and scholars of protest and violence in the fields of history, politics and international relations, sociology, cultural studies, and women’s studies.

Provocative collection of essays designed to give students an understanding of media representations of women's experience of violence and to educate a new generation to recognize and critique media images of women

This is the first in-depth historical study of feminist activism against domestic violence in divided Berlin between 1968 and 2002. Starting in the 1970s, feminists in West and then East Berlin campaigned against domestic violence as a key issue of women's inequality. They exposed the harmful gender norms that left women unprotected and vulnerable to abuse in the home and called for this to change. Indeed, domestic violence has been one of the issues most effectively addressed by the women's movement in Germany. Since the first shelter opened in West Berlin in 1976, women's shelters have spread throughout the country, and today up to 45,000 women a year turn to emergency housing in Germany, with many more accessing helplines and crisis centres. Situating domestic violence activism within a broader history of feminism in post-war Germany, Feminist Transformations traces the evolution of this movement both across political division and reunification and from grassroots campaign to established, professionalised social service. In doing so, it brings the histories of feminism in East and West Berlin together for the first time and explores how feminism successfully changed women's rights in Germany. But it also asks what popular and political support for domestic violence activism has meant for feminism and the advancement of women's rights more broadly. Examining the trajectory of feminism in Germany, Jane Freeland reveals the limitations of gender equality as advancements in women's rights were often built on the reassertion of patriarchal gender roles.

In the early 1970s, a number of West German left-wing activists took up arms, believing that revolution would lead to social change. This publication questions the separation of political violence from feminist politics and offers a new understanding of left-wing female terrorists' actions as feminist practices that challenged existing gender ideologies. The author draws on archival sources, unpublished letters, and interviews with former activists to paint an interdisciplinary picture of West Germany's most notorious political group, the Red Army Faction (der Rote Armee Fraktion (RAF)).

This text provides a comprehensive and unique view into the world of women interacting with the criminal justice system.

An accessible, authoritative history of terrorism, offering systematic analyses of key themes, problems and case studies from terrorism's long past.

Examining some of the most iconic texts in English theatre history, including Titus Andronicus and The Changeling, this book, now in paperback with a new Preface, reveals the pernicious erasure of rape and violence against women in the early modern era and the politics and ethics of rehearsing these negotiations on the 20th and 21st century stages.

Women have made significant inroads into political life in recent years, but in many parts of the world, their increased engagement has spurred attacks, intimidation, and harassment. This book provides the first comprehensive account of this phenomenon, exploring how women came to give these experiences a name: violence against women in politics. Tracing its global emergence as a concept, Mona Lena Krook draws on insights from multiple disciplines--political science, sociology, history, gender studies, economics, linguistics, psychology, and forensic science--to develop a more robust version of this concept to support ongoing activism and inform future scholarly work. Krook argues that violence against women in politics is not simply a gendered extension of existing definitions of political violence privileging physical aggressions against rivals. Rather, it is a distinct phenomenon involving a broad range of harms to attack and undermine women as political actors, taking physical, psychological, sexual, economic, and semiotic forms. Incorporating a wide range of country examples, she illustrates what this violence looks like in practice, catalogues emerging solutions around the world, and considers how to document this phenomenon more effectively. Highlighting its implications for democracy, human rights, and gender equality, the book asserts that addressing this issue requires ongoing dialogue and collaboration to ensure women's equal rights to participate--freely and safely--in political life around the globe.

Few figures in modern German history are as central to the public memory of radical protest than Ulrike Meinhof, but she was only the most prominent of the countless German women—and militant male feminists—who supported and joined in revolutionary actions from the 1960s onward. Sisters in Arms gives a bracing account of how feminist ideas were enacted by West German leftist organizations from the infamous Red Army Faction to less well-known groups such as the Red Zora. It analyzes their confrontational and violent tactics in challenging the abortion ban, opposing violence against women, and campaigning for solidarity with Third World women workers. Though these groups often diverged ideologically and tactically, they all demonstrated the potency of militant feminism within postwar protest movements.