It’s finally happened. A full year after Andou and his literary club friends awakened to tremendously potent powers, the world of supernatural battles has finally arrived at their doorstep in the form of Tamaki: a girl from the darkest moment in Andou’s past! Andou has plenty of baggage with Tamaki, and Tamaki seems to have quite an axe to grind with him, so when she spirits him away to an unfamiliar cityscape, it seems safe to say her intentions are less than peaceful. Worse still, the nature of Tamaki’s power means that there’s little to no hope of Andou’s significantly more combat-capable friends storming onto the scene to bail him out! If Andou wants to make it out unscathed, he’ll have to confront his past head-on and use both his wits and his power to their fullest potential! But, of course, Andou’s plight pales in comparison to one single, burning question: what’s Sagami up to while all of that’s going down?

Andou Jurai and Sagami Shizumu have a complicated relationship, to say the least. Although Andou claims the two of them are “more than acquaintances but less than friends,” it’s plain to see that there’s more to it than that—and just as obvious that Andou would really rather not talk about it. Some things feel better left forgotten, and for Andou, many such things happened when he was in the eighth grade. After all, that was when he met Sagami and they really were friends, and worse yet, it was when he’d stopped being a chronically edgy chuuni cringelord. What painful feelings lurk within Andou’s memories of the darkest period of his life? How did his friendship with Sagami deteriorate into the lukewarm tolerance they have now? And why did Andou emerge from the crucible as Guiltia Sin Jurai? For Sayumi’s sake, he’s finally willing to bare it all...

Nothing lasts forever—especially not in high school. Seasons change, events come and go, and torches are passed as time marches ever onward. For all their godlike powers, not even the literary club is exempt from the transience of the academic year...and so the time has come for their beloved president, third-year student Takanashi Sayumi, to step down from her position and name a successor to carry on her legacy...but not before she and her clubmates squeeze in another swimsuit episode first! There’s always room in the schedule for zany shenanigans, and this time around, the gang will be joined by the newly retired ex-president of the student council, Kudou Mirei, in a cameo appearance!

The Wings of Fallen Black are a cadre of Players as powerful as they are mysterious! Disparate though their causes and motives may be, they’ve come together under the leadership of the man known—nay, feared—as Ancient Lucifer: Kiryuu Heldkaiser Luci-First! Although Kiryuu may be an insufferable, untrustworthy, overly dramatic chuuni cringelord, his allies have nevertheless been drawn to his side due to...uhh, reasons? Probably? Let’s be real: when all’s said and done, it’s unclear why most of Kiryuu’s Players-in-arms decided to join his squad. In particular, why would Toki Shuugo and Akutagawa Yanagi, two young men who only agree when it comes to their distaste for authority and each other, debase themselves by working for a guy like him? It seems inevitable that they’d jump ship at the first chance to betray him...so when the opportunity comes knocking, the choices they make and the consequences they face may come as a surprise to everyone—especially Shuugo and Yanagi themselves!

Summer vacation is over, school is back in session, and the literary club has returned to their old pastime: making a loud, chaotic nuisance of themselves! It’s no surprise when the president of the student council, Kudou Mirei, stops by to pay them a visit...except she’s not there to scold them for their super-powered antics. No, she’s there to consult with them on a more serious matter: the upcoming cultural festival! An unusually large room is up for grabs, and it has fallen to the literary club to find a way to use it. So, what do you do when you have five members, limited talent, and a dedicated block in the festival’s schedule to fill? Put on a play, of course! And what better production than the most literary play around: Romeo and Juliet! Only one question remains: who will star as the show’s tragic heroine? ...Wait, no, don’t look at the cover! Spoilers, jeez!

Summer is here! Swimsuits and poolside shenanigans await Andou when Chifuyu asks him to do team trivia at the water park. But the fun doesn’t stop there! Andou’s in for some slipping and sliding summertime memories when Sayumi invites him to spend time with her at the pool. That’s not all, though: Andou’s determined to live out his vacation to the fullest with some fun in the sun when Hatoko wants to hang out together at the beach. Even after all that, Andou’s not content to rest on his laurels, since he’s happy to dive into a day of splashing around and munching on junk food with Tomoyo when she offers him her spare water park ticket. Wait...huh? Why does everyone keep asking to spend one-on-one time with him around large bodies of water? Not just to fill an arbitrary beach episode quota, that’s for sure! Plots will be hatched, schemes will be schemed, and secrets will be revealed as the girls of the literary club make the most of their time alone with Andou!

Volume 1 of 2. Coleridge's Shorter Works and Fragments brings together a number of substantial essays that were not long enough to require volumes to themselves, among them his "Theory of Life," "Essays on the Principles of Genial Criticism," "Treatise on Method," "Confessions of an Inquiring Spirit," "On the Passions," and "On the Prometheus of Aeschylus." To these are added more than four hundred other pieces, some of them fragementary, many of them previously unpublished, ranging in date from school essays of the early 1790s to a discussion of the bullion controversy in 1834. As might be expected, the subject matter includes literature and language, theology, philosophy, politics, and science, but in many less predictable topics (such as child labor laws, marriage, suicide, church history, the abolition of slavery, the state of the colonies) also appear. By gathering this material and presenting it in chronological order, Shorter Works and Fragments reveals the development and major characteristics of Coleridge's seemingly inexhaustible variety. H.J. Jackson and J.R. de J. Jackson, Professors of English at the University of Toronto, are the editors of Coleridge's Marginalia and Logic, respectively, in the Collected Works of Samuel Taylor Coleridge. Bollingen Series LXXV Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.