World War I, Mass Death, and the Birth of the Modern US Soldier: A Rhetorical History examines the United States government’s postwar ideological and rhetorical project in establishing permanent national military cemeteries abroad. Constructed throughout Europe where citizen-soldiers had fought and perished, and sacralized as American sites, these burial grounds simultaneously linked the nation’s war dead back to American soil and the national purpose rooted there, expressed the nation’s emerging prominent role on the world’s stage, and advanced the burgeoning icon of the “sacrificial, universal” US soldier. It draws upon untapped archival and historical materials from the WWI and interwar periods, as well as original on-site research, to show how the cemeteries came to display and advance the vision of the modern US soldier as “a global force for good.” Ultimately, within the visual display of overseas cemeteries we can detect the birth of “the modern US soldier”—a potent icon in which divergent emotions, memories, beliefs, and arguments of Americans and non-Americans have been expressed for a century.

This book brings together history educators from Australia and around the world to tell their own personal stories and how they approach teaching history in the context of contemporary tensions in the classroom. It encourages historians to think actively about how history in the classroom can play a role in helping students to make sense of their world and to act honourably within it. The contributors come from diverse backgrounds and include experienced history educators and early career academics. They showcase both a mix of approaches and democratize and decolonize the academy. The book blends theory and practice. It reflects on what is happening in the classroom and supports the discipline to understanding itself better, to improve upon its practices and to engage in academic discussion about the responsibility of teaching in the contemporary world.

In Nikki Haley's Lessons from the New South, Wanda Little Fenimore traces the resurrection of the phrase “New South” with South Carolina’s former governor, Nikki Haley. Through analyzing speeches, Fenimore demonstrates how politicians use historical terms in new ways that obscure their roots but remain oppressive in the twenty-first century. This book reveals how Nikki Haley manufactured her “New South” as progressive, and forward-thinking, yet the term functions as a form of inferential racism, ultimately, reproducing traditional conservatism rooted in white supremacy. Scholars of rhetoric, communication, political science, and women’s studies will find this book of particular interest.

"In this book, we ask whether women's political influence is changing politics between nations. While it is too soon to characterize the full extent, and impossible to know for sure, we show that the historical facts are strikingly consistent with a suffragist peace: women's inclusion in democratic electorates has been a primary cause of peace in the modern era. The 20th century witnessed some of the most radical technological, economic and political changes in history - the spread of nuclear weapons, capitalism and democracy, among others. But current accounts have overlooked one of the most dramatic transformations of the 20th century as a potential source of peace: the massive redistribution of political power as millions of women around the world entered the political realm"--

Rhetoric of the Opioid Epidemic demonstrates that framing the epidemic as a medical issue instead of an effect of moral failing holds more potential for solving the epidemic through medical treatment and reconnecting sufferers back to society. This rhetorical move separates the opioid epidemic from the criminal and immoral frames that were cast upon the crack epidemic and initial framing of the AIDS epidemic. Popular culture and governmental response case studies include: President Trump’s March 19, 2018 address to the nation, ODMAP produced by the Washington/Baltimore High Intensity Drug Trafficking in January 2017, news stories from national sources dating from 2015 to 2020 about the chronic pain management debate, two documentaries, Heroin(e) (2017) and One Nation Under Stress: Deaths of Despair in the United States (2019), and Ben is Back (2018).

The Corruption of Ethos in Fortress America: Billionaires, Bureaucrats, and Body Slams argues that authoritarian strains of U.S. governance violate the idea of ethos in its ancient, collectivist sense. Christopher Carter posits that this corrupts the cultural “dwelling place” through public relations strategies, policies on race and immigration, and a general disregard for environmental concerns. Donald Trump’s presidency provides a signal instance of the problem, refashioning the dwelling place as a fortress while promoting sweeping forms of exclusion and appealing to power for power’s sake. Carter’s analysis shows that, emboldened by the purported flexibility of truth, Trump’s authoritarian rhetoric underwrites unrestrained policing, militarized borders, populist nationalism, and relentless assaults on investigative journalism. These trends bode ill for human rights and critical education as well as progressive social movements and the forms of life they entail. Worse yet, the corruption of ethos threatens life in general by privileging corporate prerogatives over ecological attunement. In response to those tendencies, Carter highlights modes of activism that merge antiracist and labor rhetoric to offer a more fluid, unpredictably emergent vision of social space, allying with ecofeminism in ways that make that vision durable. Scholars of rhetoric, political science, history, ecology, race studies, and American studies will find this book particularly useful.

Rhetoric and Public Memory in the Science of Disaster grapples with the role of science in the public memory of natural disasters. Taking a psychoanalytic and genealogical approach to the rhetoric of disaster science throughout the twentieth century, this book explores how we remember natural disasters by analyzing how we try to prevent them. Chapters track the development of predictive modeling methods alongside some of the worst and most consequential natural disasters in the history of the United States. From miniaturized physical scale models, to cartographic renderings within a burgeoning statistical science, to ever more complex simulation scenarios, disaster science has long created imaginary versions of horrific events in the effort to prevent them. Through an exploration of these hypothetical disasters, this book theorizes how science itself becomes a site of public memory, an increasingly important question in a world of changing weather.

Social entrepreneurship increasingly assumes a position of strength in the dynamic milieu of late-modern democratic societies. A plethora of companies have now arisen—everything from mighty social enterprises like Warby Parker and TOMS to tiny outfits like Clean Slate and Bright Endeavors—whose business-focused approach to social problems is not merely additive but integral to their missions. These companies respond not only to a felt proliferation of humanitarian and environmental predicaments, but also to enormous shifts in in public feelings and technological sensibilities. These predicaments and make social entrepreneurships urgently needed and remarkably complicated. But if social entrepreneurs deal with that complexity with a business-as-usual approach to making the world better—imitating, for example, corporate social responsibility initiatives by transnational companies—they will lose their vital distinctiveness and efficacy. Drawing on a transdisciplinary perspective, close rhetorical analysis, and qualitative interviews with social entrepreneurs, this book argues that one good way to keep social business disruptive is to rethink how organizations model their communication. Instead of assuming a conventional theory of communication, neatly organized around the relations of senders and receivers, social entrepreneurship should enact a performative model of communication in which messaging and action are affectively woven. This book offers suggestions for making this performative model sustainably disruptive in relation to questions that pester social entrepreneurs: how to tell the company story, how to raise awareness, how to address complex audiences, and how to solve problems.

Rhetorics Haunting the National Mall: Displaced and Ephemeral Public Memories vividly illustrates that a nation’s history is more complicated than the simple binary of remembered/forgotten. Some parts of history, while not formally recognized within a commemorative landscape, haunt those landscapes by virtue of their ephemeral or displaced presence. Rather than being discretely contained within a formal sites, these memories remain public by lingering along the edges and within the crevices of commemorative landscapes. By integrating theories of haunting, place, and public memory, this collection demonstrates that the National Mall, often referred to as “the nation’s front yard,” might better be understood as “the nation’s attic” because it hides those issues we do not want to address but cannot dismiss. The neatly ordered installations and landscaping of the National Mall, if one looks and listens closely, reveal the messiness of US history. From the ephemeral memories of protests on the Mall to the displaced but persistent presences of inequality, each chapter in this book examines the ways in which contemporary public life in the US is haunted by incomplete efforts to close the book on the past.

A Rhetoric of Ruins contributes to an interdisciplinary conversation about the role of wrecked and abandoned places in modern life. Topics in this book stretch from retro- and post-human futures to a Jeremiadic analysis of the role of ruins in American presidential discourse. From that foundation, A Rhetoric of Ruins employs hauntology to visit a California ghost-town, psychogeography to confront Detroit ruins, heterochrony to survey Pennsylvania’s once (and future) Graffiti Highway, an expanded articulation of heterotopia to explore the pleasurable contamination of Chernobyl, and an evening in Turkmenistan’s Doorway to Hell that stretches across time from Homer’s Iliad to Little Richard’s “Long Tall Sally.” Written to engage scholars and students of communication studies, cultural geography, anthropology, landscape studies, performance studies, public memory, urban studies, and tourism studies, A Rhetoric of Ruins is a conceptually rich and vividly written account of how broken and derelict places help us manage our fears in the modern era.