Extending their successful series of collections on Zen Buddhism, Heine and Wright present a fifth volume, on what may be the most important topic of all - Zen Masters. Following two volumes on Zen literature (Zen Classics and The Zen Canon) and two volumes on Zen practice (The Koan and Zen Ritual) they now propose a volume on the most significant product of the Zen tradition - the Zen masters who have made this kind of Buddhism the most renowned in the world by emphasizing the role of eminent spiritual leaders and their function in establishing centers, forging lineages, and creating literature and art. Zen masters in China, and later in Korea and Japan, were among the cultural leaders of their times. Stories about their comportment and powers circulated widely throughout East Asia. In this volume ten leading Zen scholars focus on the image of the Zen master as it has been projected over the last millennium by the classic literature of this tradition. Each chapter looks at a single prominent master. Authors assess the master's personality and charisma, his reported behavior and comportment, his relationships with teachers, rivals and disciplines, lines of transmission, primary teachings, the practices he emphasized, sayings and catch-phrases associated with him, his historical and social context, representations and icons, and enduring influences.

Unlike most other formal religions, the Japanese school of Zen Buddhism has no canonized corpus of sacred literature which will reveal the "truth" to diligent readers. There are, however, numerous collections of anecdotes and aphorisms that may serve to convey the sensibility which underscores the practice of Zen. Drawing on these traditional sources, Dr. Irmgard Schloegl of the Buddhist Society in London has gathered into one short volume a sampling of stories and sayings that are a valuable introduction to the study of Zen. "If in every mind burns a flame of the Buddha's Enlightenment," Christmas Humphreys writes in his foreword to The Wisdom of the Zen Masters, "there is nothing to seek and nothing to acquire. We are enlightened, and all the words in the world will not give us what we already have. The man of Zen, therefore, is concerned with one thing only, to become aware of what he already is…" The task of the Japanese Zen master has been to guide his pupils in their awakening. The means used vary––from severe physical discipline to the proposition of enigmatic riddles, or koans––but always to the same end, Enlightenment: experiencing the Great Death of the worldly "I."

Quotes of "famous" cats philosophizing in the Zen spirit.

A lively collection of folk tales and Buddhist teaching stories from four noted premodern Japanese Zen masters: Taigu Sôchiku (1584–1669), Sengai Gibon (1750-1831), Hakuin Ekaku (1686-1769), and Taigu Ryôkan (1758-1831). Zen Master Tales collects never before translated stories of four prominent Zen masters from the Edo period of Japanese history (1603-1868). Drawn from an era that saw the “democratization” of Japanese Zen, these stories paint a picture of robust, funny, and poignant engagement between Zen luminaries and the emergent chоnin or “townsperson” culture of early modern Japan. Here we find Zen monks engaging with samurai, merchants, housewives, entertainers, and farmers. These masters affirmed that the essentials of Zen practice—zazen, koan study, even enlightenment—could be conveyed to all members of Japanese society in ordinary speech, including even comic verse and work songs. Against the backdrop of this rich tableau, Zen Master Tales serves not only as a text for Zen students but also as a wide-ranging window onto the fascinating literary, material, and social history of Edo Japan. In his introduction, translator Peter Haskel explains the history of Zen “stories” from the tradition’s Golden Age in China through the compilation of the classic koan collections and on to the era from which the stories in Zen Master Tales are drawn. What was true of the Chinese tradition, he writes—“its focus on the individual’s ordinary activity as the function, the manifestation of the absolute”—continued in the Japanese context. “Most of these Japanese stories, however unabashedly humorous and at times crude, impart something of the character of the Zen masters involved, whose attainment must be plainly manifest in even the most humble and unlikely of situations.”

Zen Master Udo is really irritating, and dangerous too when the razors fly but you can you love him? Well, maybe, perhaps, after enough Fiery Jack to blow your brains onto the ceiling. His pupil, Crudo Bhappat, is never sure but at least he has the consolation of being married to the lovely Jasmintha and owns a fine donkey for a pet. And he is a better footballer than Udo and has gorgeous hair. But, somehow Udo, Zen Master extraordinaire, always has the upper hand, the last word, the wise punch line. Or does he? Is he simply an aggressive misogynist with a few good wrestling moves? Or is he the cleverest man in Aberdabubajerstan? Do we really care? Travel the Silk Road to China, er, possibly, to find out.

Surprisingly little has been written about how Zen came to North America. "Zen Master Who?" does that and much more. Author James Ishmael Ford, a renowned Zen master in two lineages, traces the tradition's history in Asia, looking at some of its most important figures -- the Buddha himself, and the handful of Indian, Chinese, and Japanese masters who gave the Zen school its shape. It also outlines the challenges that occurred as Zen became integrated into western consciousness, and the state of Zen in North America today. The author includes profiles of modern Zen teachers and institutions, including D. T. Suzuki and Alan Watts, and such topics as the emergence of liberal Buddhism, and Christians, Jews, and Zen. This engaging, accessible book is aimed at anyone interested in this tradition but who may not know how to start. Most importantly, it clarifies a great and ancient tradition for the contemporary seeker.

The first full English translation gives the odd, outrageous, and illuminating replies of this founding Zen (Ch'an) master from North China to the questions of 8th and 9th century Buddhist monks. It is said of Joshu that 'his lips emitted light, ' evoking clearly his own experience and enlightenment. His teachings are a keynote in the official koan of Zen

A fiery and intensely dynamic Zen teacher and artist, Hakuin (1685–1768) is credited with almost single-handedly revitalizing Japanese Zen after three hundred years of decline. As a teacher, he placed special emphasis on koan practice, inventing many new koans himself, including the famous "What is the sound of one hand clapping?" As an artist, Hakuin used calligraphy and painting to create "visual Dharma"—teachings that powerfully express the nature of enlightenment. The text translated here offers an excellent introduction to the work of this extraordinary teacher. Hakuin sets forth his vision of authentic Zen teaching and practice, condemning his contemporaries, whom he held responsible for the decline of Zen, and exhorting his students to dedicate themselves to "breaking through the Zen barrier." Included are reproductions of several of Hakuin’s finest calligraphies and paintings.

The Dozen Master is about a Zen Buddhist set upon a journey and enduring task of enlightenment, whilst travelling upon a proverbial path of fulfillment and encounters, in both solving and realizing through his awakenings, that have been influenced by his teachers, and presented to him through the aspects and the embodiments of the precious stones of heaven, as the whole point of the story is to serve as a metaphor, which was always to save the people from the world, and more importantly, the world from the people.

Dogen used to say, ”It was a great opportunity that both the people who could have distracted me, who loved me and I loved them ... and that was the danger. They died at the right time. I am infinitely grateful to them just because they died at the right time without destroying me.”