Zen Without Zen Master is the first-and still the best-collection of truly contemporary Zen parables. For the novice, Zen Without Zen Masters is an outstanding introduction to the baffling world of meditation, Eastern thought and the galaxy of philosophies that make up the expanding horizon of human awareness. For the veteran, Benares integrates the "inner quest" with the experience of daily life. And if that wasn't enough, the section on Meditations and Exercises focuses the inner experience into an accessible form. Marked by clarity and simplicity, they demystify the growth process through practical application.

Fukushima Roshi is head abbot of Tofuku-ji Monastery, one of the great five mountain monasteries (gozan) of Kyoto, Japan, and one of the great centres of the Rinzai Zen tradition. Fukushima's calligraphy is not merely didactic, a gilded vessel to make Zen doctrines more palatable. They are technically masterful, reflecting Fukushima's training in the calligraphic arts from an early age as well as his apprenticeship with Okada Roshi and his kaisho or "block" script, and Shibayama Roshi and his exquisite gyosho script. But like the beneficent force of Shibayama's calligraphy, from which he learned much, Fukushima's calligraphy is a quiet storm, a serene volcano, a compassionate and gentle eruption of the vast energy or ki of the Zen mind. The gentle forms of Fukushima's calligraphy are rife with the erupting force of mushin. This book reproduces twenty pieces of Fukushima's calligraphy, as well as a rare piece done by both Shibayama Roshi and Suzuki Sensei. Set against Fukushima's calligraphy, one can see in it all three generations of bridge builders of one of the most important lineages of dharma transmission from Japan to the United States. To complete things is a magnificent portrait of Bodhidharma (Japanese: Daruma), attributed to the incomparable Zen ink painter Sesshu Toyo (1420-1506). This volume also contains essays on Fukushima in particular and Zen calligraphy in general by some of the leading scholars in the field.

"Bride of The Funniest People in Religion and Families" contains such anecdotes as these: When Panamanian salsa singer Rubin Blades married Lisa Lebenzon, an Anglo (a white American not of Spanish descent) non-Spanish speaker, he asked her to learn Spanish so he could speak his native language at home. She finished in only seven months a Spanish course that normally took three years. Dr. Louis Finkelstein, chancellor of the Jewish Theological Seminary of America, kept a strictly kosher diet. While in Paris, he and a group of rabbis ate only in kosher restaurants. On leaving Paris, Dr. Finkelstein joked, "I can't understand all this fuss people make about French cooking. We have the same things at home." A Sufi teacher spoke about the virtue of patience. As he spoke, a scorpion stung his foot repeatedly. His followers eventually noticed the scorpion and asked the teacher why he had not moved his foot away from it. The teacher replied, "I was discussing the virtue of patience. I could hardly have spoken about patience without also setting an example of patience. I would have been ashamed before God."

An thorough introduction to Zen Buddhist practice—in a reader-friendly question-and-answer format—by two highly regarded teacher-writers This unique introduction to Zen teaching and practice is structured as a Q&A, making it a most useful reference for new and seasoned practitioners to look things up. The questioner (Susan Moon) and the answerer (Norman Fischer) are Buddhist teachers and old friends, each with a unique gift for articulation. Their friendly conversation covers not only the basics of Zen Buddhism but a range of issues unique to Zen in America in the twenty-first century, including: • What is zazen and how do you do it? • Where did Zen start and where did it come from? • Will I have an enlightenment experience? • What is the law of karma in a nutshell? • What do Zen Buddhists say about rebirth? • How do you recognize a good, solid Zen teacher? Moon and Fischer’s conversations are both humorous and informative, providing a good basic education in Zen—not only the history, theory, and practice but also contemporary issues such as gender inequality, sexual ethics, and the tension between Asian traditions and the modern American reality.

A lively collection of folk tales and Buddhist teaching stories from four noted premodern Japanese Zen masters: Taigu Sôchiku (1584–1669), Sengai Gibon (1750-1831), Hakuin Ekaku (1686-1769), and Taigu Ryôkan (1758-1831). Zen Master Tales collects never before translated stories of four prominent Zen masters from the Edo period of Japanese history (1603-1868). Drawn from an era that saw the “democratization” of Japanese Zen, these stories paint a picture of robust, funny, and poignant engagement between Zen luminaries and the emergent chоnin or “townsperson” culture of early modern Japan. Here we find Zen monks engaging with samurai, merchants, housewives, entertainers, and farmers. These masters affirmed that the essentials of Zen practice—zazen, koan study, even enlightenment—could be conveyed to all members of Japanese society in ordinary speech, including even comic verse and work songs. Against the backdrop of this rich tableau, Zen Master Tales serves not only as a text for Zen students but also as a wide-ranging window onto the fascinating literary, material, and social history of Edo Japan. In his introduction, translator Peter Haskel explains the history of Zen “stories” from the tradition’s Golden Age in China through the compilation of the classic koan collections and on to the era from which the stories in Zen Master Tales are drawn. What was true of the Chinese tradition, he writes—“its focus on the individual’s ordinary activity as the function, the manifestation of the absolute”—continued in the Japanese context. “Most of these Japanese stories, however unabashedly humorous and at times crude, impart something of the character of the Zen masters involved, whose attainment must be plainly manifest in even the most humble and unlikely of situations.”

Acorns delineates the future of humanity as a reunification of intellect with the Deep Self. Having chosen to focus upon ego (established securely by the time of Christ), much more beta brain wave development will destroy our species and others, which process has already begun. We create our own realities through beliefs, intents and desires and we were in and out of probabilities constantly. Feelings follow beliefs, not the other way around.

Kerry Thornley believed, or claimed to believe, that he was the subject of a government mind control operation from childhood throughout his entire life. He was also known for incomprehensible ravings and seemingly paranoid delusions. Nobody can know for sure what was real and what never happened, but that's why his example is so instructive. Thornley might have been a Manchurian candidate. He might have been brainwashed to spew propaganda. He might have been completely and innocently unaware of it all. This current era of fear dominated, partisan politics could begin and end with Kerry Thornley. This recent political episode started with universal initiation, a regicidal ritual, but a new beginning, or the beginning of the end, could come from individual salvation through the mindful practice of Zen.

Extending their successful series of collections on Zen Buddhism, Heine and Wright present a fifth volume, on what may be the most important topic of all - Zen Masters. Following two volumes on Zen literature (Zen Classics and The Zen Canon) and two volumes on Zen practice (The Koan and Zen Ritual) they now propose a volume on the most significant product of the Zen tradition - the Zen masters who have made this kind of Buddhism the most renowned in the world by emphasizing the role of eminent spiritual leaders and their function in establishing centers, forging lineages, and creating literature and art. Zen masters in China, and later in Korea and Japan, were among the cultural leaders of their times. Stories about their comportment and powers circulated widely throughout East Asia. In this volume ten leading Zen scholars focus on the image of the Zen master as it has been projected over the last millennium by the classic literature of this tradition. Each chapter looks at a single prominent master. Authors assess the master's personality and charisma, his reported behavior and comportment, his relationships with teachers, rivals and disciplines, lines of transmission, primary teachings, the practices he emphasized, sayings and catch-phrases associated with him, his historical and social context, representations and icons, and enduring influences.

In this companion volume to The Three Pillars of Zen, Kapleau establishes guidelines for Western practitioners of Zen Buddhism, offering appealing, simple answers to the questions Westerners most often ask. Among the topics discussed in this informative, user-friendly book: "Transcendental Meditation: Who Transcends What?", "Can I Practice Zen and Be a Good Jew (or Catholic)?", "Reading About Enlightenment Is Like Scratching an Itchy Foot Through Your Shoe," and "Meditation Is an Escape--What Are You Doing to Help Society?" Kapleau's eloquence, humor, and authority make this an indispensible handbook for understanding Zen in the Western world.