The sequel to the bestselling Zombie, Ohio, this explosive supernatural thriller from Scott Kenemore tells the story of three Chicagoans who have been thrown together by a bizarre, interconnected series of events during the first twenty-four hours of a zombie outbreak in the Midwest's largest city. A partnership is crafted between a pastor from Chicago's rough South Side, an intrepid newspaper reporter, and a young female musician, all of whom are fighting for survival as they struggle to protect themselves and their communities in a city overrun with the walking dead. Between the barricaded neighborhoods and violent zombie hunters, the trio encounters many mysterious occurrences that leave them shaken and disturbed. When the mayor of Chicago is eaten by zombies on live television, and a group of shady aldermen attempt to seize power in the vacuum, these unlikely friends realize that they have stumbled upon a conspiracy to overthrow the city . . . and that they alone may be qualified to combine their talents to stop it. Zombie, Illinois will delight devoted zombie fans and put readers in mind of some of the best recent works of supernatural horror. You will be left shocked, horrified, and craving brains! This novel will grab you from the first page and not let go until the riveting finale.

When a tycoon and reality TV star improbably wins his party's nomination for the presidency, pundits and analysts are as baffled as they are certain that he will never win the general election. What can a man who already lives at the top of a golden skyscraper with a supermodel wife still want? Absent entirely from their prognostications is the possibility that it could be to gorge upon the brains of the living! That he dreams of building a border wall to better keep delicious humans in! That he seeks to make American great again. . . for zombies! Only an unlikely journalistic partnership between a reporter fresh from J-school and a blogger who is derided and dismissed as "fake news" seems to have any chance of derailing the tycoon's plans and exposing him as a member of the walking dead. Yet a terrifying question still remains. . . In a nation divided along political lines as never before, will such a revelation change anything? Or will a candidate revealed to be a proud "Zombie American" simply be another stepping stone on a historic (and not-so-above-board) journey to the presidency?

Bestselling author Scott Kenemore is back with a hilarious, over-the-top, and bloodthirsty send-up of the 2016 political season. In the tradition of Joe Klein's Primary Colors and Richard Condon's The Manchurian Candidate, Zombie-in-Chief: Eater of the Free World is a compelling and dramatic story with characters and events that may resemble familiar, real-life elections a little too closely! After all, who better to perform an autopsy of the American political system than an expert on the undead? When a tycoon and reality TV star improbably wins his party's nomination for the presidency, pundits and analysts are as baffled as they are certain that he will never win the general election. What can a man who already lives at the top of a golden skyscraper with a supermodel wife still want? Absent entirely from their prognostications is the possibility that it could be to gorge upon the brains of the living! That he dreams of building a border wall to better keep delicious humans in! That he seeks to make American great again. . . for zombies! Only an unlikely journalistic partnership between a reporter fresh from J-school and a blogger who is derided and dismissed as "fake news" seems to have any chance of derailing the tycoon's plans and exposing him as a member of the walking dead. Yet a terrifying question still remains. . . In a nation divided along political lines as never before, will such a revelation change anything? Or will a candidate revealed to be a proud "Zombie American" simply be another stepping stone on a historic (and not-so-above-board) journey to the presidency?

Not so long ago zombies rarely shuffled out of B-grade horror movies and cult comic books, but today they are everywhere. Zombies are proliferating, demonstrating an extraordinary capacity to transport fluidly from genre to genre, from the apocalyptic future to the already survived past, and in and out of fictional form. Today they can be found in just about any genre or discourse and as they move sinuously across the cultural landscape they keep morphing; taking on ever new and ever more bizarre associations. Zombies would appear to be unthinkable, the ultimate nightmare of a world devoured by the dead, and yet more and more often this horror-scape provides a form of figurative capture for the way things are. This book explores why. Zombies explores the recent transformation of zombie from cult genre to a figure that pervades western culture. Rutherford examines the zombie as a powerful metaphor for a constellation of social forces that define contemporary reality. This is an ideal introduction to all that is social about zombies, for students and general readers alike. Extracts from Zombies, were recently published in Australian newspapers, The Age, The Canberra Times and the Sydney Morning Herald. Available now to read online: www.theage.com.au/entertainment/books/dead-right-20130620-2olqr.html

On the surface, the zombie seems the polar opposite of the human--they are the living dead; we, in essence, are the dying alive. But the zombie is also "us." Although decaying, it looks like us, dresses like us, and sometimes (if rarely) acts like us. In this volume, essays by scholars from a range of disciplines examine the zombie as a thematic presence in literature, film, video games, legal language, and philosophy, exploring topics including zombies and the environment, litigation, the afterlife, capitalism, and the erotic. Through this wide-ranging examination of the zombie phenomenon, the authors seek to discover what the zombie can teach us about being human. Instructors considering this book for use in a course may request an examination copy here.

Zombies have become an increasingly popular object of research in academic studies and, of course, in popular media. Over the past decade, they have been employed to explain mathematical equations, vortex phenomena in astrophysics, the need for improved laws, issues within higher education, and even the structure of human societies. Despite the surge of interest in the zombie as a critical metaphor, no coherent theoretical framework for studying the zombie actually exists. Addressing this current gap in the literature, Theorising the Contemporary Zombie defines zombiism as a means of theorising and examining various issues of society in any given era by immersing those social issues within the destabilising context of apocalyptic crisis; and applying this definition, the volume considers issues including gender, sexuality, family, literature, health, popular culture and extinction.

A history of Western culture’s fascination with undead creatures in film and television. Are you a fan of the undead? Watch lots of mummy, zombie and vampire movies and TV shows? Have you ever wondered if they could be “real?” This book, A History of the Undead, unravels the truth behind these popular reanimated corpses. Starting with the common representations in Western media through the decades, we go back in time to find the origins of the myths. Using a combination of folklore, religion and archaeological studies we find out the reality behind the walking dead. You may be surprised at what you find . . .

Zombies first shuffled across movie screens in 1932 in the low-budget Hollywood film White Zombie and were reimagined as undead flesh-eaters in George A. Romero’s The Night of the Living Dead almost four decades later. Today, zombies are omnipresent in global popular culture, from video games and top-rated cable shows in the United States to comic books and other visual art forms to low-budget films from Cuba and the Philippines. The zombie’s ability to embody a variety of cultural anxieties—ecological disaster, social and economic collapse, political extremism—has ensured its continued relevance and legibility, and has precipitated an unprecedented deluge of international scholarship. Zombie studies manifested across academic disciplines in the humanities but also beyond, spreading into sociology, economics, computer science, mathematics, and even epidemiology. Zombie Theory collects the best interdisciplinary zombie scholarship from around the world. Essays portray the zombie not as a singular cultural figure or myth but show how the undead represent larger issues: the belief in an afterlife, fears of contagion and technology, the effect of capitalism and commodification, racial exclusion and oppression, dehumanization. As presented here, zombies are not simple metaphors; rather, they emerge as a critical mode for theoretical work. With its diverse disciplinary and methodological approaches, Zombie Theory thinks through what the walking undead reveal about our relationships to the world and to each other. Contributors: Fred Botting, Kingston U; Samuel Byrnand, U of Canberra; Gerry Canavan, Marquette U; Jeffrey Jerome Cohen, George Washington U; Jean Comaroff, Harvard U; John Comaroff, Harvard U; Edward P. Comentale, Indiana U; Anna Mae Duane, U of Connecticut; Karen Embry, Portland Community College; Barry Keith Grant, Brock U; Edward Green, Roosevelt U; Lars Bang Larsen; Travis Linnemann, Eastern Kentucky U; Elizabeth McAlister, Wesleyan U; Shaka McGlotten, Purchase College-SUNY; David McNally, York U; Tayla Nyong’o, Yale U; Simon Orpana, U of Alberta; Steven Shaviro, Wayne State U; Ola Sigurdson, U of Gothenburg; Jon Stratton, U of South Australia; Eugene Thacker, The New School; Sherryl Vint, U of California Riverside; Priscilla Wald, Duke U; Tyler Wall, Eastern Kentucky U; Jen Webb, U of Canberra; Jeffrey Andrew Weinstock, Central Michigan U.

The dead have always stalked the dark corners of the earth. Since World War II, the number of zombie outbreaks has increased every year, while governments desperately try to cover up the facts. Zombies: A Hunter's Guide contains all of the information necessary to recognize and combat this growing threat. Beginning with an explanation of the historical origins of zombies, it follows their history straight through to the threat they pose to the world today. All varieties of zombie are catalogued and examined, giving their strengths and weakness, with a special emphasis on recognition and elimination. Finally, the book covers the tactics and equipment used in zombie fighting. Accompanied by numerous full-colour reconstructions to help with identification, this book is a must for anyone on the frontlines of the Zombie Wars.

Disease is a social issue, not just a medical issue. Using examples of specific legends and rumors, The Kiss of Death explores the beliefs and practices that permeate notions of contagion and contamination. Author Andrea Kitta offers new insight into the nature of vernacular conceptions of health and sickness and how medical and scientific institutions can use cultural literacy to better meet their communities’ needs. Using ethnographic, media, and narrative analysis, this book explores the vernacular explanatory models used in decisions concerning contagion to better understand the real fears, risks, concerns, and doubts of the public. Kitta explores immigration and patient zero, zombies and vampires, Slender Man, HPV, and the kiss of death legend, as well as systematic racism, homophobia, and misogyny in North American culture, to examine the nature of contagion and contamination. Conversations about health and risk cannot take place without considering positionality and intersectionality. In The Kiss of Death, Kitta isolates areas that require better communication and greater cultural sensitivity in the handling of infectious disease, public health, and other health-related disciplines and industries.