Train your brain to be a real contrarian and outsmart the crowd Beat the Crowd is the real contrarian’s guide to investing, with comprehensive explanations of how a true contrarian investor thinks and acts – and why it works more often than not. Bestselling author Ken Fisher breaks down the myths and cuts through the noise to present a clear, unvarnished view of timeless market realities, and the ways in which a contrarian approach to investing will outsmart the herd. In true Ken Fisher style, the book explains why the crowd often goes astray—and how you can stay on track. Contrarians understand how headlines really affect the market and which noise and fads they should tune out. Beat the Crowd is a primer to the contrarian strategy, teaching readers simple tricks to think differently and get it right more often than not. Discover the limits of forecasting and how far ahead you should look Learn why political controversy matter less the louder it gets Resurrect long-forgotten, timeless tricks and truths in markets Find out how the contrarian approach makes you right more often than wrong A successful investment strategy requires information, preparation, a little bit of brainpower, and a larger bit of luck. Pursuit of the mythical perfect strategy frequently lands folks in a cacophony of talking heads and twenty-four hour noise, but Beat the Crowd cuts through the mental clutter and collects the pristine pieces of actual value into a tactical approach based on going against the grain.

"Francis O'Neill was Chicago's larger-than-life police chief, starting in 1901- and he was an Irish immigrant with an intense interest in his home country's music. In documenting and publishing his understanding of Irish musical folkways, O'Neill became the foremost shaper of what "Irish music" meant. He favored specific rural forms and styles, and as Michael O'Malley shows, he was the "beat cop" -actively using his police powers and skills to acquire knowledge about Irish music and to enforce a nostalgic vision of it"--

The Beat! was the first book to explore the musical, social, and cultural phenomenon of go-go music. In this new edition, updated by a substantial chapter on the current scene, authors Kip Lornell and Charles C. Stephenson, Jr., place go-go within black popular music made since the middle 1970s--a period during which hip-hop has predominated. This styling reflects the District's African American heritage. Its super-charged drumming and vocal combinations of hip-hop, funk, and soul evolved and still thrive on the streets of Washington, D.C., and in neighboring Prince George's County, making it.

In the follow-up to the international bestseller You Are Not So Smart, McRaney helps us to overcome our quirks and think more effectively. Informed by the latest studies in psychology, You Can Beat Your Brain is a pocket-sized primer packed with wry humour and astonishing facts. You’ll discover why tall people earn more money, why a rickety bridge is a good place for a first date, and how to avoid irrational beliefs and self-delusion.

Does love conquer all; The Marathon of Shadows puts the idea to the test. Two newlywed couples must make it across New York City fighting hit squads, genetically altered creatures and the followers of Sam. Love, real love, is the only thing that can save them, the question is, are they ready to give it all.

In this book we are given a unique view of East Africa of the 1950s; not the stereotyped picture of wildlife safaris and leaping Masai, but the emerging independence struggle of a new African nation from the viewpoint of a white police office, in an exceptionally detailed, thoroughly readable, firsthand account of a rare period of recent history. It tells how an Australian veteran, fresh from the Korean War, became a colonial police officer in Tanganyika Territory (later Tanzania after federation with the offshore islands of Zanzibar in 1964). Ê The reader is taken on a journey which tourists in Africa never see: from back alleys and police cells in the polyglot city of Dar es Salaam, to snake-infested camps on UgandaÐRuanda border patrols, and on police field force emergency operations from barracks at the foot of Kilimanjaro. There is much here to discover about a mostly benign semi-colonial period in Africa which lasted less than fifty years, passing, in one AfricanÕs description, as briefly as a butterflyÕs heartbeat; where a few conscientious white administrators and their loyal African assistants managed vast regions of a desolate territory with remarkably selfless care and scarce resources; where things worked most of the time, but sometimes where chaos reigned. It is about the country itself, its ubiquitous animals and its people at close range, including villagers, criminals, hunters, witch doctors, and colonial officials, but most of all, the African askari policemen who were the authorÕs closeÑand often onlyÑcompanions.

A newspaper reporter struggles with unreliable sources while covering two explosive stories—the apparent murder of a priest who stood up to his church and a spate of increasingly destructive bombings. Shock waves reverberate through tight-knit Riverside, Maine, when an outspoken priest is found dead. After writing Father Patrick Doherty's obituary, Portland Daily Chronicle reporter Joe Gale learns that the good Father didn't die in the garden where his body was found—the cops say it was murder, and the killer went to great pains to cover it up. Friends and parishioners tell Joe that Patrick was sincere and selfless. But a vocal gang of rabble-rousers claim he was corrupt. Joe is nowhere near cracking the case when a second crisis threatens to tear Riverside apart: a poorly constructed bomb detonates near the local high school. On the eve of Patrick's wake, the police imply the dead priest was involved in criminal activity prior to his death. And as Joe races to sort truth from rumor, his two big stories collide, putting him in mortal danger. 83,000 words

She's scared of it—but craves it. He's a pro, but doing it with her scares him too. S&M is scary stuff. For scary, read exciting... She craves it but is scared to admit it. He does it for fun and profit, but doing it with her scares him too. S&M is scary stuff—and scary means exciting, as TV presenter Tunis Vale learns when she meets media mogul Cade Fitzlean, hosting a themed house party at his secluded mansion to launch the hot new BDSM movie Hit'n'MissTrix. They're fiercely attracted, despite broken pasts, tricky relatives, snoopy colleagues and pressing deadlines as she and her team race to make a short, punchy promo about their stay to coincide with the premiere. Their lavish hospitality includes free goodies, pampering and S&M taster training, but to her horror, Tunis is booked for sessions with a celebrity Dom called the Panther. His career bombed a year before when she threw up at his feet on live television. Himself a former Dom, Cade offers to take her sessions instead. His regime is harsh, and, in return, he wants her full submission for the following week. With her career at stake and her heart on the line, she must choose—submit to Cade or face the Panther's revenge...

Few journalists have staked a territory as definitively and passionately as Mikal Gilmore in his twenty-year career writing about rock and roll. Now, for the first time, this collection gathers his cultural criticism, interviews, reviews, and assorted musings. Beginning with Elvis and the birth of rock and roll, Gilmore traces the seismic changes in America as its youth responded to the postwar economic and political climate. He hears in the lyrics of Bob Dylan and Jim Morrison the voices of unrest and fervor, and charts the rise and fall of punk in brilliant essays on Lou Reed, The Sex Pistols, and The Clash. Mikal Gilmore describes Bruce Springsteen's America and the problem of Michael Jackson. And like no one else, Gilmore listens to the lone voices: Al Green, Marianne Faithfull, Sinead O'Connor, Frank Sinatra. Four decades of American life are observed through the inimitable lens of rock and roll, and through the provocative and intelligent voice of one of the most committed chroniclers of American music, and its powerful expressions of love, soul, politics, and redemption.

For more than fifty years, The Paris Review has brought us revelatory and revealing interviews with the literary lights of our age. This critically acclaimed series continues with another eclectic lineup, including Philip Roth, Ezra Pound, Haruki Murakami, Marilynne Robinson, Stephen Sondheim, E. B. White, Maya Angelou, William Styron and more. In each of these remarkable extended conversations, the authors touch every corner of the writing life, sharing their ambitions, obsessions, inspirations, disappointments, and the most idiosyncratic details of their writing habits. The collected interviews of The Paris Reviews are, as Gary Shteyngart put it, "a colossal literary event."