Corbett Mack (1892–1974), was a Northern Paiute of mixed ancestry, caught between Native American and white worlds. A generation before, his tribe had brought forth the prophet Wovoka, whose Ghost Dance swept the Indian world in the 1890s. Mack’s world was a harsh and bitter place after the last Native American uprisings had been brutally crushed; a life of servitude to white farmers and addiction to opium. Hittman uses Mack’s own words to retell his story, an uncompromising account of a traumatized life that typified his generation, yet nonetheless made meaningful through the perseverance of Paiute cultural traditions.

Alice C. Fletcher (1838-1923), one of the few women who became anthropologists in the United States during the nineteenth century, was a pioneer in the practice of participant-observation ethnography. She focused her studies over many years among the Native tribes in Nebraska and South Dakota. Life among the Indians, Fletcher's popularized autobiographical memoir written in 1886-87 about her first fieldwork among the Sioux and the Omahas during 1881-82, remained unpublished in Fletcher's archives at the Smithsonian Institution for more than one hundred years. In it Fletcher depicts the humor and hardships of her field experiences as a middle-aged woman undertaking anthropological fieldwork alone, while showing genuine respect and compassion for Native ways and beliefs that was far ahead of her time. What emerges is a complex and fascinating picture of a woman questioning the cultural and gender expectations of nineteenth-century America while insightfully portraying rapidly changing reservation life. Fletcher's account of her early fieldwork is available here for the first time, accompanied by an essay by the editors that sheds light on Fletcher's place in the development of anthropology and the role of women in the discipline.

During much of the nineteenth century, paintings functioned as the Plains Indians’ equivalent to written records. The majority of their paintings documented warfare, focusing on specific war deeds. These pictorial narratives—appearing on hide robes, war shirts, tipi liners, and tipi covers—were maintained by the several dozen Plains Indians tribes, and they continue to expand historical knowledge of a people and place in transition. War Paintings of the Tsuu T’ina Nation is a study of several important war paintings and artifact collections of the Tsuu T’ina (Sarcee) that provides insight into the changing relations between the Tsuu T’ina, other plains tribes, and non-Native communities during the nineteenth and twentieth centuries. Arni Brownstone has meticulously created renderings of the paintings that invite readers to explore them more fully. All known Tsuu T’ina paintings are considered in the study, as are several important collections of Tsuu T’ina artifacts, with particular emphasis on five key works. Brownstone’s analysis furthers our understanding of Tsuu T’ina pictographic war paintings in relation to the social, historical, and artistic forces that influenced them and provides a broader understanding of pictographic painting, one of the richest and most important Native American artistic and literary genres.

The austere landscape of the Great Basin has inspired diverse responses from the people who have moved through or settled in it. Author Richard V. Francaviglia is interested in the connection between environment and spirituality in the Great Basin, for here, he says, "faith and landscape conspire to resurrect old myths and create new ones." As a geographer, Francaviglia knows that place means more than physical space. Human perceptions and interpretations are what give place its meaning. In Believing in Place, he examines the varying human perceptions of and relationships with the Great Basin landscape, from the region's Native American groups to contemporary tourists and politicians, to determine the spiritual issues that have shaped our connections with this place. In doing so, he considers the creation and flood myths of several cultures, the impact of the Judeo-Christian tradition and individualism, Native American animism and shamanist traditions, the Mormon landscape, the spiritual dimensions of gambling, the religious foundations of Cold War ideology, stories of UFOs and alien presence, and the convergence of science and spirituality. Believing in Place is a profound and totally engaging reflection on the ways that human needs and spiritual traditions can shape our perceptions of the land. That the Great Basin has inspired such a complex variety of responses is partly due to its enigmatic vastness and isolation, partly to the remarkable range of peoples who have found themselves in the region. Using not only the materials of traditional geography but folklore, anthropology, Native American and Euro-American religion, contemporary politics, and New Age philosophies, Francaviglia has produced a fascinating and timely investigation of the role of human conceptions of place in that space we call the Great Basin.

Published in cooperation with the American Indian Studies Research Institute, Indiana University, Bloomington.

Why do the Paiutes love Coyote? Why do Youngstown mill workers vote for Mafia candidates for municipal office? Tricksters become key to understanding how oppressed groups function in a hostile world."--pub. desc.

Born in Baltimore in 1838, Fanny Dunbar grew up in Louisiana to a family who survived the hardships of the Civil War. An intelligent, sensitive woman, Fanny experienced a radical life change when she met William Henry Corbusier, a Yankee officer and army surgeon. Her memoir recounts their subsequent forty-eight year marriage. The events of Fanny’s life are sometimes amusing but more often dramatic. The Corbusiers moved frequently, but Fanny made moving an art form, often selling all the family possessions to avoid high shipping rates. She learned to cope with primitive living conditions and harsh climates. She raised five sons at posts with no schools. But Fanny took her job as a mother seriously, providing her sons with a broad education and a nurturing home. Corbusier’s long life and her husband’s thirty-nine-year career in the army (recounted in his memoir Soldier, Surgeon, Scholar) allow the reader to experience the period between the Civil War and World War I in totality, including her exceptional memories of the Spanish-American War and the Philippine Insurrection. As the recollections of two people whose lives played out against a world panorama, Fanny and William’s memoirs together provide a rare opportunity to examine events of frontier military life from both male and female perspectives. "Mrs. Corbusier writes from the unique perspective of a surgeon’s wife, and we have a picture not only of an army wife, but of an army wife who saw many different aspects of frontier military life and frontier life in general."—Charles M. Robinson, author of General Crook and the Western Frontier and A Good Year to Die: The Story of the Great Sioux War "Of the memoirs penned by wives of nineteenth-century army officers, this is among the best and most detailed. The woman’s perspective of events that transpired in the Indian-fighting army is a much needed counterbalance to the male-dominated histories of these same events."—Darlis Miller, author of Mary Hallock Foote: Author-Illustrator of the American West Fanny Dunbar Corbusier was the career army wife of officer-surgeon William Henry Corbusier. Patricia Y. Stallard, retired federal civil servant and education specialist with the United States Navy Recruiting Command, is the author of Glittering Misery: Dependents of the Indian Fighting Army, published by the University of Oklahoma Press.

"The volume comprises approximately 4,500 entries that represent the basic vocabulary of the Skiri language. To assist users, the introduction features a description of the Skiri sound system and an alphabet, as well as a short description of Skiri grammar that outlines the categories and constituent morphemes composing Skiri words. The first section of the dictionary presents entries arranged alphabetically by English glosses; the second section is arranged alphabetically by Skiri words and stems. Separate appendixes provide representative conjugations of Skiri verbs, a list of irregular verb roots, and charts of kinship terms."--BOOK JACKET.

The religious fervor known as the Ghost Dance movement was precipitated by the prophecies and teachings of a northern Paiute Indian named Wovoka (Jack Wilson). During a solar eclipse on New Year’s Day, 1889, Wovoka experienced a revelation that promised harmony, rebirth, and freedom for Native Americans through the repeated performance of the traditional Ghost Dance. In 1890 his message spread rapidly among tribes, developing an intensity that alarmed the federal government and ended in tragedy at Wounded Knee. While the Ghost Dance phenomenon is well known, never before has its founder received such full and authoritative treatment. Indispensable for understanding the prophet behind the messianic movement, Wovoka and the Ghost Dance addresses for the first time basic questions about his message and This expanded edition includes a new chapter and appendices covering sources on Wovoka discovered since the first edition, as well as a supplemental bibliography.