From Mary Blayney, the acclaimed author of Stranger’s Kiss, comes this irresistible new novel of historical romance featuring the Pennistan family. In Courtesan’s Kiss, an independent woman is determined to make her way in the world—even if it’s a scandalous one. But first she must escape a nobleman with plans of his own In the wake of a broken engagement and shunned by the ton, Mia Castellano does not retire to the country, as a proper young lady might, but sees her chance to escape society’s restraints—by becoming a courtesan. In her mind, no unmarried young woman is as free as a courtesan. She alone controls her destiny: managing her own money, having her own house, choosing her lovers. There’s only one obstacle in Mia’s path—Lord David Pennistan. As a favor to his brother, Lord David agrees to escort Mia to his family’s home in Derbyshire, where her guardian awaits. Mia attracts nothing but trouble from the outset of their journey, yet with every adventure they share, Lord David’s desire for his charge grows. When they’re caught in a compromising situation, Lord David insists that she marry him. But there’s only one thing Mia wants from David, and it isn’t his charity or his title. Can he convince her before it’s too late that the love she wants is already hers—to take or to lose forever? Can he win more from this untamed beauty than just a courtesan’s kiss?

This title, first published in 1979, is a glossary of the bawdy vocabulary that was used in Renaissance Drama. One of the primary functions of this gloss of literary bawdy is to interpret imaginative uses of the language rather than simply record the generally accepted uses and meanings, with its principal task to make the dialogue of the plays more intelligible to the reader. With examples of bawdy language used in the works of Shakespeare, Ben Jonson and John Webster amongst many others, this title will be of great interest to students of literature and performance studies.

Witty nicknames, crude jokes, public nudity and lavish monuments, all of these things distinguished Greek courtesans from respectable citizen women in ancient Greece. Although prostitutes appear as early as archaic Greek lyric poetry, our fullest accounts come from the late second century CE. Drawing on Book 13 of the Athenaeus' Deipnosophistae--which contains almost all known references to hetaeras from all periods of Greek literature--Laura K. McClure has created a window onto the ways ancient Greeks perceived the courtesan and the role of the courtesan in Greek life.

One fateful night changed my life forever and brought secrets to light I never could have imagined, leaving me parentless, penniless, and caring for an ailing sister. My father was not the man I thought I knew, and his greed and sickness have left me with virtually nothing to use to care for my sister and get her the treatments she needs to maybe one day walk again. And now, we might lose our house, as well. Luckily, an ad in the paper helps me regain some hope. I have something to barter with that not many courtesans have, after all, and it just might be enough to earn what’s needed to secure my future as a successful Blood Courtesan. My first client turns out to be the man of my dreams, the sexy-as-sin vampire rock star I’ve lusted after since I was a teen, but he wants nothing to do with me or what I have to offer. My father’s misdeeds continue to haunt me and I’m left with only one option: I need to make the talented and headstrong Lyric Rivers desire me, or lose everything. Maybe even my life. The Blood Courtesans Series, where vampires are real, rich, powerful--and hungry. Blood is bought and sold like fine wine, and the best blood goes to the highest bidder. It's not supposed to be about love ... until it is.

In this School for Brides romance, a respectable lady must play the part of a seasoned lover in a turnabout game of seduction and irresistible intrigue… The School for Brides stands on its principles: turn comely courtesans into proper wives. But when Lady Noelle Seymour attempts to save a bride-in-training from arrest by sneaking into a stranger’s bedroom to return a stolen necklace, she locks eyes with Gavin Blackwell and gets herself into a whole heap of trouble. Since the truth of her nocturnal visit could land both women in jail, Noelle offers a desperate excuse: She’s there as his new courtesan. Gavin has a lot to learn about London society, but a female housebreaker offering her seductive services is beyond the unexpected. When she vanishes, Gavin tracks her down and demands she make good on her proposition. However, there’s more at stake than Noelle’s virtue. That unfortunate night in Gavin’s room has made her an unwitting pawn in the treacherous game of a woman scorned, and now only Gavin can protect her—in every way he desires...

‘The Mimes of the Courtesans’ features a series of dialogues between two courtesans or a courtesan and another, discussing love and sex and the relationship between lovers. Living at the height of the Roman Empire, Lucian wrote these short dialogues of working girls competing for clients, dishing gossip and candid tips of the trade, men trying to keep their girls' attention with expensive gifts. It also portrays the dark side of the hetaera's life: out-of-control parties, blowhard men, and putting up with rough treatment by clients. This translation was published during the 1920s. The identity of the translator is only known by the initials 'A.L.H.' on the Translator's Foreword page.

Three alternative settings for Courtesans including Gothic Horror, Fantasy and Science Fiction. Ian Warner once again shows his joy in all the horrible clichés of Roleplaying games in this sexy and seditious best-seller. Requires Courtesans: A Roleplaying Game of Sex and Society to use.

Courtesans - women who achieve wealth, status, or power through sexual transgression - have played both a central and contradictory role in literature: they have been admired, celebrated, feared, and vilified. This study of the courtesan in Renaissance English drama focuses not only on the moral ambivalence of these women, but with special attention to Anglo-Italian relations, illuminates little known aspects of their lives. It traces the courtesan from a wry comedic character in the plays of Terence and Plautus to its literary exhaustion in the seventeenth-century dramatic works of Dekker, Marston, Webster, Middleton, Shirley and Brome. The author focuses especially on the presentation of the courtesan in the sixteenth century - dramas by Shakespeare, Marlowe, and Lyly view the courtesan as a symbol of social disease and decay, transforming classical conventions into English prejudices. Renaissance Anglo-Italian cultural and sexual relations are also investigated through comparisons of travel narratives, original source materials, and analysis of Aretino's representations of celebrated Italian courtesans. Amid these fascinating tales of aspiration, desire and despair lingers the intriguing question of who was the 'dark lady' of Shakespeare's sonnets.

No mortal will tell of our tragedy... Tenebrae; a world of darkness, trapped in the past and where vampires rule over their mortal slaves. Torn from the safety of her small village, twelve-year-old Reina is a thrust into a life of slavery and eternal darkness. Spending her prime years in servitude to the demons known as vampires, Reina learns to keep her head down and remain unseen. But all that changes when she makes a fatal mistake. A century after seeing her home destroyed and family slaughtered, Reina is forced to return toTenebrae. No longer a slave and raised to the ranks of vampire, the very creature she loathes, Reina is determined to end slavery and destroy Tenebrae. But she has caught the attention of Master Vrykólakas, the man responsible for the death of her family. Suspicious of Reina's return he issues her an impossible ultimatum: become his treasured courtesan or condemn the man who is both her Creator and lover to death.

Harriette Wilson was the most desired and the most dangerous woman in Regency London. This highly acclaimed biography reveals for the first time the true story behind her sensational life and scandalous 'Memoirs'. When her former lovers - including much of the British aristocracy - turned against her, she knew exactly how to take revenge . . . 'A wonderful book. Much more than a biography of one attractive, witty woman, it offers a deft analysis of how Britain dealt with celebrity, sex, power and popular journalism in an age that bears remarkable similarities to our own . . . Frances Wilson is not only a first-rate scholar but also a wonderful storyteller who manages to get inside her namesake's famously creamy skin and tell her story with wit and understanding.' Kathryn Hughes, Mail on Sunday 'Lively and stylish . . . Reveals how dangerous the courtesan who operated at the heart of the political world was thought to be.' Anne Sebba, Spectator 'Harriette's story is deftly and stylishly told. It beats most novels with its rich ingredients.' Frances Spalding, Daily Mail