Of all the myriad stars and celebrities Hollywood has produced, only a handful have achieved the fame - and, some would say, infamy - of Orson Welles, the creator and star of what is arguably the greatest film ever, Citizen Kane. Many books have been written about him, detailing his achievements as an artist as well as his foibles as a human being. None of them, however, has come so close to the real man as Chris Welles Feder does in this beautifully realised portrait of her father. In My Father's Shadow is a classic story of a life lived in the public eye, told with affection and the wide-eyed wonder of a daughter who never stopped believing that some day she would truly know and understand her elusive and larger-than-life father. The result is a moving and insightful look at life in the shadow of a legendary figure and an immensely entertaining story of growing up in the unreal reality of Hollywood.

An intimate portrait of Justice Peter Mahon, who headed the Erebus plane crash inquiry, written by his son. Described often as ‘a man for all seasons’, Justice Peter Mahon is perhaps best remembered for his role in the Erebus Inquiry: an inquiry into the worst air disaster in New Zealand’s history. In My Father’s Shadow, his eldest son, artist Sam Mahon, draws a composite portrait of Peter: a rational, moral, astute and complex character, but a father whom the author hardly knew. In poignant lyrical prose, an expansive story emerges, operatic in scope, of Peter Mahon’s life – through his war years and the Senio offensive, his distinguished legal career, to the insult keenly felt be a proud man when the Court of Appeal questioned his immortal line ‘an orchestrated litany of lies’ – as soldier, lawyer, judge, naturalist, father, colleague, husband. He was at the time of his death ‘one of the ten most admired New Zealanders’. Artfully woven throughout, the memoir exposes the dynamic and the ongoing legacy between these two strong personalities – the rebellious artist-in the- making, and his tolerant, distant and revered father. Written with a spirited clarity, startling honesty, and humour, My Father’s Shadow is a captivating and extraordinary New Zealand story.

In 1936, the year Fritz Schwalm was born, Adolph Hitler had high approval ratings. Fritz’s parents supported the national socialist state, and his father was an SS officer employed in the Race and Settlement Office (Rasse and Siedlungs Hauptamt, RuSHA). The office became the focus of a military tribunal of the Nuremberg trials, and his father was sentenced to ten years in prison. Decades later, after his father’s death, Fritz discovered his diaries, penned during the first four years in captivity that included the trial. In a fascinating memoir, Fritz begins by sharing his father’s journals that detail his thoughts about Germany’s successes and failures under the Hitler regime, beginning with his internment in a camp near Hamburg, Neuengamme. In the following section, Fritz chronicles his own life growing up under the Nazi regime. After revealing how the defeat of Germany in 1945 and its consequences confronted him with traditional political and social norms, he leads others through the events of his subsequent life, rich in adventures and free choices, stark contrasts of what his life would have been in a society governed by rigid social norms and ideological biases. A Life Outside My Father’s Shadow shares the contrasting perspectives and views of a German SS officer father and his son as the events of a brutal war transformed the world.

Ideas of selfhood, from Descartes' theory of "I think therefore I am" to postmodern notions of the fragmented and de-centred self, have been crucial to the visual arts. Gen Doy explores this relationship, from Holbein's "Ambassadors" and the early modern period up to and beyond Marc Quinn's "Self" (Blood Head). Arguing that the importance of subjectivity for art goes far beyond self-portraits, she explores such topics as self-expression; the self, work and consumption; self-presentation; photography and the theatre of the self; the marginalized - beggars and asylum seekers - and "the real me". A wide range of artists, including Tracey Emin, Jeff Wall, Eugene Palmer and Karen Knorr, are discussed, as well as historical material from earlier periods.

"I found [this book] to express profound insight in a very readable style. This story of the key events that shaped [the author's] life, conveyed in bold relief and vivid imagery, is educational and inspiring. [King] illustrates the essential principles of reparative therapy clearly and with good humor. I would recommend this book for my clients." -Dr. Joseph Nicolosi, Ph.D. Psychologist and Director, Thomas Aquinas Psychological Clinic, Encino, California Jackson King uses a combination of psychological research, spiritual teachings, and personal experience to examine the environmental conditioning of male homosexuality and how it applied to his life. Confused and unhappy with the prospect of this lifestyle and in search of a way out, the elusive exit had to make sense to his questioning mind. That is where reparative therapy came in. It laid the pieces of the puzzle into place, helping King to understand the root cause of this condition. The end result was a newfound self-awareness that led to the freedom he was seeking. An enlightening journey of self-discovery-King's insightful story is told from a realistic perspective; inspiring the reader through shared experiences that are often humorous, thought-provoking, and always informative.

The crowning achievement of Afro-Colombian author Manuel Zapata Olivella, Changó, Decolonizing the African Diaspora depicts the African American experience from a perspective of gods who stand over the world and watch. The centennial anniversary release of this ground-breaking postcolonial text remains a passionate tour de force to make sense of our past, present, and future. A new introduction by Professor William Luis positions the book in contemporary politics and reasserts this book’s importance in Afro-Spanish American literature. Ranging from Brazil to New England but centered in the Caribbean, where countless enslaved people once arrived from West Africa, this book recounts scenes from four centuries of involuntary displacement and servitude of the muntu, the people. Through the voices of Benkos Biojo in Colombia, Henri Christophe in Haiti, Simon Bolivar in Venezuela, Jose Maria Morelos in Mexico, the Aleijadinho in Brazil, or Malcolm X in Harlem, Zapata Olivella conveys, in luminous verse and prose, the breadth of heroism, betrayal, and suffering common to the history of people of African descent in the Western hemisphere. Readers and critics of postcolonial literatures will relish the opportunity to experience Zapata Olivella's masterpiece in English; students of world cultures will appreciate this extraordinary tapestry, woven from equal strands of myth and history.

This anthology of autobiographical essays reveals the human side of the Chinese diaspora. Written by ethnic Chinese who were born outside of China, these moving pieces describe the experience of growing up a visible minority and the subsequent journey each author made home.

Brownie Kickfinger believed that he was meant for nothing. He certainly felt like nothing. His father was a criminal, most of his family wanted nothing to do with him, and his grandfather, the one man he thought he could look up to, had disappeared. Brownie left home and ended up in the land of Devansh, a land of beauty and mystique, of magic and wonder, of strife and challenge, searching either for purpose or a place to disappear. On his journey, he encountered Lata, a curious woman in the woods, who showed him that he is, in fact, very special: he's a wizard, a member of an ancient cult who have pledged themselves to the protection and enlightenment of Devansh. As Brownie struggles to learn all he can of his power and bloodline, he is thrust into a brewing war led by a macabre and barbarous dark wizard and his zealot army.

The Sun Keeps Setting examines in memoir-form the difficulties of dealing with aging and illness. Written as a daily journal, journal, thereby resisting outline, it focuses on my eighty-one-year-old fathers 1996 bypass surgery and the effect it had on the rest of the family. It deals with the immediately difficulties of complex medical decisions, the prospect of long-term nursing home confinement, financial strain and potential ruin, and the inevitable dredging up of the past such crises engender. I have dwelt at some length on the experience of growing up with my father and consequently define him through my own life. Being on the leading edge of the baby-boom generation, as the media keeps reminding me, I am experiencing a complex series of problems most people in my generation will have to face. My book offers no expertise on aging, Medicare, Social Security, or contemporary medicine. Those subjects are covered by other sources. But it does offer a perspective that a huge number of people in my generation should appreciate, since Ive come to realize that in many ways Im more typical of that generation than I had once thought. The first in my family to attend college, unsupported by family resources but bound to my family in many other waysnot all of them sentimentalIve experienced an alienating class shift without a corresponding financial gain. The experiences portrayed in this book constitute a body of knowledge accumulated without effort, distinguishing it from the knowledge afforded me by education, and I believe it speaks to whatever heart and soul my generation have.

**NOW SHORTLISTED FOR THE 2020 INTERNATIONAL DUBLIN LITERARY AWARD** "A writer of great subtlety and intelligence . . . a beautifully written and compelling story of how families fall apart and what remains of the aftermath" Kamila Shamsie, winner of the Women's Prize for Fiction 2018 "The book everyone is talking about for the summer" Lorraine Candy, Sunday Times In my childhood, I was known as the boy whose mother had run off with an Englishman" - so begins the story of Myshkin and his mother, Gayatri, who is driven to rebel against tradition and follow her artist's instinct for freedom. Freedom of a different kind is in the air across India. The fight against British rule is reaching a critical turn. The Nazis have come to power in Germany. At this point of crisis, two strangers arrive in Gayatri's town, opening up for her the vision of other possible lives. What took Myshkin's mother from India to Dutch-held Bali in the 1930s, ripping a knife through his comfortingly familiar environment? Excavating the roots of the world in which he was abandoned, Myshkin comes to understand the connections between anguish at home and a war-torn universe overtaken by patriotism. Anuradha Roy's enthralling novel is a powerful parable for our times, telling the story of men and women trapped in a dangerous era uncannily similar to the present. Impassioned, elegiac, and gripping, it brims with the same genius that has brought Roy's earlier fiction international renown. "One of India's greatest living authors" - O, The Oprah Magazine "Roy's writing is a joy" - Financial Times