“The perfect quarantine read. It’s funny, sweet, and beautifully written. The romance is so perfect it made me ache." —Alisha Rai, Bustle Kirkus Best Fiction Book of 2020 PopSugar Crazy Popular Books of 2020 Amazon Best Romance of the Month Top Ten Best Romances of 2019—Entertainment Weekly Kobo Best Romance of the Year Bustle 17 Best New Books Of December 2019 SheReads’ Most Anticipated Books of 2020 HelloGiggles 8 Best New Books To Read In December One of the most beloved romantic comedies of 2020, Love Lettering is a heart-melting and touching story that fans of Tessa Bailey, Jen DeLuca, and Emily Henry cannot miss. In this warm and witty romance from acclaimed author Kate Clayborn, one little word puts a woman’s business—and her heart—in jeopardy . . . Meg Mackworth’s hand-lettering skill has made her famous as the Planner of Park Slope, designing custom journals for her New York City clientele. She has another skill too: reading signs that other people miss. Knowing the upcoming marriage of Reid Sutherland and his polished fiancée was doomed to fail is one thing, but weaving a secret word of warning into their wedding program is another. Meg may have thought no one would spot it, but she hadn’t counted on sharp-eyed, pattern-obsessed Reid. A year later, Reid has tracked Meg down to find out how she knew that his meticulously planned future was about to implode. But with a looming deadline and a bad case of creative block, Meg doesn’t have time for Reid’s questions—unless he can help her find her missing inspiration. As they gradually open up to each other, both try to ignore a deepening connection between them. But the signs are there—irresistible, indisputable, urging Meg to heed the messages Reid is sending her, before it’s too late . . . Praise for Love Lettering "I can't wait for the whole world to fall in love with Love Lettering!" —Jasmine Guillory “Delicious and beautiful and perfect.” —New York Times bestselling author Sarah MacLean “This book will wake you up in the middle of the night aching for these perfectly imperfect characters.” —Sonali Dev, author of Pride, Prejudice, and Other Flavors

This is a long chronicle romance. The main embodiment of the protagonist Prince Peng and Yu Lixia from 1987 to 200was an unforgettable extramarital love. The content is real, vivid and touching, and has strong infectious power. The novel uses real people, real things, real time, real places. It fully reflects the growth process of the peasant born prince peng under unremitting efforts.

The book LOVE LETTER talks and describes many different perspectives of what love is or should be displayed and the beauty of what love is or what love is supposed to be. The type of poetry I bring to you gives you a sense of having conversations with someone. The type of poems I wrote for you speaks on how I feel a person should love something or on how a person should feel love for someone. In my eyes I am looking at my heart sitting side by side with hers. LOVE LETTER gives you a sense of NEEDINESS, RESPECTFULNESS, SUBMISSIVE, HUMBLENESS, HEARTFELT SELFISHNESS, HEARTBREAK, AND AWARENESS to her and her SENSIBILITIES. This story I bring to you is about how this PARTICULAR WOMAN had pierced a young man Heart and Soul in his own mind the moment they were introduced.

Stretched across city walls and along rooftops, Stephen Powers's colorful large-scale murals sneak up on you. "Open your eyes / I see the sunrise," "If you were here I'd be home," "Forever begins when you say yes." What at first looks like nothing as much as an advertisement suddenly becomes something grander and more mysterious—a hand-painted love letter at billboard size. Combining community activism and public art, Powers and his team of sign mechanics collaborate with a neighborhood's residents to create visual jingles— sincere and often poignant affirmations and confessions that reflect the collective hopes and dreams of the host community. A Love Letter to the City gathers the artist's powerful public art project for the first time, including murals on the walls and rooftops of Brooklyn and Syracuse, New York; Philadelphia; Dublin and Belfast, Ireland; São Paolo, Brazil, and Johannesburg, South Africa.

Love Letter to the World is about things that would cross your mind daily. Readers may notice early on that some of letters and poems are not PG-13. Some of my letters are about God, love, humor, and questions. Some of these have been my thoughts and my life's experiences. So sit back, and enjoy! My love letters and poems are passionate and, maybe, a little erotic. Some may want you to call on the Lord. I would like for this book to encourage, motivate, and stimulate someone to the Lord and see all that he has to offer you.

The Author speaks very simply about her life experiences. She sees life through empathetic eyes, in almost a childlike manner. She understands that a few words may go a long way . Her readers may gain a sense of her almost philosophical mannerisms through a very brief sketch like expressionist way with wordings . Through sadness, love, brokenness and pain; the author paints for us a picture of her own personal struggle through doubt and instability that life can be lived not only through pain but through the experiencing of struggles, doubts and insecurities a person can build a higher consciousness of oneself and, through her eyes therefore experience a sense of positivity and self love and how this can both quiet and quell many of those personal insecurities. She believes that love and as she has learned self love”is not easily achieved but is learned through trial and error, travails, and experiences is what makes life truly rich.

All People, All Times: Rethinking Biblical Authority in Churches of Christ explores the assumptions traditionally held in a cappella Churches of Christ regarding how one knows what in Scripture is binding on all people at all times. The development of the tripartite model for determining Bible authority (i.e., command, example and implication) is examined and critiqued. While many in Churches of Christ advocate abandoning the model altogether, others refuse to see its limitations in a postmodern culture. All People, All Times offers a hermeneutical approach (The Transformational Restoration Hermeneutic or TRH) that sharpens the tripartite method by providing a biblically based grid to more accurately discern Scripture's emphases. As well, it introduces a sorely needed means for the formational use of Scripture. In short, the TRH recognizes not only the need to take Scripture seriously when it speaks authoritatively regarding external or doctrinal necessities, but also when it speaks to the spiritual, moral and relational priorities stressed in our postmodern era. It is hoped the TRH can provide a hermeneutical bridge between the widening streams of a fellowship historically devoted to speaking where the Bible speaks. For the last 18 of his 32 years in preaching, Jeffery S. Stevenson has served as the Preaching Minister for the Church of Christ at Louisville, Ohio and the Director of Second Wind Christian Counseling Ministries. Jeff holds degrees from Freed-Hardeman University (Bible), the University of Akron (Marriage and Family Therapy) and a Doctorate from Ashland (Ohio) Theological Seminary. Jeff has written on topics such as hermeneutics and biblical application in the Restoration Movement, evangelism and Christian counseling. He has published articles in the Gospel Advocate, Christian Standard and Restoration Quarterly. Jeff and his wife Tonnie have three grown daughters-Micah, Meghann and Mallory. Jeff's likes reading, walking, cycling and model railroading.

An original compilation of short fiction created in the form of a series of love letters by forty celebrated writers includes contributions from Jonathan Lethem, A.L. Kennedy, Jan Morris, Douglas Coupland, Margaret Atwood, and Ursula K. Le Guin.

With combined career sales of twelve million books, the two most revered and trusted names in Christian finance—Ron Blue and the late Larry Burkett—offer the ultimate book about how to build a solid financial future as retirement approaches.Your Money after the Big 5-0 equips readers with the knowledge, financial tools, and wisdom needed to ensure their fiscal well-being in the second half of life. By following Burkett and Blue’s definitive direction, we learn to build a portfolio that provides for our family, honors God, and better positions us to bless the generations that follow with a legacy of stewardship and resources.

“Huhtamo and Parikka, from the first and second generations of media archaeology, have brought together the best writings from almost all of the best authors in the field. Whether we speak of cultural materialism, media art history, new historicism or software studies, the essays compiled here provide not only an anthology of innovative historical case studies, but also a methodology for the future of media studies as material and historical analysis. Media Archaeology is destined to be a key handbook for a new generation of media scholars.” —Sean Cubitt, author of The Cinema Effect "Taken together, this excellent collection of essays by a wide range of scholars and practitioners demonstrates how the emerging field of media archaeology not only excavates the ways in which newer media work to remediate earlier forms and practices but also sketches out how older media help to premediate new ones." —Richard Grusin, author of Premediation: Affect and Mediality after 9/11 “In Media Archaeology, a constellation of interdisciplinary writers explore society’s relationship with the technological imaginary through history, with fascinating essays on influencing machines, Freud as media theorist, interactive games from the 19th century to the present day, just to name a few. As an artist, my mind is set on fire by discussions of the marvelous inventions that never made it to the mainstream, such as optophonic poetry, Christopher Strachey’s 1952 ‘Love letter generator’ for the Manchester Mark II computer, and the ‘Baby talkie.’” —Zoe Beloff, artist and editor of The Coney Island Amateur Psychoanalytic Society and Its Circle "A long-awaited synthesis addressing media archaeology in all of its epistemological complexity. With wide-ranging intellectual breath and creative insight, Huhtamo and Parikka bring together an eminent array of international scholars in film and media studies, literary criticism, and history of science in the spirit of making the discourse of the humanities legible to artist-intellectuals. This foundational volume enables a sophisticated understanding of reproducible audiovisual media culture as apparatus, historical form, and avant-garde space of play." —Peter J. Bloom, author of French Colonial Documentary: Mythologies of Humanitarianism "An essential read for everyone interested in the histories of media and art." —Oliver Grau, author of MediaArtHistories "Media archaeology is a wonderful new shadow field. If you are willing to step outside the glow of new media, this book's approaches can shift how you experience the objects and experiences that fill the new everyday of contemporary life. No one captures the beauty of studying new media in the shadow of older media implements and practices better than Erkki Huhtamo, the Finnish writer, curator, and scholar of media technology and design famous for his creative work as a preservationist and an interpreter of pre-cinematic technologies of visual display. He has teamed up here with Jussi Parikka, the Finnish scholar who has brought us an insect theory of media, to give us this long-awaited collection of essays in media archaeology. The surprise of the book is that the essays collectively bring forward a range of approaches to considering archaeological practice, giving us new ways to think about our embodied and subjective orientations to technologies and objects through the lens of the material remnants of practice, rather than offering a narrow definition of the field. The collection moves between computational machines and influencing machines, preservation and imagination, offering a range of ways to live the new everyday of media experience through the imaginary of archaeology." —Lisa Cartwright, co-author of Practices of Looking: An Introduction to Visual Culture “Where McLuhan’s Understanding Media ends, Media Archaeology actually begins. Refusing the often futile search for the eternal laws of media, Media Archaeology does something more difficult and rare. It literally brings the history of media alive by drawing into presence the enigmatic, heterogeneous, unruly past of the media—its artifacts, machines, imaginaries, tactics, and games. What results is a fabulous cabinet of (media) memories: the imaginary moving with kinetic frenzy, histories of what happens when media collide in the electronic space of the virtual, and stories about those strange interstitial spaces between analogue and digital.” —Arthur Kroker, author of The Will to Technology and the Culture of Nihilism “Rupturing the continuities and established values of traditional media history, this exciting and thought-provoking collection makes a significant contribution to our understanding of media culture, and demonstrates that the presence of the past in present-day media is central to the recognition and re-cognition that media archaeology promotes.” —John Fullerton, editor of Screen Culture: History and Textuality “Here, at last, is a collection of essays that are a critical step to comprehending the history of our impulse to see ourselves in the machines we have made. This could be the beginning of 'Archaeology of Intention.'" —Bernie Lubell, artist “Huhtamo and Parikka’s expertly curated collection is a kaleidoscopic tour of media archaeology, giving us forceful evidence of that unruly domain’s vitality while preserving its wonderful unpredictability. With this essential volume, countless new paths have been opened up for media and cultural historians." —Charles R. Acland, author of Screen Traffic “This brilliant collection of essays provides much needed material and historical grounding for our understanding of new media. At the same time, it animates that ground by recognizing the integral roles that imagination, embodiment, and even productive disturbance play in media historiography. Yet these essays constitute more than a collection of historical case studies; together, they transform the book’s subject into its overall method. Media Archaeology performs media archaeology. Huhtamo and Parikka excavate the intellectual traditions and map the epistemological terrain of media archaeology itself, demonstrating that the field is ripe with possibilities not only for further historical examination, but also for imagining exciting new scholarly and creative futures.” —Shannon Mattern, The New School