A comprehensive study of the process by which certain martyrs of the early church were transformed into military heroes.

A comprehensive study of the process by which certain martyrs of the early church were transformed into military heroes.

The first major study of the relationship between liturgy and historiography in early medieval Rus.

Reading Russian Sources is an accessible and comprehensive guide that introduces students to the wide range of sources that can be used to engage with Russian history from the early medieval to the late Soviet periods. Divided into two parts, the book begins by considering approaches that can be taken towards the study of Russian history using primary sources. It then moves on to assess both textual and visual sources, including memoirs, autobiographies, journals, newspapers, art, maps, film and TV, enabling the reader to engage with and make sense of the burgeoning number of different sources and the ways they are used. Contributors illuminate key issues in the study of different areas of Russia’s history through their analysis of source materials, exploring some of the major issues in using different source types and reflecting recent discoveries that are changing the field. In so doing, the book orientates students within the broader methodological and conceptual debates that are defining the field and shaping the way Russian history is studied. Chronologically wide-ranging and supported by further reading, along with suggestions to help students guide their own enquiries, Reading Russian Sources is the ideal resource for any student undertaking research on Russian history.

An intriguing look at secrecy during the Byzantine Empire and the role of the art historian in seeking truth. Secrecy has played a role throughout human history and continues to capture the popular imagination. Some of the most seductive aspects of the Byzantine Empire—such as the relics of the imperial palace and the military uses of Greek fire—have been shrouded in mystery for centuries. This book provides a brief history of secrecy in Byzantium and examines the role of the art historian in uncovering the truth, demonstrating how visual evidence can not only reveal new findings but also purposely conceal answers. Art historians face many challenges in their search for hidden knowledge, including accessing accounts preserved in fragmentary glimpses and reconciling how practices of speculation and reconstruction result in different, and sometimes contradictory, understandings. With pressing urgency, this book asks scholars to consider their role in articulating the stories of marginalized people, particularly for queer and trans history. At the core of these investigations is the quest to discover how clandestine knowledge was transmitted and how relationships were strengthened by collective secret keeping, as well as how concealment is used as a strategy for exercising power. With insights into the religious, imperial, military, and cultural uses of secrecy, this book offers an intriguing look at the ways secrecy manifested itself during the Byzantine Empire and the implications it has for the issues we face today.

Battlefield Emotions in Late Antiquity is the first work to offer a comprehensive analysis of morale and fear. Różycki examines Roman military treatises to illustrate the methods of manipulating the human psyche.

American researcher Jeff Friday has compiled the world's most extensive list of "Newly Identified" Art work with the Greek & Latin Names of God. Many Latin references too as the descendant images of the Greco-Hebrew Iconography. Place finds covered in this book are not just limited to the following: Afghanistan, Northern Africa, Roman-Britain, Anglo-Saxon Britain, Bulgaria, Western China, Egypt, France (Frankia & Merovingian), Georgian, Greece, India, Iran, Iraq, Israel, Italy, Jordan, Korean, Scotland, Spain, Switzerland, Turkey and many more former Cultural places in History. - Multiple Artifacts in God's name discovered in some of the following: Mosaics, Jewelry, Coins, Clothing & Apparel, Tapestries, Illuminations, Candles/Lamps, Shield Armor and much more. - Brief description of each Motif - 217+ Photos or Illustrations

The present volume is a Festschrift in honor of the distinguished scholar in Late Byzantine, post-Byzantine and Cretan Renaissance studies I. Mavromatis. The title Kalligraphos is indicative of the foundations of his scholarship, which lie in the fields of paleography and early printing. With manuscripts and early printed books as the primary material of his studies, Professor Mavromatis has produced several major works in the fields of Byzantine philology, Cretan Renaissance literature (especially Erotorcritos) and late Byzantine vernacular poetry. This volume includes a short preface and twenty-four articles by senior and younger scholars, former colleagues, collaborators, and students of Professor Mavromatis. The articles are loosely arranged in chronological order of their subject matter and treat issues ranging from Byzantine historiography going back to the 4th century CE to post-Byzantine Cretan poetry of the 17th century. This philological kaleidoscope features new editions and interpretations of hitherto unknown or little-known poems and texts. The volume is intended for scholars, graduate and undergraduate students and the general readership interested in Byzantine and post-Byzantine literature.

Drawing together contributions from scholars across history, art history, literature, geography, architecture and theology, Sacred Mobilities in Byzantium and Beyond explores the nexus between mobility and Orthodox Christianity in the Byzantine empire and in the centuries after its fall.

Thousands of intact ceramic bowls and plates as well as fragments made in the medieval Byzantine empire survive to this day. Decorated with figural and non-figural imagery applied in a variety of techniques and adorned with colourful paints and glazes, the vessels can tell us much about those who owned them and those who looked at them. In addition to innumerable ceramic vessels, a handful of precious metal bowls and plates survive from the period. Together, these objects make up the art of dining in medieval Byzantium. This art of dining was effervescent, at turns irreverent and deadly serious, visually stunning and fun. It is suggestive of ways in which those viewing the objects used a quotidian and biologically necessary (f)act – that of eating – to reflect on their lives and deaths, their aspirations and their realities. This book examines the ceramic and metal vessels in terms of the information offered on the foods eaten, the foods desired and their status; the spectacle of the banquet; the relationship between word and image in medieval Byzantium; the dangers of taste; the emergence of new moral and social ideals; and the use of dining as a tool in constructing and enforcing hierarchy. This book is of appeal to scholarly and non-scholarly audiences interested in the art and material culture of the medieval period and in the social history of food and eating.