The book examines conditionals in the Greek Pentateuch from the point of view of the study of translation syntax. It takes seriously into account the double character of Septuagintal Greek, both as a translation from Hebrew and as vernacular Greek. Methodologically, the underlying Hebrew is taken as the point of departure in close comparison with the resultant translation, with the purpose of examining major features in the translators? handling of this complex construction. These include the rendering of verbal and non-verbal forms in the protasis and apodosis, the question of sense-division between the two constituent clauses, the influence of genre or discourse type and interference from the underlying form or structure. Detailed analyses of the resultant translation displays features that are natural Greek, on the one hand, and features that betray the character of "translation-language", on the other hand, owing to interference from the source text. The latter manifests itself most conspicuously in renderings that are ungrammatical or unnatural, and, in a more subtle way, through equivalents which are grammatically acceptable but occur with a strikingly high frequency in the Septuagint as compared with original Greek compositions contemporary with the Septuagint.

Much can be learned about a translation’s linguistic and cultural context by studying it as a text, a literary artifact of the culture that produced it. However, its nature as a translation warrants a careful approach, one that pays attention to the process by which its various features came about. In Characterizing Old Greek Deuteronomy as an Ancient Translation, Jean Maurais develops a framework derived from Descriptive Translation Studies to bring both these aspects in conversation. He then outlines how the Deuteronomy translator went about his task and provides a characterization of the work as a literary product.

In Style and Context of Old Greek Job, Marieke Dhont offers a new understanding of the linguistic and stylistic diversity in the Septuagint corpus. To this end, the author innovatively uses Polysystem Theory, which has been developed in the field of modern literary studies. After discussing the appropriateness of a systemic approach to understanding Jewish-Greek literature, the author reflects on the Jewishness of Greek-language texts. Dhont then presents a thorough literary analysis of the Old Greek version of the book of Job. On this basis, she explains the dynamics that produced the translation of Old Greek Job and its position within the development of a Jewish-Greek literary tradition.

The Septuagint is the term commonly used to refer to the corpus of early Greek versions of Hebrew Scriptures. The collection is of immense importance in the history of both Judaism and Christianity. The renderings of individual books attest to the religious interests of the substantial Jewish population of Egypt during the Hellenistic and Roman periods, and to the development of the Greek language in its Koine phase. The narrative ascribing the Septuagint's origins to the work of seventy translators in Alexandria attained legendary status among both Jews and Christians. The Septuagint was the version of Scripture most familiar to the writers of the New Testament, and became the authoritative Old Testament of the Greek and Latin Churches. In the early centuries of Christianity it was itself translated into several other languages, and it has had a continuing influence on the style and content of biblical translations. The Oxford Handbook of the Septuagint features contributions from leading experts in the field considering the history and manuscript transmission of the version, and the study of translation technique and textual criticism. The collection provides surveys of previous and current research on individual books of the Septuagint corpus, on alternative Jewish Greek versions, the Christian 'daughter' translations, and reception in early Jewish and Christian writers. The Handbook also includes several conversations with related fields of interest such as New Testament studies, liturgy, and art history.

Revision of the author's thesis (doctoral--University of Sheffield).