Religious faith, myths and legends have always been present in literature. However, their role has changed over time. Since the middle of the nineteenth century, with the diminishing role of religion in European society, writers with some kind of belief system, whether religious or political, have tended to use myth in two different ways. They have either retold the old, familiar myths of the past so that they carry fresh messages relevant to a contemporary audience or created their own, new myths as modern vehicles of traditional truths. Many writers have combined the two techniques. Such is the transforming artistry which the eighteen essays in Re-Embroidering the Robe examine: the remaking or new-minting of myth, in literature from 1850 to the present day, so that what it embodies and expresses speaks powerfully to the modern reader. In widely differing ways, therefore, all of the texts analysed here compel attention.

Important American periodical dating back to 1850.

An illustrated women's magazine; includes extracts from novels, short stories, reviews, aphorisms, songs, philosophical discussions, and detailed descriptions of the latest clothing fashions from London and Paris.

There has long been a need for a translation of the Judaeo-Christian Bible that did not deliberately mistranslate certain words and sentences for the purpose of concealing that the biblical authors' beliefs were quite different from those of modern Jews, Christians and Muslims. For example, "The LORD" is a falsification of the proper name Yahweh, a god like Zeus or Jupiter. But the most blatant fraud has been the rendering of the Hebrew word allahiym as the male proper name, "God." Allahiym is neither a proper name nor singular nor unisexual. Al means a god. The suffix -ah is a feminine singular inflection, so that allah means "goddess." The suffix -iym is a masculine plural inflection, making allahiym a dual-sex, generic plural, "male and female gods," or, in the common gender, "gods." This translation corrects such falsifications. For extra copies contact: www.worldaudience.org