This book, the first of two volumes, challenges decades of superficial and selective rhetoric about Tito’s Yugoslavia. The essays explore some of the gaps in the existing descriptions of the country that have existed for decades. Contributors cover a range of topics including the abolition of the multi-party system, nonalignment, and the 1968 reinforcing position among others.

"How Nazi architects and planners envisioned and began to build a model 'Aryan' society in Norway during World War II"--

This book is aimed at presenting fresh views, interpretations, and reinterpretations of some already researched issues relating to the Yugoslav foreign policy and international relations up to year 1991. Yugoslavia positioned itself as a communist state that was not under the heel of the Soviet diplomacy and policy and as such was perceived by the West as an acceptable partner and useful tool in counteracting the Soviet influence.

2020 marks 75 years since the end of World War II, yet even as the war slips from living memory, its legacies continue to influence current political and military thinking. This anthology will analyze these legacies for a number of countries and regions including China, Russia, the United States, the Near East, and Germany illustrating in detail how World War II is not merely a historical event, but a defining moment for current military and political thinking around the globe. This book will therefore be of interest for those interested in history, but also political and military decision makers, and followers of current political and military affairs.

Critique and Affirmation in Erich Fromm explores the relations between Erich Fromm’s theory and practice in politics and the psychoanalytic clinic – their points of continuity and contradiction. Drawing on a systematic reading of Fromm's published output, as well as extensive research in the Fromm archives, Matheus Romanetto extracts the fragments of ontology, logic, and ethics implicit in his writings, leading to a re-evaluation of Fromm's place in 20th century intellectual history. Interpolated with the theoretical argument are three historical excursi thematizing Fromm’s practice in political life, religious life, and the psychoanalytic clinic, setting the grounds for a new political sociology of radical humanism and critical theory. Critique and Affirmation in Erich Fromm will be of great interest to psychoanalysts and to scholars of psychoanalytic studies, sociology, contemporary philosophy, political theory, and critical theory.

How amateur programmers in 1980s Czechoslovakia discovered games as a medium, using them not only for entertainment but also as a means of self-expression. Aside from the exceptional history of Tetris, very little is known about gaming culture behind the Iron Curtain. But despite the scarcity of home computers and the absence of hardware and software markets, Czechoslovakia hosted a remarkably active DIY microcomputer scene in the 1980s, producing more than two hundred games that were by turns creative, inventive, and politically subversive. In Gaming the Iron Curtain, Jaroslav Švelch offers the first social history of gaming and game design in 1980s Czechoslovakia, and the first book-length treatment of computer gaming in any country of the Soviet bloc. Švelch describes how amateur programmers in 1980s Czechoslovakia discovered games as a medium, using them not only for entertainment but also as a means of self-expression. Sheltered in state-supported computer clubs, local programmers fashioned games into a medium of expression that, unlike television or the press, was neither regulated nor censored. In the final years of Communist rule, Czechoslovak programmers were among the first in the world to make activist games about current political events, anticipating trends observed decades later in independent or experimental titles. Drawing from extensive interviews as well as political, economic, and social history, Gaming the Iron Curtain tells a compelling tale of gaming the system, introducing us to individuals who used their ingenuity to be active, be creative, and be heard.

The fascinating history of Eastern Europe includes highs of soaring cultural achievement and lows of almost unimaginable repression. But we in the West don’t know much about Eastern Europe or its history—this book helps us see why. We got interested when the region became a threat during the Cold War, but what we learned focused on the Communist period after World War II—not Eastern Europe itself or its deep history, a history that continues to live in the hearts of its peoples. James Payton offers an accessible treatment of the history of the region, an opportunity to learn about Eastern Europeans as they are. He overviews that story from pre-history to the present, examining eleven turning points that profoundly shaped Eastern European history. His treatment considers the backgrounds to the turning points, the events, and the long-lasting impacts they had for the various Eastern European nations. This helps us understand how Eastern Europeans themselves see their history—the “long haul” over the centuries, with the influence and impact of events of the sometimes-distant past shaping how they see themselves, their neighbors, and their place in the world.

Violence analyzes both the violence exerted on the societies of Central and Eastern Europe during the twentieth century by belligerent powers and authoritarian and/or totalitarian regimes and armed conflicts between ethnic, social and national groups, as well as the interaction between these two phenomena. Throughout the twentieth century, Central and Eastern Europe was hit particularly hard by war, violence and repression, with armed conflicts in the Balkans at the start and end of the period and two world wars in between. In the shadow of these full-scale wars, ethnic, social and national conflicts were intensified, found new forms and were violently played out. The interwar period witnessed the emergence of authoritarian states who enforced their claim to power through continued violence against political opponents, stigmatized ethnic, national and social groups, and were themselves fought with subversive or terrorist techniques. This volume focuses specifically on physical violence: war and civil war, ethnic cleansing, systematic starvation policies, deportations and expulsions, forced labour and prison camps, persecution by state security – such as intensive surveillance, which had an enormous impact on the lives of those it affected – and other forms of government oppression and militant resistance. Geographically, it considers the western regions of Belarus and Ukraine as sites of extreme violence that had a noticeable impact on neighbouring Central and Eastern European countries as well. The concluding volume in a four-volume set on Central and Eastern Europe in the twentieth century, it is the go-to resource for those interested in violence in this complex region.

Yellow Star, Red Star asks why Holocaust memory continues to be so deeply troubled—ignored, appropriated, and obfuscated—throughout Eastern Europe, even though it was in those lands that most of the extermination campaign occurred. As part of accession to the European Union, Jelena Subotić shows, East European states were required to adopt, participate in, and contribute to the established Western narrative of the Holocaust. This requirement created anxiety and resentment in post-communist states: Holocaust memory replaced communist terror as the dominant narrative in Eastern Europe, focusing instead on predominantly Jewish suffering in World War II. Influencing the European Union's own memory politics and legislation in the process, post-communist states have attempted to reconcile these two memories by pursuing new strategies of Holocaust remembrance. The memory, symbols, and imagery of the Holocaust have been appropriated to represent crimes of communism. Yellow Star, Red Star presents in-depth accounts of Holocaust remembrance practices in Serbia, Croatia, and Lithuania, and extends the discussion to other East European states. The book demonstrates how countries of the region used Holocaust remembrance as a political strategy to resolve their contemporary "ontological insecurities"—insecurities about their identities, about their international status, and about their relationships with other international actors. As Subotić concludes, Holocaust memory in Eastern Europe has never been about the Holocaust or about the desire to remember the past, whether during communism or in its aftermath. Rather, it has been about managing national identities in a precarious and uncertain world.

Picturing Genocide in the Independent State of Croatia examines the role which atrocity photographs played, and continue to play, in shaping the public memory of the Second World War in the countries of the former Yugoslavia. Focusing on visual representations of one of the most controversial and politically divisive episodes of the war -- genocidal violence perpetrated against Serbs, Jews, and Roma by the pro-Nazi Ustasha regime in the Independent State of Croatia (1941-1945) -- the book examines the origins, history and legacy of violent images. Notably, this book pays special attention to the politics of the atrocity photograph. It explores how images were strategically and selectively mobilized at different times, and by different memory communities and stakeholders, to do different things: justify retribution against political opponents in the immediate aftermath of the war, sustain the discourses of national unity on which socialist Yugoslavia was founded, or, in the post-communist era, prop-up different nationalist agendas, and 'frame' the Yugoslav wars of the 1990s. In exploring this hitherto neglected aspect of Yugoslav history and visual culture, Jovan Byford sheds important light on the intricate nexus of political, cultural and psychological factors which account for the enduring power of atrocity images to shape the collective memory of mass violence.