The end of communism in Europe has tended to be discussed mainly in the context of political science and history. This book, in contrast, assesses the cultural consequences for Europe of the disappearance of the Soviet bloc. Adopting a multi-disciplinary approach, the book examines the new narratives about national, individual and European identities that have emerged in literature, theatre and other cultural media, investigates the impact of the re-unification of the continent on the mental landscape of Western Europe as well as Eastern Europe and Russia, and explores the new borders in the form of divisive nationalism that have reappeared since the disappearance of the Iron Curtain.

Since the fall of communism, archaeological research in Central and Eastern European countries has seen a large influx of new projects and ideas, fueled by bilateral contacts, Europe-wide circulation of scholars and access to research literature. This volume is the first study which relates these issues specifically to Bronze Age Archaeology.

Cultural Heritage in the European Union provides a critical analysis of the laws and policies which address cultural heritage throughout Europe, considering them in light of the current challenges faced by the Union. The volume examines the matrix of organisational and regulatory frameworks concerned with cultural heritage both in the Union and its Members States, as well as their interaction, cross-fertilisation, and possible overlaps. It brings together experts in their respective fields, including not only legal, but also cultural economists, heritage professionals, government representatives, and historians. The diverse backgrounds of the authors offer a cross-disciplinary approach and a variety of views which allows an in-depth scrutinisation of the latest developments pertaining to cultural heritage in Europe.

This book examines the rapidly expanding EU agency’s distinct role in EU border control, showing that Frontex is a prominent border control actor that reshapes the EU borders by promoting a new border control culture. Bringing culture into the analysis of Frontex, this book offers an alternative in-depth understanding of the agency’s function, focusing on the production and diffusion of border control assumptions and practices within a border control community. Based on data drawn from primary research at Frontex and two EU external borders, namely Lampedusa and Evros, this book examines Frontex’s contribution to the emergence of a new border control culture in Europe, replacing the pre-existing Schengen culture. Compared with the existing literature on Frontex, this novel account takes into consideration the evolving nature of borders and border control, discussing three contemporary challenges for the established border control regime: Brexit, the COVID-19 pandemic, and hard security preoccupations, such as the fall-out from the Russian invasion in Ukraine and the weaponisation of migration at the Greek-Turkish land border. Frontex and the Rising of a New Border Control Culture in Europe will appeal to scholars and students of border management, EU studies, migration, geography, international relations, and security, along with policymakers and practitioners with an interest in EU border control and Frontex.

How can nations optimize their power in the modern world system? Realist theory has underscored the importance of hard power as the ultimate path to national strength. In this vision, nations require the muscle and strategies to compel compliance and achieve their full power potential. But in fact, changes in world politics have increasingly encouraged national leaders to complement traditional power resources with more enlightened strategies oriented around the use of soft power resources. The resources to compel compliance have to be increasingly integrated with the resources to cultivate compliance. Only through this integration of hard and soft power can nations truly achieve their greatest strength in modern world politics, and this realization carries important implications for competing paradigms of international relations. The idea of power optimization can only be delivered through the integration of the three leading paradigms of international relations: Realism, Neoliberalism, and Constructivism.

The unifying thread of the interdisciplinary volume Jewish and Non-Jewish Spaces in the Urban Context is the fact that Jewish spaces are almost always generated in relation to non-Jewish spaces; they determine and influence each other. This general phenomenon will be scrutinized and put to the test again and again in a varied collection of articles by international experienced researchers as well as junior scholars using various urban contexts and discourses as data. From the viewpoints of different temporal and regional research traditions and disciplines the contributors deal with the question of how Jewish and non-Jewish spaces are imagined, constructed, negotiated and intertwined. All examples and case studies together create a mosaic of possibilities for the construction of Jewish and non-Jewish spaces in different settings. The list of examined topics ranges from synagogues to ghettos, from urban neighborhoods to cafés and festivals, from art to literature. This diversity makes the volume a challenging effort of giving an overview of the current academic discussion in Europe and beyond. Although the majority of the contributions are focused on Central and Eastern Europe, a more general tendency becomes apparent in all articles: the negotiation of urban spaces seems to be a complex and ambivalent process in which a large number of participants are involved. In this regard, the volume would also like to contribute to trans-disciplinary urban studies and critical research on spatial relations.

The end of communism in Europe has tended to be discussed mainly in the context of political science and history. This book, in contrast, assesses the cultural consequences for Europe of the disappearance of the Soviet bloc. Adopting a multi-disciplinary approach, the book examines the new narratives about national, individual and European identities that have emerged in literature, theatre and other cultural media, investigates the impact of the re-unification of the continent on the mental landscape of Western Europe as well as Eastern Europe and Russia, and explores the new borders in the form of divisive nationalism that have reappeared since the disappearance of the Iron Curtain.

Scholarly interest in the study of state borders and border regions is growing in Europe, keeping pace with the remarkable changes associated with the transformation of old borders and the creation of new ones in the European Union and beyond over the last fifteen years. Social scientists have increasingly examined cross-border co-operation as one way to understand the changes which affect European borderlands. Ironically, given the recent turn to issues of culture and identity in the social sciences, one of the most neglected aspects of the critical and comparative analysis of cross-border co-operation has been culture. Culture and Cooperation in Europe's Borderlands, the first collection of essays to provide multidisciplinary perspectives on these issues in European borderlands, presents three modes of analysis of culture and cross-border co-operation as a tentative way forward to redress this imbalance. These overlapping perspectives, on cultures of co-operation, co-operation about culture, and the impact of culture on forms of co-operation, are offered as possible strategies in the comparative social science of European borderlands. The contributions to this collection examine some or all of the following: - cross-border cooperation about culture, in such areas of culture as tradition, language use and rights, and education. - cross-border cooperation and culture, i.e., in ways in which ‘culture’ enhances or hinders economic and political co-operation across state borders, as for example, through issues of national, regional and local identity, cultural practices, and ethnic relations. - the culture of cooperation, i.e., ways in which co-operation across borders creates new cultural codes, political practices, organizational cultures and transnational social and political institutions.

Now in a completely updated, full-color edition, this leading textbook has been thoroughly revised to reflect the sweeping economic, social, and political changes the past decade has brought to Europe and to incorporate new research and teaching approaches in regional geography. The authors have especially expanded their discussion of climate change and other environmental challenges facing Europe; migration and the rise of right-wing populist movements; and Brexit and other issues facing the EU. They employ a cultural-historical approach that is ideally suited to facilitate understanding of Europe’s complex geographical character. Their topical organization—including environment, ethnicity, religion, language, demography, politics, industry, and urban and rural life—offers students a holistic understanding of the diverse cultural area that is Europe. Inclusive, rich in ideas, lively, interesting, and humanistic, The European Culture Area remains the text of choice for courses on the geography of Europe.

Annotation. A third volume of essays from various activities and events organized by the Centre for International Borders Research at Queens University of Belfast considers three modes in the analysis of culture and cross-border cooperation--cultures of co-operation, co-operation about culture, and the impact of culture on forms of co-operation--as possible strategies in the comparative social science of European borderlands. The case studies range from Israel's Green Line to Ulster Unionist identity. There is no index. Annotation ©2004 Book News, Inc., Portland, OR (booknews.com).