"The Passion is the climactic event in each of the gospels. These volumes elucidate the passion in its historical background and explore its theological breadth and depth."--Back cover

Jerome Neyrey brings a remarkably enlightened approach to the Passion Narrative, and to Luke's particular version of it. The book begins where previous studies leave off, for it goes beyond traditional questions of source and historicity and treats the Lukan Passion Narrative from the standpoint of redaction criticism. Neyrey offers a fresh literary analysis of the text, along with significant thematic and theological insights into Luke's version of Jesus's Passion. Five major episodes in the Passion Narrative are treated: The Farewell Address at the Last Supper, the Garden, Jesus's Trials, his Address to the Women, and the Crucifixion. Although rich in detail, this book continually offers a unified view of the text; readers are constantly offered overviews, summaries of the data, and interpretation of it. The book breaks new ground in suggesting a distinctive Lukan soteriology of the cross and a corresponding Christology. Study of the faith of the dying Jesus becomes a major clue for seeing Jesus as the New Adam in Luke-Acts. This book significantly advances our reading of Luke, especially by the way Acts is brought to bear as an interpretive clue to Luke's whole project, Luke-Acts. Contemporary interpretation of Luke demands study of the way Lukan structures and themes are continued and confirmed in Acts, which holds true especially for the Passion Narrative. Luke brings the story of Jesus into harmony with the story of his church.

(Boosey & Hawkes Scores/Books). Scored for chorus, children's choir, organ and chamber orchestra, St. Luke Passion adopts a pared-back focus on choral voices over its 75-minute span. Seeking a more spiritual, inward approach to match Luke's text, the composer eschews settings of interpolated texts as arias and the customary Evangelist and Christ soli: everything is sung by choral forces. A children's choir grants a measure of innocence to Christ as the sacrificial lamb, emphasising aspects of otherness, sanctity and mystery. The Passion narrative is framed by a Prelude exploring the Annunciation and a Postlude taking us beyond the Crucifixion to the Resurrection and Ascension. These incorporate Gospel texts where Luke explains the Kingdom of God.

The goal of this redaction-critical investigation is to determine what in Luke 22 is special to Luke, to assess its origin, and to uncover Luke's purpose in using this material. Unlike earlier studies, Soards concentrates on lines of thought that link the chapter with the Gospel as a whole. The author's conclusion is that though Luke did not use a single coherent source other than Mark for this chapter, his diverse material was chosen in order to advance Luke's distinctive interests in Christology, eschatology and ecclesiology. Christologically, Jesus is shown as in charge of the Passion events and as the realization of a divine plan; eschatologically, the Passion is portrayed as inaugurating the era of the Last Days; ecclesiologically, Jesus's attitude to his disciples functions as instruction for Luke's readers about their role in God's plan.

These books show how several readers can proclaim the Passion well. Rather than simply dividing the Passion into the parts, this book allows the evangelist's understanding of the Passion to be heard and pondered. You'll also find proclamation tips and suggestions for musical refrains, acclamations and hymns. The cover is suitable for use in the liturgy, and the type and the use of sense lines allow for ease of proclamation. The text of the English version is that of the revised U.S. lectionary. The text of the Spanish version corresponds to the Mexican lectionary.

In this study Heather Gorman analyses Luke's portrayal of Jesus' death in light of the ancient rhetorical tradition, particularly the progymnasmata and the rhetorical handbooks. In addition to providing a detailed, up-to-date exegetical study of Luke 22:66-23:49, she argues three things. First, through the strategic placement of rhetorical figures and the use of common topics associated with refutation and confi rmation, Luke structures his passion narrative as a debate about Jesus' innocence, which suggests that one of Luke's primary concerns is to portray Jesus as politically innocent. Second, ancient examples of synkrisis suggest that part of the purpose of Luke's characterisation of Jesus in the passion narrative, especially when set in parallel to Paul and Stephen in Acts, was to set up Jesus as a model for his followers lest they face similar persecution or death. Finally, Luke's special material and his variations from Mark are explicable in terms of ancient compositional techniques, especially paraphrase and narration, and thus recourse to a special Passion Source is unnecessary.

"A Michael Glazier book." Includes bibliographical references and indexes.

The book defends and develops the argument for a non-Markan basis for the Gospel of Luke.