It is July 1890 as thirty-seven-year old Vincent van Gogh prepares for his last destination. Soon he plans to leave his tormented earthly life and move forward to a more peaceful place. After Vincent dons his usual paint-splattered clothes and leaves several still-wet canvases behind in his cluttered room, he lovingly places his paint box and easel next to a garden wall, where he hopes someone will find them one day. As he revisits sites he has pained, Vincent touches the metal barrel of the borrowed pistol he has tucked secretly into his jacket while reflecting on his episodes of madness, his embarrassing seizures, and his less than ideal relationship with his brother, Theo. Finally while the malnourished and selfcondemned artist climbs a steep road above the rural lands of France to carry out his scheduled plan before nightfall, his destiny waits. Will Vincent have the courage to carry out his final act, and if so, what will be its consequences? In this poignant tale, the imagined last thirty-six hours of the renowned artist play out in fascinating detail as he finally takes control of his tortured existence on Earth.

A captivating and definitive account of the final days of Van Gogh's life and the incredible story of what followed. Divided into three parts, the book first examines the eventful days from the artists’ departure from the asylum in Saint-Remy and arrival in Auvers until the shooting which brought his life to an end. During this time Van Gogh completed 70 paintings in 70 days. The second part delves deeper into the story of the artist’s death, which has intrigued both experts and the public for years, revealing little-known stories and uncovering overlooked accounts. We then follow the story of how Van Gogh subsequently rose from relative obscurity to international renown and ultimately fame as one of the most recognisable and popular artists in the world. Leading Van Gogh specialist Martin Bailey writes with insight and intelligence, bringing these fateful days to life with colour and character as well as historical expertise, capturing the real sense of a tragic but meaningful life truly lived.

Vincent Van Gogh once wrote when his paintings weren't selling; ‘I cannot help it that my paintings do not sell. The time will come when people will see that they are worth more than the price of the paint.’ I wish they would take me as I am. - Vincent Van Gogh. Jean-Paul Sartre voiced, if victory is told in detail, one can no longer distinguish it from a defeat. What we all want from life! That's the question we should ask ourselves every day as when we earn all the wealth and prosperity of this world then we try focusing on our soul satisfaction but how ravishing it would be if we felt peaceful even in the devastating storm! That even if everything is getting apart and broken around you but a deep solitude is having a permanent home in your soul; and you are so lost that you have no other desires and greed to make you feel satisfied. Vincent William Van Gogh, a Dutch Post-Impressionist Painter, is the most famous and influential figure in the history of modern art but inside he was just a broken artist, combating everything in agony & loneliness but improving himself with his actions. Most people are aware of this genius personality but he held a deep gloominess in his heart. While researching, I asked myself multiple times, Vincent Van Gogh died penniless, in depression, agony, in asylum, & intense loneliness but without any support, food or love, he created the marvellous paintings of all time; so what made him go for so long. Have you ever thought about whether destiny really exists or not? Everything is uncertain then what is fixed. What truly made him Vincent Van Gogh even despite everything that was against him, he created his world's best work even with nothing and we are still complaining because we don't have perfect resources for our work. What made him genius! What fortune he created even with nothing! That's astounding and loving to know! Our research was on Vincent Van Gogh because when everyone is blaming they have less resources, Vincent carved his fortune with nothing and what he weaved in his heart, is a matter of secret to be opened to the entire world and that's a proud moment because if he could accomplish perfection with nothing then why we can’t even with something. Time is an illusion as it makes you realise you have more and you have it but you don't have it until you claim it by utilizing it well. It's damn true and practical that everything is out of control, except your soul. So, if everything around is a mess and you are still at tranquillity then you are with your soul. Your profession is not what brings home your weekly pay check, your profession is. What you're put here on earth to do, with such passion and such intensity that it becomes spiritual in calling. - Vincent Van Gogh.

Quirky facts to answer a diverse array of some of life’s big questions from why do couples split up to why do Americans celebrate Groundhog’s Day. Why do mosquitos love to bite us so much? Why does baseball have a seven-inning stretch? And why do some countries drive on the left of the road? Get the details and data needed to answer an incredible range of questions, from everyday queries to philosophical conundrums. Why do . . . . . . we have standardized measurements? It was King Edward I of England, not a mathmatician, who set a standard of accuracy in certain trades. . . . we wear neckties? Neckties proclaim status, occupation, and identity, dating back to Roman times when orators wore them to keep their vocal cords warm. . . . brides wear wedding rings on the fourth finger of the left hand? For centuries, people believes the vein in that finger went directly to the heart.

Who killed Napoleon? Were the witches of Salem high on LSD? What do maggots on a body tell us about the time of death? In his unique, engaging style, Brian Kaye tells the story of some spectacular cases in which forensic evidence played a key role. You'll also read about the fascinating ways in which scientific evidence can be used to establish guilt or innocence in today's courtroom. The use of voice analysis, methods for developing fingerprints and for uncovering art forgeries, and the examination of bullet wounds are just a few topics considered. In a special section on fraud, the author takes you into the world of counterfeit money. There's no solving crime without science. Written for everyone interested in whodunnits, this book explains the basis of the analytical techniques available for studying evidence in offenses ranging from doping in sports to first-degree murder.

Cutting through the fog of jargon and theories that can make art seem hopelessly remote, The Annotated Mona Lisa demystifies art history. It's a brisk, clearly stated survey, from cave painting to conceptual art, that doesn't talk down to its reader and doesn't assume a prior art education. Dynamic design, page-length essays, frequent sidebars, and abundant illustrations make this compendium a browser's delight. 300 illustrations, one third in color.

The fascinating story of Dr. Paul Gachet's collection of works of art by artists such as Cezanne, Van Gogh, and Monet.

A groundbreaking reassessment that foregrounds Van Gogh's profound engagement with the industrial age while making his work newly relevant for our world today Vincent van Gogh (1853-1890) is most often portrayed as the consummate painter of nature whose work gained its strength from his direct encounters with the unspoiled landscape. Michael Lobel upends this commonplace view by showing how Van Gogh's pictures are inseparable from the modern industrial era in which the artist lived--from its factories and polluted skies to its coal mines and gasworks--and how his art drew upon waste and pollution for its subjects and even for the very materials out of which it was made. Lobel underscores how Van Gogh's engagement with the environmental realities of his time provides repeated forewarnings of the threats of climate change and ecological destruction we face today. Van Gogh and the End of Nature offers a radical revisioning of nearly the full span of the artist's career, considering Van Gogh's artistic process, his choice of materials, and some of his most beloved and iconic pictures. Merging a timely sense of environmental urgency with bold new readings of the work of one of the world's most acclaimed artists, this book weaves together detailed historical research and perceptive analysis into an illuminating portrait of an artist and his changing world.

Creativity and Psychotic States in Exceptional People tells the story of the lives of four exceptionally gifted individuals: Vincent van Gogh, Vaslav Nijinsky, José Saramago and John Nash. Previously unpublished chapters by Murray Jackson are set in a contextual framework by Jeanne Magagna, revealing the wellspring of creativity in the subjects’ emotional experiences and delving into the nature of psychotic states which influence and impede the creative process. Jackson and Magagna aim to illustrate how psychoanalytic thinking can be relevant to people suffering from psychotic states of mind and provide understanding of the personalities of four exceptionally talented creative individuals. Present in the text are themes of loving and losing, mourning and manic states, creating as a process of repairing a sense of internal damage and the use of creativity to understand or run away from oneself. The book concludes with a glossary of useful psychoanalytic concepts. Creativity and Psychotic States in Exceptional People will be fascinating reading for psychiatrists, psychotherapists and psychoanalysts, other psychoanalytically informed professionals, students and anyone interested in the relationship between creativity and psychosis.