Sketches and Scholarly Studies: Part II, Musical Settings and Sketches brings together two crucial aspects of Gerard Manley Hopkins's insatiable drive to create: drawing, predominantly (but not exclusively) from the early part of his life, when he had ambitions to be a painter; and music, from the later part of his life, when he found in music suggestions of a new contact with the eternal. Hopkins grew up in a home that emphasized cultural and artistic accomplishments; his brothers Arthur and Everard were both professional illustrators, and his sister Grace was an accomplished pianist. Limited as the corpus of Hopkins's drawings is--four small sketchbooks and a handful of loose drawings--there is certainly evidence to suggest that he might have been a successful illustrator adhering to Ruskinian principles. This edition reproduces the surviving drawings, with a full introduction and annotations placing them in the context of Hopkins's creative life. His musical compositions are presented in both manuscript facsimiles and new transcriptions, revealing his exploration, in a new mode, of ideas of rhythm, harmony, and counterpoint.

The Present Book, Gerard Manley Hopkins: A Critical Study, Aims To Introduce The Readers To The Universally Acknowledged English Poet G.M. Hopkins. Although Not Recognized In His Times, His Popularity Has Increased With The Passing Of Years And Today His Poems Are Held In High Esteem. His Concept Of Poetry And Poetic Diction Distinguished Him From His Contemporary Victorian Poets. He Has Been Held By Many As Belonging More To The Twentieth Century Than The Nineteenth, Owing To His Technical Innovation And Intense Style. In His Poetry, The Rhythm Of The Verse Has Been Perfectly Fused With The Flow And Varying Emphasis Of Spoken Language. In Fact, Hopkins Skilfully United The Rhythmical Freedom Of The Middle Ages, The Religious Intensity Of The Early Seventeenth Century, The Response To Nature Of The Early Nineteenth, And He Envisioned The Twentieth Century In Challenging Conventional Encumbrances In Poetic Form.The Present Book Makes An In-Depth Study Of All The Aspects Of Poetic Art Of Hopkins. Since Hopkins Poems Have Been Considered By Many Students Of English Literature As Difficult To Analyse, The Book Aims At Providing A Complete Analytic Exposition Of His Major Works So As To Induce Interest In Readers By Enabling Them To Have An Easy Understanding Of His Poetic Style And Works. Beginning With A Biographical Sketch Of The Poet, The Book Elucidates His Theory Of Poetry. His Concepts Of Inscape , Instress , And Sprung Rhythm Have Been Much Discussed. The Book Acquaints The Readers With Hopkins Treatment Of Nature Which Has Always Been The Background Of His Poems. A Critical Analysis Of His Major Poems Is Another Attraction Of The Present Book.It Is Hoped That The Book Would Be Highly Useful To The Students And Teachers Of English Literature. It Will Encourage The General Readers To Read The Masterpiece Works Of G.M. Hopkins.

Gerard Manley Hopkins was not only one of the most gifted Victorian poets, he was a compelling diarist who used his journals for everything from daily to-do lists to the most intimate spiritual self-assessments. This volume represents Hopkins as a man of extremes, both emotionally and psychologically. There are mundane memoranda about neckties to purchase or letters to write, but also exacting revisions of poems. There are entries of quiet rapture, his attentioncaught by the beauty of the natural world. Paintings, sculptures, and works of literature are stringently assessed, his aesthetic principles freely exercised. There are also nightmares relived;undergraduate 'sins' unsparingly recorded; 'signs' of heavenly mercy carefully noted. This is the first unexpurgated edition of all extant diaries. The entries extend from September 1863, during his second term at Oxford, until February 1875, while studying theology as a Jesuit in his beloved Wales, and from February 1884 until July 1885, while Hopkins was living at a 'third remove' in Dublin.

the book offers a detailed commentary on the poetry of Hopkins, exploring the significance of contemporary cultural issues and the poet's life as Catholic convert and Jesuit priest. Part 1 traces Hopkins's life from his early schooldays, his undergraduate years at Oxford and conversion to Catholicism, to his work as a Jesuit scholar and poet-priest. Part 2, explains the core principles of Hopkins's innovative and challenging poetry, including sections on inscape, instress and sprung rhythm. Part 3, provides a detailed critical commentary on most of the major poems, including The Wreck of the Deutschland, God's Grandeur, The Windhover, Pied Beauty, The Caged Skylark, Hurrahing in Harvest, Felix Randal, Spring and Fall, Inversnaid, the six 'Terrible Sonnets', and That Nature is a Heraclitean Fire. Part 4, explores the history of Hopkins criticism from that of his own contemporaries to twentieth century and current critical approaches. John Gilroy is also the author of Reading Philip Larkin: Selected Poms

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes.

Machine generated contents note: Introduction; Part I. Forms of Devotion: 1. Bibles; 2. Prayer; Part II. Models of Faith: 3. The soldier; 4. The martyr; Part III. Last Things: 5. Death and judgement; 6. Heaven and hell

Originally published in 1966. In his lifetime, Gerard Manley Hopkins was known as a poet only by a small circle of his friends. More than any other major Victorian writer, he was recovered and presented as a poet to modern readers by editors and scholars of the first half of the twentieth century. This book analyzes how and to what extent the presuppositions of these critics have dictated the modern conception of Hopkins's work. Bender seeks to dispel, once and for all, the notion that Hopkins was a naïf poet. He provides an analysis of classical Greek and Latin rhetoric relative to the classical background of Hopkins's style and the structure in his poetry. He maintains that especially in Hopkins's more extreme work, such as "The Wreck of the Deutschland," there are precedents for the structure of the poem itself, the structure of the sentences within the poem, and its sensual and obscure imagery in the classical literature that Hopkins knew so well. Bender's study suggests two highly controversial positons: first, that although Hopkins is one of the most original voices in English, his poetry is within a tradition insufficiently recognized by modern critics; and second, that the effect of careful and sympathetic study of classical literature can induce quite the opposite of a neoclassical style in English.

Gerard Manley Hopkins' experimental use of prosody and imagery has earned him the posthumous fame of being a daring innovator in a period dominated by traditional verse. The Delphi Poets Series edition of Hopkins offers the complete poetical works, with beautiful illustrations and a treasure trove of prose works to complement the poetry. (Version 1) * Beautifully illustrated with images relating to Hopkins' life and works * An informative introduction to the life and poetry of Hopkins * Excellent formatting of the poems, with line numbers - ideal for students * Special chronological, alphabetical and traditional numerical contents tables for the poetry * Easily locate the poems you want to read * Includes Hopkins' letters - spend hours exploring the poet's personal correspondence to friends and family * Special non-fiction section, with rare sermons and the seminal essay ON THE ORIGIN OF BEAUTY * Also features Hopkins' journals and diaries * Features a bonus biography - discover Hopkins' literary life * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Poetry of Gerard Manley Hopkins BRIEF INTRODUCTION: GERARD MANLEY HOPKINS The Poems LIST OF POEMS IN CHRONOLOGICAL ORDER LIST OF POEMS IN ALPHABETICAL ORDER LIST OF POEMS IN ORIGINAL NUMERICAL ORDER The Non-Fiction ON THE ORIGIN OF BEAUTY: A PLATONIC DIALOGUE SERMONS AND OTHER NON-FICTION WORKS The Letters LIST OF CORRESPONDENTS The Journals and Diaries LIST OF ENTRIES The Biography GERARD HOPKINS by Katherine Bregy Please visit www.delphiclassics.com to browse through our range of exciting titles

Gerard Manley Hopkins was among the most innovative writers of the Victorian period. Experimental and idiosyncratic, his work remains important for any student of nineteenth-century literature and culture. This guide to Hopkins’ life and work offers: a detailed account of Hopkins life and creative development an extensive introduction to Hopkins’ poems, their critical history and the many interpretations of his work cross-references between documents and sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading. Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of Hopkins’ work and seeking not only a guide to the poems, but a way through the wealth of contextual and critical material that surrounds them.