This book argues that the throne motif constitutes the major interpretive key to the complex structure and theology of the book of Revelation. In the first part of the book, Gallusz examines the throne motif in the Old Testament, Jewish literature and Graeco-Roman sources. He moves on to devote significant attention to the throne of God texts of Revelation and particularly to the analysis of the throne-room vision (chs. 4&5), which is foundational for the development of the throne motif. Gallusz reveals how Revelation utilizes the throne motif as the central principle for conveying a theological message, since it appears as the focus of the author from the outset to the climax of the drama. The book concludes with an investigation into the rhetorical impact of the motif and its contribution to the theology of Revelation. Gallusz finally shows that the throne, what it actually represents, is of critical significance both to Revelation's theism and to God's dealing with the problem of evil in the course of human history.

Reclaiming the first century as common ground rather than the origin of deeply entrenched differences: liberating the past to speak to us in another way. Conventional readings of antiquity cast Athens against Jerusalem, with Athens standing in for “reason” and Jerusalem for “faith.” And yet, Susan Buck-Morss reminds us, recent scholarship has overturned this separation. Naming the first century as a zero point—“year one”—that divides time into before and after is equally arbirtrary, nothing more than a convenience that is empirically meaningless. In YEAR 1, Buck-Morss liberates the first century so it can speak to us in another way, reclaiming it as common ground rather than the origin of deeply entrenched differences. Buck-Morss aims to topple various conceptual givens that have shaped modernity as an episteme and led us into some unhelpful postmodern impasses. She approaches the first century through the writings of three thinkers often marginalized in current discourse: Flavius Josephus, historian of the Judaean War; the neo-Platonic philosopher Philo of Alexandria; and John of Patmos, author of Revelation, the last book of the Christian Bible. Also making appearances are Antigone and John Coltrane, Plato and Bulwer-Lytton, al-Farabi and Jean Anouilh, Nicholas of Cusa and Zora Neale Hurston—not to mention Descartes, Kant, Hegel, Kristeva, and Derrida. Buck-Morss shows that we need no longer partition history as if it were a homeless child in need of the protective wisdom of Solomon. Those inhabiting the first century belong together in time, and therefore not to us.

Revelation's Hymns examines the hymnic pericopes in Revelation in light of the cosmic conflict theme. It considers this theme as integral to the development of Revelation's plot. Recognizing that critical studies give interpretative primacy to the political realities that existed at the time of Revelation's composition, Grabiner responds to the need for an examination of the storyline from the perspective of issues that are of narrative importance. Grabiner argues that the cosmic conflict is at the centre of the book's concerns, and attempts to determine the function of the hymns with respect to this. Previous examinations of the hymns have considered them as a response and/or parody to Roman liturgy, examples of God's unquestioned sovereignty, or expressions of thematic overtones found throughout the book. While these approaches make a contribution to a greater understanding of the hymns, the relation to the ever-present conflict theme has not been explored. This study allows the hymnic sections to engage with the larger narrative issue as to who is truly the rightful sovereign of the universe.

This book investigates the use of the Greek term “proskuneo” with Jesus as the object in the New Testament writings. Ray M. Lozano unpicks this interesting term and examines its capacity to express various degrees of reverence directed toward a superior: from a respectful greeting of an elder, to homage paid to a king, to cultic worship paid to a god. Lozano then looks at the term in reference to Jesus in the New Testament writings, and carefully considers whether Jesus is portrayed as receiving such reverence in a relatively weak sense, as a merely human figure, or in a relatively strong sense, as a divine figure. Lozano highlights how scholars are divided over this issue and provides a fresh, thorough examination of the New Testament material (Mark, Matthew, Luke-Acts, John, Hebrews, and Revelation) and, in so doing shows, that each of these New Testament writings, in their own unique ways, presents Jesus as a divine figure-uniquely and closely linked to the God of Israel in making him an object of “proskuneo.”

Spes Christiana is the journal of the European Adventist Society of Theology and Religious Studies (EASTRS). It contains articles from all subdisciplines of theology - Biblical Studies, Church History, Systematic Theology, Practical Theology, and Mission Studies, as well as auxiliary disciplines. Major fields and themes of publication include all that are either related to Adventism in Europe or researched by European Adventist scholars.

Two respected Old Testament scholars offer a fresh, comprehensive treatment of the messiah theme throughout the entire Old Testament and examine its relevance for New Testament interpretation. Addressing a topic of perennial interest and foundational significance, this book explores what the Old Testament actually says about the Messiah, divine kingship, and the kingdom of God. It also offers a nuanced understanding of how New Testament authors make use of Old Testament messianic texts in explaining who Jesus is and what he came to do.

Revelation is resistance literature, written to instruct early Christians on how to live as followers of Jesus in the Roman Empire. The Nonviolent Apocalypse uses modern examples and scholarship on nonviolence to help illuminate Revelation’s resistance, arguing that Revelation’s famously violent visions are actually acts of nonviolent resistance to the Empire. The visions form part of Revelation’s proclamation of God’s way as a just and life-giving alternative to the system constructed by Rome. Revelation urges its readers to pursue this radical form of living, engaging in nonviolent resistance to all that stands in the way of God’s vision for the world.

The Christian faith presents a distinctive vision of last things: that God in Christ aims to reconcile the world to himself, and through his Spirit and a new people, to set all things to right. This good news is for all nations and peoples, but for too long the Christian doctrine of eschatology has focused on debates and arguments rooted solely in the Western church. In All Things New, leading theologians and biblical scholars from Africa, Asia, Latin America, and North America offer readers a glimpse of how Christians around the globe are perceiving and describing the Christian hope. The result is a remarkably refreshing and distinctive vision of eschatology guaranteed to raise new questions and add new insights to the global church’s vision of the eschaton.

In all religions, in the medieval West as in the East, ideas about the past, the present and the future were shaped by expectations related to the End. The volumes Cultures of Eschatology explore the many ways apocalyptic thought and visions of the end intersected with the development of pre-modern religio-political communities, with social changes and with the emergence of new intellectual and literary traditions. The two volumes present a wide variety of case studies from the early Christian communities of Antiquity, through the times of the Islamic invasion and the Crusades and up to modern receptions, from the Latin West to the Byzantine Empire, from South Yemen to the Hidden Lands of Tibetan Buddhism. Examining apocalypticism, messianism and eschatology in medieval Christian, Islamic, Hindu and Buddhist communities, the contributions paint a multi-faceted picture of End-Time scenarios and provide their readers with a broad array of source material from different historical contexts. The first volume, Empires and Scriptural Authorities, examines the formation of literary and visual apocalyptic traditions, and the role they played as vehicles for defining a community’s religious and political enemies. The second volume, Time, Death and Afterlife, focuses on key topics of eschatology: death, judgment, afterlife and the perception of time and its end. It also analyses modern readings and interpretations of eschatological concepts.

How can impure, earthbound humans gain access to God, who is holy and in heaven? In ancient Israel and much of the ancient world, the answer was obvious: by means of a temple. The temple gives access to God because it images the cosmos. This book explores how the concept of a heavenly temple emerged as an important theological concept for early Christians. They developed their understanding of Christ and his work in part through their understanding of heaven as a temple. Nicholas Moore examines the heavenly temple concept in the New Testament within its Jewish and Greco-Roman contexts, demonstrating that the ministry of Jesus gives believers access to the dwelling place of God himself. Moore explores conceptions of the heavenly temple in the ancient world, Second Temple Judaism, the book of Revelation, Hebrews, the Gospels, Acts, and other early Christian literature. One important contribution of the book is to provide a corrective to the way many people understand the Jerusalem temple in early Christian thought. It is the first comprehensive study of the heavenly temple in the New Testament. Professors, students, and scholars of the New Testament will benefit from this work.